| 印象主义画派开启了东方古代艺术的年夜门。它的涌现离不开详细的社会汗青配景。19世纪下半叶，工业反动在法国进一步睁开，生涯措施日趋古代化，政治轨制上，法国也从帝国改变为共和国。社会实际的变更没能作用到法国官方画坛，法兰西美术学院和美术沙龙画风日趋僵化。年青的印象派画家不肯被官方文艺作风约束，开端年夜胆摸索，终究构成了印象主义的艺术作风。论文第一章评述了19世纪下半叶法国在政治、经济和生涯措施上的变更，评论辩论了这些变更对印象派画家的作用，以此提醒印象派画家生涯的时期配景。论文第二章研究19世纪下半叶法国的官方画坛、美术沙龙和其时风行的绘画派别，和印象派画家所处的文明气氛和职业情况。论文第三章追溯印象派画家的艺术摸索之路，包含他们少年自学时代、早年巴黎学艺时代，和自力作风成长时代的诸多阅历。论文第四章侧重研讨印象派画家成名前的生涯状况，法语论文题目，包含他们的生涯困窘，第一届印象派画展的原由，法语论文题目，和印象派画家加入美术沙龙展览的情形。论文以为，印象派的构成不只是艺术本身成长的成果，照样其时欧洲全部年夜的社会汗青情况的产品，对印象主义画派构成的缘由的研究有助于我们更好地懂得欧洲艺术成长的头绪。 Abstract: Impressionism opened the doors of ancient oriental art. The emergence of its emergence can not be separated from the social history background. In the second half of the 19th century, the industrial revolution in France to further open, by way of life are becoming more and more ancient, political institutional, France also from the Empire change for the Republic. The actual social change did not affect the official French painting, France and Academy of Fine Arts art salon style increasingly rigid. Young impressionist painter would not be official literary style constraints, beginning of the eve of the biliary exploration, eventually forming the artistic style of Impressionism. The review of the first chapter of the second half of the 19th century French in the political, economic and lifestyle changes, review the debate the impact of these changes on Impressionist painters, in order to remind period background of impressionist painter's career. The second chapter research the second half of the 19th century French official painting, art salon and the current vogue for painting faction, and Impressionist painter culture atmosphere and professional. The third chapter traces the impressionist art are explored, including self-study their young age, early Paris apprenticeship era, and independent style growing times many experiences. In the fourth chapter, the thesis focuses on the career status of the painters, including their career embarrassment, the first time the reason of the first session of the art exhibition, and the situation of the Art Salon Exhibition. The thought impressionistic composition not just art itself growth results, still in the meantime Europe all of the eve of the social and historical conditions of the product, research of reason of Impressionism have help us to better understand the European art growth of clue. 目录: 论文摘要 4-5 Abstract 5 绪论 7-15 一、国内外探讨近况 8-14 二、探讨思路及视角 14 三、篇章结构 14-15 第一章 19世纪下半叶的法国社会 15-23 一 从帝国到共和国 15-18 二 产业革命下的法国经济 18-19 三 日益现代化的生活方式 19-23 第二章 19世纪下半叶的法国画坛 23-33 一 法兰西美术学院 23-25 二 举足轻重的美术沙龙 25-29 三 当时盛行的绘画流派 29-33 1.官方支持的古典主义 29-30 2.挑战权威的浪漫主义 30-31 3.关注社会的现实主义 31-33 第三章 画家们的艺术探究之路 33-47 一 画家们的少年时期 33-37 二 格莱尔画室 37-39 三 独立艺术风格的发展 39-47 1.巴比松画派的作用 39-43 2.意外的伦敦之行 43-47 第四章 困顿的生活 47-58 一 爱恨交织的沙龙展览 47-50 二 贫乏的物质生活 50-54 三 筹备第一届画展 54-58 结语 58-59 参考文献 59-62 后记 62 |
