本文经由过程对法国有名作曲家、巴扬吹奏家弗朗克·安捷列斯(Franck Angelis)的代表著作音乐会组曲停止具体、深入、周全的论述并加以略论,试图发掘出著作自己所携带的有对于本专业的成长在法国作曲家笔下的深入表现,并经由过程实际与理论的相反相成停止必定实际吹奏价值意义的剖析。第一部门深入剖析了著作的创作配景,及乐曲内在。在音乐的本体剖析中阐述了著作的题材特点,在构造上表现了套曲与单章组合的准绳,并依照乐章的次序将全曲的各类有特色的音乐说话停止了具体的剖析。在曲式方面,全曲的三个部门各不雷同,触及曲式构造小到乐段,年夜到复合曲式;在和声的运用方面,法语论文范文,也依据各个乐段所要表示的分歧思惟内容,选用分歧的和声说话与之对应,如复合功效的和声、加外音的和声、四度和声等多种古代和声技法:在复调技法方面不乏克意立异,力图兼收并蓄,既不忘“返古”,又不掉“古代气质”;在调式方面频仍的转调,乐句的弗成分性都表现了二十世纪音乐创作的特色;别的在著作节拍方面运用也独具风味,法语毕业论文,作曲家年夜量运用复节奏,发明性地构成本身的节拍说话,使得著作中浓烈的平易近族特点得以张现。第二部门笔者从吹奏的角度对乐曲中涌现的年夜量的具有代表性意义的技巧难点加以剖析,如年夜段的抖风箱、三行曲谱的准确吹奏、疾速跑动的右手与不规矩节拍的左手的完善联合、变音器的运用和连续高音的创作技能等。笔者力争经由过程详实的剖析与讲授,以明示吹奏者加倍完美的懂得和准确的吹奏,并愿望年夜量的专业作曲家可以更好的自创和创作出更多更合适巴扬吹奏的优良著作,以增进我国在巴扬的专业范畴的创作赓续繁华,吹奏条理赓续晋升。第三部门从加倍平面的角度概述了作为现现代的新兴器乐一巴扬的成长与构造特色,并发掘著作所携带的艺术价值及创作意义,除将巴扬的吹奏特征得以极尽描摹的施展,并将古代音乐的创作技法与传统的和声、西方的平易近族颜色、法国的风行爵士乐加以融会,在吹奏状况从机械的物理进程转化为工资理念加以掌握的活泼的美感进程中,体味一种发于理,而深乎于理的扮演境地,并在此基本上架构中西融会的审美理念,以到达巴扬吹奏特性化的升华。最初,笔者得出了剖析安捷列斯音乐会组曲的意义。 Abstract: In this paper, through the process of representative works of the famous French composer, Bayan playing home Franck Angelis (Franck Angelis "Concert Suite" stop specific, in-depth, comprehensive exposition and analysis, trying to dig out the work they carry on the professional growth in the French composer writing in-depth performance, and through the opposite and complementary process of theory and practice to stop must be practical playing value analysis. The first section analyzes the creation of the works, and the inner part of the music. In the music ontology analysis describes the characteristics of theme, showed the divertimento and single chapter combination principle in the structure, and in accordance with the movement of the order will be all kinds of distinctive music song talk has carried on the concrete analysis. In the aspect of music form, the three departments in each are not identical, touch the musical form to passage to the eve of the compound in the application form; and also, according to the different ideological content to each passage said, choose different harmony with the corresponding talk, such as composite effect of harmony, harmony, and sound the four degree of harmony and other ancient harmony techniques in many different aspects of polyphony Keyili, to eclectic, does not forget the "return to the ancient", and not "the ancient temperament"; a frequent in tonality, Eph composition phrase show twentieth Century music creation features; other applications in the works of beat has a unique flavor, a large number of composers using complex rhythm, creatively its beat talk, strong ethnic characteristics of the works to be a present. In the second part, the author from the point of view of the playing of music in the emergence of a large number of representative significance of technical difficulties to be analyzed, such as Nianye shaking bellows, three lines of scores of accurate playing, fast running right hand and irregular rhythm of the left hand of the perfect combination, the umlaut is application and continuous treble creative skills. The author is trying to through the process of detailed analysis and teaching, to express bassoonist double perfect understanding and accurate playing, and desire a large number of professional composers can better own and create more suitable Bayan playing excellent works, to promote our country in the Bayan special industry creation continuously prosperous, playing coherent gengxu promotion. The third part from the overview of double plane angles as growth and structural features of the emerging modern instrumental a Bayan, and explore the works carried by the art value and creative significance, in addition to playing characters to Bayan incisively and vividly display, and writing techniques of ancient music and traditional harmony, western people family color, French popular jazz to mix, playing from the physical process of machinery into wage concept to be master of the lively aesthetic process, appreciate a reason, but in the play between the deep position, aesthetic concept and this is basically a fusion of Chinese and Western architecture, to play Dabayang characteristics sublimation. At first, the author concludes the analysis of "Concert Suite" Ansett Antilles meaning. 目录: |