| 19世纪末至20世纪初的二十年是一个特别的汗青时代,岂论是汗青政治事宜、社会心识形状和人文内容的成长都表现着明显的变更与改革。音乐作为人类精力生涯的产品,在为人们带来听觉审美感触感染之余,也承载着时期的文明气味与生涯中的理性依靠。德彪西的创作理论产生在“世纪末”,这一说法不只是对一个时期的定名,并且是描述一种看待生涯的立场。它所出现的社会景象是庞杂的,招致了艺术著作的分歧情势之间和艺术著作与社会生涯之间存在着庞杂而亲密的接洽。在此时代,音乐与其别人文艺术情势之间的融会水平较之以往加倍慎密,这类趋向培养了德彪西音乐著作的多元性与创作精力的丰硕性。从最后的作风的摸索到成为艺术家,德彪西所受的音乐作用和来自音乐以外的作用是多种多样的,培养了他的音乐语汇与创作内在的丰硕和奇特。本文以作曲家的著作为主线,以时期的文明特色为配景,深刻略论著作的内在与作曲家的创作思惟。旨在经由过程对德彪西的人生阅历及艺术创作加以剖析和引见,将他的创作思惟置于年夜文明配景下的开放视角中,触及内容重要包含作曲家的艺术阅历、著作的音乐剖析和创作中的美学不雅念。愿望以汗青的、社会的、文明的角度对作曲家的创作运动予以全方位、多视角的剖析和研究,力图做到迷信、过细地论述与评价。 Abstract: In the 19th century to the end of the twenty years of the early 20th century is a special historical era, is historical and political matters, the social consciousness shape and the humanities content growth showed a significant change and reform. Music as a product of the human spirit life, auditory aesthetic feeling in bringing people, also carrying period of civilization smell and career rational rely on. Debussy's creative theory produced in the "end of the century", this statement not just for a period of naming, and describe a kind of attitude towards life. The social scene is complex, incurred between different forms of the works of art and works of art and social life exists between the complex and intimate contact. During this period, the level of fusion between music and other arts and humanities situation than in the past, the double cheek by jowl, which tend to develop the works of Debussy's creative energy diversity and rich. From the style of exploration to become an artist, Debussy's music and music from outside influence is various, cultivated his musical language and the creation of the inner rich and strange. In this paper, the works of such composers as main line, in the period of civilization characteristics as the background, a profound analysis of intrinsic and composer of works of creative thinking. To through the process of Debussy's life experience and artistic creation be analysed and introduced, his creation thinking is placed on the eve of the civilization with under the background of opening angle, involve content to include composer experience in art and music analysis and creation of aesthetic concept. Desire to the point of view of history, society, civilization of the composer's creative movement to be all-round, multi angle analysis and research, strive to achieve scientific and meticulous discussion and evaluation. 目录: 中文摘要 4-5 Abstract 5 第一章 引言 7-8 第二章 创作轨迹 8-15 一、风格的探究 8-10 (一) 肖邦的启示 8-9 (二) 穆索尔斯基的触动 9-10 二、近似"象征主义"的别出心裁 10-12 (一) 观念上的作用 10-11 (二) 技法上的作用 11-12 三、成为艺术家 12-15 (一) 追求音响素材之外的音乐体验 12-13 (二) 乐队的表现力 13 (三) 音乐的功能与价值 13-15 第三章 著作内涵 15-25 一、通过象征来获得"最高的美" 15-16 二、把"听觉上"的审美感受作为创作准则 16-19 三、音色的丰富引领着审美经验中的想象力 19-21 四、含蓄与象征带来美感 21-23 五、法国艺术精神的再现 23-25 第四章 创作精神 25-31 一、艺术态度 25-27 (一) 个性化的探究精神 25 (二) 法兰西气质 25-26 (三) 自由的个人主义 26-27 二、艺术创作的精神实质 27-31 (一) 和弦色彩的独创性 27-28 (二) "艺术总该是审慎的" 28-29 (三) 听觉美感为先的艺术观 29-31 结束语 31-32 参考文献 32-33 个人简历 33 |
