神话原型视域下的法国中尉的女人中的男主人公形象(2)[法语论文]

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John Fowles (John Fowles) is a new star in twentieth Century 60 years of British literature hard-edged. He in the 1960s published three novels "collector" (1963), the Magus (1965) and the French Lieutenant's Woman "(1969). In countries such as Britain and the United States graced the bestseller charts, he was critics praised as" postwar Britain's most talented and most solemn novelist "(Wang Shouren, he Ning 2007:182. John Fowles loves his career and is deeply influenced by existentialism. He is full of interest in the freedom of human being. He highly appreciates the freedom of human being's pursuit of freedom. His thoughts are focused on the French Lieutenant's woman. The growth process of literature has never been divided, classical literature is like the Greek Rome myth, "the Bible", to the later literary creation has a profound impact on. To take the eve of the scholars of Northrop Frye as a representative of the scholars pay attention to this phenomenon, and they through their own British anthropologist James George Frazer and Swiss mind scientist Carl Jung's research results, gradually formed the myth prototype criticism of the actual. Although there are many scholars used myth archetypal criticism practice of classic stop reading. However, few scholars from the perspective of archetypal of the French Lieutenant's woman, stop reading. This article in the myth archetype criticism and practical guidance under, from the prototype image, archetypal characters, archetypal theme start, analysis of the French Lieutenant's woman in the male master Charles Smithson hard freedom road. This paper is divided into six chapters. The first chapter is the introduction section. This chapter briefly introduces the topics of this paper, John Fowles in the history of the ancient English literature, his thoughts, his representative works, "the French Lieutenant's Woman" and the structure of this article. The second chapter is the actual basic and literature review. The first section introduced the myth prototype criticism practical essence, that is, plus Canada scholar Northrop Frye advocated the myth prototype criticism of the actual. The second day back in the domestic and overseas scholars of myth and archetypal criticism the actual state of the research, although the scholars at home and abroad have application of myth and archetypal criticism actual for many classic works to stop knows how to read, like the interpretation of the anger grape "(Li Jun Hao 2006)," not Gatsby (Guohua 2004) and Lord of the flies (a-na Zhang 2007). However the myth archetype criticism of actual angle on the French Lieutenant's woman, only in 2006 Ceng Yanbing "> < the French Lieutenant's woman Archetypal Interpretation of", and limited to the actual of the heroine SA La Woodruff stop interpretation. The third section focuses on the study of the international and foreign scholars on the French Lieutenant's woman. Home and abroad scholars have been from the multiple perspectives contains the work of three at the beginning, the narrative skills of the French Lieutenant's woman stop knows how to read. However in character abstract interpretation are emphatically in the mystery of the hostess character Sarah Woodruff, no application mythological prototype criticism theory interpretation of works of the male host public Charles Smithson, is in this paper intends to the myth archetype criticism perspective, "the French Lieutenant's Woman" in the male protagonist Charles Smithson follow the road. The third chapter analyzes the three mythical prototype images in the French Lieutenant's woman. This chapter is divided into three sections. Through the analysis of the process of works in the fossil image, tree imagery and the eve of the sea image to carry on the preliminary analysis to the works. These images reaction the defection Charles know gradually consciousness. Images of fossils in the first section refers to the generation of Victorian social conventions and customs. At the same time, because the fossil is the degradation of the specimens were the main and degradation of oneself is the provocation of the Victorian society is to fossil image but also the performance of the male host concealed in the public Charles Smithson bone defection energy. The second section of the image of the tree is important for the analysis of Charles Smithson and Sarah Woodruff's understanding of the encounter. In the woods and Sara repeatedly met to make Charles see the vast world outside of Vitoria, and prompted Charles to begin to reflect on their own life. Third section of the eve of the sea image for Charles analysis of the energy Charles struggle to read the energy mentor Sara, because Sara has like the eve of the sea as the mystery of the mystery of her body gradually attracted Charles, to promote the gradual awakening of Charles. In the fourth chapter, the important is applied to three classic archetypal characters include Adam, the Odyssey and the scapegoat of Charles Smithson, the hero of this works with traditional Victorian society leave process stop reading. The first section is from the classic Adam archetypal characters of Charles stop reading, Charles and Adam, because withstand the temptation of Eve and cast under the eve of the wrong, the disagreement is Adam then embarked on the decay pathways, and Charles is the way of self salvation. The second section application Odyssey the Greek mythological prototype of Charles stop reading, Odyssey experience reared to from Troy to

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