| 英国小说家约翰福尔斯的佳构法国中尉的女人一出书即遭到了国际外评论界的高度存眷。福尔斯好像置身于中古时代的狂欢广场,无意识地推翻小说创作中的各类金科玉律,把小说的艺术情势推向了极致。固然评论家们纷纭从著作的主题思惟、叙事办法、写作技能等角度对这部著作停止了深刻的研究,但鲜有人把此小说与巴赫金的狂欢化诗学树立接洽。笔者测验考试运用巴赫金的狂欢化诗学实际来剖析法国中尉的女人中所表现的狂欢化特色,愿望可以或许拓宽和加深我们对这部佳构的懂得。本文分离从狂欢化的复调构造,狂欢化的艺术思想和狂欢化的文体三个方面深刻剖析了法国中尉的女人所具有的狂欢化特色,如对等对话的精力,讥讽性模仿,狂欢化的小丑、疯子等人物抽象。福尔斯经由过程本身奇特的叙事措施和艺术思想将小说胜利带入狂欢范畴。他对小说祖传统位置的挑衅激发了小说家对艺术立异的能够性的积极思虑,直接地再现了后古代小说对传统艺术停止周全推翻的反水精力。但是,法国中尉的女人的狂欢其实不是对传统小说要素的完整否认,而是在保存传统的同时经由过程推翻性的艺术情势与之睁开对话。在充足确定小说中渗入渗出的狂欢化特点的同时,本文进一步指出,法国中尉的女人不只遣散了人们对于“文学干涸”的疑虑,并且对后古代的“作者已逝世”的论调提出了质疑。 Abstract: British novelist John Fowles's structure of the French Lieutenant's woman, a book that was the outer Critics Circle of concern. Falls as if exposure to Medieval Carnival square, unconsciously overthrow novels all the golden rule, the art forms of the novel was the climax. Although critics are diverse from the point of view of the works with the theme of thinking and narrative way and writing skills of the works stopped in-depth research, but few people to this novel and Bakhtin's Carnival Poetics establish contact. I test the application of Bakhtin's Carnival Poetics to analyze the characteristics of the French Lieutenant's woman, the desire to broaden and deepen our understanding of this good structure. In this paper, the polyphonic structure from the carnival, Carnival of artistic thought and Carnival style, profound analysis of the carnivalization trait of the French Lieutenant's woman, such as peer-to-peer conversation of energy, mocking imitation, Carnival of clowns, crazy characters like pumping. Fowles's unique narrative methods and artistic ideas through the process of the novel will be brought to the carnival victory. His challenge to the traditional novel progenitor position inspired novelist of artistic innovation to actively thinking, directly reproduced after ancient novels of traditional art stop overthrow the defection of the energy in the round. However, "the French Lieutenant's Woman" is not a complete denial of the elements of the traditional novel, but in the traditional process of preserving the traditional and the overthrow of the art form of dialogue. In determining an adequate Carnival features of novels of infiltration at the same time. The paper further points out that the French Lieutenant's woman, not only dismissed the people on the "literary dry" doubts and on the ancient "the author has died" argument questioned. 目录: Acknowledgements 5-7 Abstract 7 中文摘要 8-9 Introduction 9-24 1. John Fowles and The French Lieutenant\'s Woman (FLW) 9-12 2. Critical Reception of FLW 12-15 3. Bakhtin\'s Theory of Carnivalization 15-24 Chapter One The Carnivalized Polyphonic Structure in FLW 24-37 1.1 Dialogic Relationships Between the Author and the Characters 24-28 1.2 Dialogic Relationships Between Major Characters 28-32 1.3 Dialogic Relationships Between the Author and the Reader 32-37 Chapter Two Carnivalization of Artistic Thinking 37-54 2.1 Crowning and Decrowning 37-46 2.1.1 Sarah\'s Self-Decrowning 39-40 2.1.2 Charles\'s Decrowning and Sarah\'s Crowning 40-44 2.1.3 Sarah Decrowning Other Characters 44-46 2.2 Carnivalesque Figures 46-54 2.2.1 Sarah as a Madwoman 47-49 2.2.2 the Paired Images 49-51 2.2.3 Sam as a Clown 51-54 Chapter Three The Carnivalization of Genre 54-72 3.1 Parody on the Nineteenth-Century Canon 54-57 3.2 Generic Characteristics of Menippean Satire 57-67 3.2.1 Freedom of Narration 58-62 3.2.2 The Use of Rhetorical Devices 62-67 3.3 Generic Characteristics of Socratic Dialogue 67-72 Conclusion 72-75 Notes 75-79 Bibliography 79-83 本文作者攻读硕士学位期间论文发表情况 83 |
