| 法国作家笔下的蒙前人抽象既是一种社会整体想象的产品,也是作家、作者们经由过程文本浏览所积聚的经历而塑造的西方的异国外族抽象。这类异国外族抽象受制于分歧时代的法国社会文明语境和读者的等待视野,著作中的蒙前人抽象除虚拟、想象和幻象外又具有某些真实性的成分。经由过程法国作家有对于蒙前人抽象所做的描述和塑造,可以发明,蒙前人抽象从某种水平或意义下去说,是为知足作家对悠远存在的异国的“等待视野”而存在的。本论文中,笔者以鲁布鲁克东行纪中国孤儿青色的旗子蒙古苍狼四部著作为重要文本停止剖析,依照时光次序,解读分歧汗青时代、分歧文学文体,分歧作家、分歧社会文明语境下的蒙前人抽象,对其差异停止梳理、比拟和剖析,从抽象生成的角度对蒙前人抽象做出文学、文明层面的阐释息争读,从比拟文学抽象学的角度对法国作家笔下的蒙前人抽象作初步摸索和研究。 Abstract: Imagine the French writers of Mongolian abstraction is a society as a whole product is also a writer, the authors through text browsing the accumulation of experience and the shape of the Western exotic alien abstraction. This kind of exotic alien abstract subject to age differences of French society cultural context and the reader's anticipation field of vision, works in Mongolian abstract in addition to virtual, imagination and illusion and has certain realities in the ingredients. Via the process of French writer about Mongolian abstract the description and shaping can be found, Mongolian abstract from a certain level or meaning on is for content writers on distant presence of exotic "wait for vision. In this thesis, the author to the orphan of China "Rubruck Don travels the blue flag" "Menggu Cang wolf" four works for text analysis, in accordance with the time sequence, interpretation of the differences historical era, different literary style, different writers, different social civilized language environment of Mongolian abstraction, the similarities and differences between carding, comparison and analysis, from the angle of generating abstract on Mongolian Abstract make literature and civilization level interpretation of information read, from the comparative literature Abstract the perspective of French writers of the Mongolian abstraction preliminary exploration and research. 目录: 摘要 4-5 ABSTRACT 5 绪言 7-9 一、游记文学中的蒙古人形象 9-21 (一) 鲁布鲁克东行纪产生的背景和原因 9-11 (二) 鲁布鲁克东行纪中的蒙古人形象探微 11-19 1. 乌托邦化的蒙古大汗 12-13 2. 意识形态化的蒙古族民众 13-19 (三) 行纪对蒙古人形象记录的意义及作用 19-21 二、法国戏剧中的成吉思汗形象 21-31 (一) 十八世纪法国的“中国热” 21-23 (二) 中国孤儿中成吉思汗形象的异变及新质 23-28 (三) 伏尔泰改编中国孤儿所呈现出的文化生态 28-31 1. 与卢梭的哲学论争 28-29 2. 对东方文化的美学抉择与误读 29-31 三、历史小说中的蒙古人形象 31-41 (一) 青色的旌旗、蒙古苍狼创作背景及叙述视角 31-34 (二) 两部著作对蒙古人形象的跨文化阐释 34-41 1. 历史真实的再现与想象性演绎 35-36 2. 对人性的研讨 36-38 3. 对女性的书写 38-41 四、蒙古人形象——法国视域下变异的“他者” 41-47 (一) 不同形象符号的异变 41-43 (二) 不同文化语境下的异同性阐释 43-47 结语 47-48 硕士期间发表的学术论文 48-49 参考文献 49-51 致谢 51 |
