| 幸福得好像天主在法国是法国作家马尔克·杜甘的代表作，讲述了主人公加尔米埃子承父业加入抵御活动，从一个通俗青年生长为一位真实的兵士的故事。加尔米埃为反法西斯奋斗和法国的束缚做出了弗成磨灭的进献，却在战斗成功后被人们忘却，乃至报不上户口。杜甘力争以此为抵御活动正名，法语论文题目，揭穿现代法国社会的实际：战斗成功前夜，法奸转变立场，在战后年夜权在握，法语论文题目，而真实的豪杰却默默无闻，终究被人们遗忘。幸福得好像天主在法国是法国战斗文学中的辉煌篇章，它从人性主义的角度反应了战斗的荒谬和残暴，显示了人道的美德和弱点，摸索了人类的命运和生计的价值，注解了人们对战斗的讨厌和对幸福生涯的神往。本文从写作配景、选材特色和艺术特点三个方面探寻这篇小说中表现的古代战斗小说的特色。 Abstract: "Happy as if God in France, is representative of the French writer Marc dugain as, tells the story of the protagonist Garr lous Lumiere son inherited his father to join the resistance movement, from a popular youth growth is the story of a real soldier. Garr lous Lumiere bound for the struggle against fascism and France made the ephod indelible contribution, but in after a successful battle oblivion, newspaper and even not account. Dugan and strive to taking the opportunity of resist the activity name, expose the reality of modern French Society: on the eve of the war, changes in the position of law of rape, after the war of the eve of the right hand, and the real hero is unknown, after all, was forgotten. The happiness like God in France "is a glorious chapter in the fighting French literature, it from the point of view of humanism reaction fighting the absurdity and cruelty, shows the virtue and weakness of humanity, and explore the value of human life and livelihoods, annotation of the people to fight the hate and the longing for a happy life. The ancient battle novels from the three aspects of writing with the scene, material characteristics and artistic features of this novel features. 目录: 摘要 4 Résumé 5-7 Introduction 7-9 Chapitre Ⅰ: Les arrière-plans du roman 9-17 1.1 La situation de la Résistance 9-10 1.2 Le fond de Marc Dugain 10-11 1.3 Le travail du renseignement de Galmier 11-17 Chapitre Ⅱ: Les nouveaux thèmes 17-33 2.1 Les expériences spéciales du combat et de la croissance 17-21 2.2 Les idées humanitaires 21-30 2.2.1 L’attitude optimiste et l’amour de la vie 22-26 2.2.2 Le respect de la vie et l’opposition à la discrimination raciale 26-30 2.3 La réflexion sur l’humanité 30-33 Chapitre Ⅲ: Les caractéristiques artistiques 33-41 3.1 L’attention au détail sur la description 33-36 3.2 Les personnalités distinctes 36-41 Conclusion 41-43 Bibliographie 43-45 Remerciements 45-47 Résumé chinois informatif 47-50 Curriculum vitea et publication pendant le programme 50 |
