以虚拟概念解读法国中尉的女人的艺术特色[法语论文]

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约翰·福尔斯(1926一2005)被誉为第二次世界年夜战后最有才干、最严正的小说家之一,他的代表著作法国中尉的女人(1969)被誉为后古代叙事的经典,揭橥后即博得人们的好评,成为东方很多年夜学英语专业现代小说的教材。美国戴卫·赫尔曼主编的新叙事学(NarratologiesNew Perspectives on NarrativeAnalysis)中提出虚拟概念(the concept of virtuality)。虚拟概念有两个寄义第一指真实的对峙面(即虚拟);第二指一种潜力。“虚拟之物不是剔除真实以后的残剩,而是能够成长为现实存在事物的滑力。”本文就是从虚拟概念的这两个寄义去解读著作法国中尉的女人奇特的艺术魅力。论文的第一部门剖析小说对19世纪维多利亚时期小说的内容、情势、作风的模拟,论述了一个产生在一百年前的典范故事,发明一个可然的虚拟的想象世界。但是论述者是在20世纪60年月来描写19世纪60年月的工作,这自己等于对汗青的反应同时也是一种反现实的虚拟,这类反现实的虚拟只能在论述者所论述的世界(文本世界)里产生,凸起了虚拟概念(反现实的虚拟)。第二部门重点剖析福尔斯运用“时期毛病”使虚拟的曩昔向真实的如今天然过渡,虚拟的产生在曩昔的故事依然能够产生在明天,虚拟的潜力之源在实际当中开花成果了,法语论文题目,作者还采取了变形的概念,在叙事学中,“变形其实不作用被论述世界以内的人物或物体,然则作用论述行动和事后设定的虚拟的个别,”作用论述者的论述措施和身份。本书中的变形属于论述者向作者的变形,论述者赓续以代词“我”的身份涌现,他是论述事宜的现场不雅察者,是认可一切事物都是本身虚拟的古代作家。变形概念把文本从“奥秘化的单一”状况中束缚出来,使叙事情势得以静态化,使虚拟概念得以表现;同时变形的概念使曩昔向如今天然过渡,架构一种时空的延续感,使虚拟的产生在曩昔的故事异样会产生在明天乃至产生在今天。第三部门剖析作为潜力的虚拟可以在统一世界现实化,查尔斯的迷惑转化为20世纪60代的人的渺茫,剖析查尔斯的迷惑对于处理古代人的渺茫具有指点意义。“对于懂得叙事,法语论文范文,不产生的工作与按现实措施报导的工作异样主要。”在法国中尉的女人中,作家的想象力借助虚拟的力气构思出一个查尔斯一欧内斯蒂娜一萨拉的世界,发明出对他们(非真实存在人物)的情绪投入。虚拟世界所要讲述的不是曾经产生的事宜,而是能够产生的工作,或许会在一百多年后而抽芽开花。

Abstract:

John Fowles (1926 - 2005) was known after the Second World War, the most talented and most solemn novelist, his representative works of the French Lieutenant's Woman "(1969) was named after ancient narrative of the classic, enunciated after winning people's praise, become western many college English Department of modern novel materials. (Perspectives on) in the United States, "new" (NarrativeAnalysis NarratologiesNew) in the proposed virtual concept (concept of virtuality the). Virtual concept has two meanings: first refers to the true face of confrontation (ie, virtual); second refers to a potential. "Virtual reality is not to remove the residual after the real, but can grow into the reality of the existence of things." This article is from the virtual concept of these two meanings to interpret the works of the French Lieutenant's woman's unique artistic charm. The first part of the thesis analyzes the content, the situation and the style of the novel in Vitoria in nineteenth Century, and discusses a typical story which was produced in one hundred years ago. But the discussion is in twentieth Century 60 years to describe the work of the nineteenth Century 60 years, which is equal to the history of the reaction is also an anti reality of the virtual reality, this kind of virtual reality can only be discussed in the world (text world), raised the virtual concept (anti virtual reality). Second departments focused on Fowles application period problems so that the virtual past to the true nature of today's natural transition, resulting in the past story still can be produced in tomorrow, the potential of the source in reality which flowering results, the author also adopted the concept of deformation, in the narrative, deformation does not affect the characters or objects in the world, but the impact on the individual and the virtual reality of the discussion method and identity. Book of deformation is discussed to the deformation of the author, discuss ceaselessly to the identity of the pronoun "I" in the emerging, he is discussed matters of field observations, is approved by the all things is itself a virtual ancient writers. Deformation concept of the text from the "secret" of the situation, so that the narrative situation can be static, so that the concept of virtual representation; deformation of the past to the present natural transition, the architecture of a sense of continuity, so that the virtual past in the past so things will be produced in tomorrow and even today. The third sector analysis as the potential of the virtual reality in the world can be realistic, Charles's confusion into the twentieth Century 60 generations of people's slim, analysis of Charles's confusion about the handling of the ancient people's slim with a pointing. "On the understanding of narrative, not the work of the work and the actual method of reporting the same main work." In the French Lieutenant's woman, the writer's imagination has the power to conceive of a world in which O Nesti Aa Charles and Sara, by virtue of a virtual force, create emotional input to their (not real) people. Want to talk about the virtual world not have matters, but the ability to produce work may be in more than one hundred years later and bud flowering.

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