| 在实际生涯与天然界中，目所能及的地方，简直都邑有几何形纹路及图案的存在。这类美的存在可以说随处都是，固然它自己其实不必定是种艺术，但倒是艺术设计的必备素材。无限的几何图形不只可以拼降生间万象，法语论文范文，其繁复的外型还能激发人们天马行空的无穷联想。恰是因为它本身的这些优势，在首饰设计中几何图形被普遍的运用着。在此，我选择了二十世纪法国这个特准时间段内的costume Jewelry(服装珠宝)作为研究的基点。重要是斟酌到以下两个方面起首，法国作为世界的时髦和奢靡品之都，其首饰的成长对欧洲、甚至全部世界都具有潮水的导向感化。其次，二十世纪法国的首饰成长在设计作风上有一个很年夜的逾越和成长，而Costume Jewelry恰是这一逾越中一切首饰类型中最为典范的一个代表。从繁复具象到简练笼统，几何元素也愈来愈凸现了它在首饰设计中的位置和感化。经由过程对这段汗青的研究，法语论文网站，也能够让我们从某种水平上对古代首饰设计的成长偏向有所启示。跟着时期的成长，首饰设计作为古代艺术中主要的一环，其表示手段也愈来愈多样化。我重要从平面战争面两个偏向来指出几何图形在古代首饰设计中又是若何表现其美感和内涵价值的。事物的两面性决议了几何元素在首饰设计中表现出本身优势的同时也响应的带来了一些成绩，好比过度机械化、繁复化和次序化。若何处理这些成绩并完成首饰的灵性、豪华感和特性化。我们现实上也能够从理念支撑、颜色组成等方面找到一些处理措施。人的想象才能永久是没有界限的，在处理了几何图形的这些缺乏以后，即可以充足借助它的优势设计出幽美、奇特的特性化饰品。 Abstract: In the real life and nature, the eye can see where it will have geometric texture and pattern of existence. The existence of such a kind of beauty can be said to be everywhere, of course, it is not necessarily a kind of art, but it is the essential material of art design. Infinite geometry not only can spell was born between Vientiane, the complicated shape can inspire people of unrestrained infinite Lenovo. Precisely because of its own advantages, geometric patterns are widely used in jewelry design. Here, I chose this special period of time in twentieth Century the French costume Jewelry (costume jewelry) as a research base. Important is to consider the following two aspects, first of all, and France as the world of fashion and luxury goods, the growth of the jewelry in Europe, and even the whole world has tide oriented action. Secondly, in twentieth Century the French jewelry growth in the design style has a very big Passover and growth, and Jewelry Costume just this is the Passover in all types of jewelry is the most typical of a representative. From the complexity of the concrete to the general, geometric elements are also more and more highlights its position and role in jewelry design. Through the study of this period of history, but also allows us to some level on the growth of ancient jewelry design bias has some inspiration. With the growth of the period, jewelry design as the main part of the ancient art, its means of expression is also more diversified. I mainly from the plane war face two to point out that the geometric figure in the ancient jewelry design is how to show its beauty and meaning of the value of the. The two sides of the object of the geometric elements in the design of the jewelry show itself in the design of the advantages of the same time also brought some results, such as excessive mechanization, and the order of the complex. How to deal with these achievements and complete the spirit of jewelry, luxury and characterization. We can also find some way to deal with the concept of support, color composition and so on. People's imagination to permanent is no limits in dealing with the geometry of these is not worth after that can be enough with its advantage to design beautiful, unique characteristics of jewelry. 目录: 摘要 5-6 Abstract 6 1 引言 10 2 正文 10-49 2.1 浅析几何图形的历史发展 10-13 2.1.1 几何图形的发展过程 10-12 2.1.1.1 中西方对几何学的不同定义 10-11 2.1.1.2 几何图形的演变 11-12 2.1.2 几何图形与设计的联系 12-13 2.1.2.1 有限的几何图形却可以拼出世间万象 12 2.1.2.2 简约造型引发人们天马行空的无限遐想 12-13 2.2 几何元素与二十世纪法国的 Costume Jewelry 13-26 2.2.1 二十世纪法国Costume Jewelry 概述 13-16 2.2.2 艺术流派与 Costume Jewelry 设计中的几何元素 16-22 2.2.2.1 装饰艺术 16-18 2.2.2.2 纯粹派艺术运动 18-19 2.2.2.3 现代主义 19-20 2.2.2.4 新造型派 20-21 2.2.2.5 未来主义 21-22 2.2.3 几何元素在 Costume Jewelry 设计中快速发展的其他因素 22-26 2.2.3.1 东方因素 22-23 2.2.3.2 宝石切工的变革 23 2.2.3.3 材质的作用 23-26 2.3 几何美感在现代首饰中的设计体现 26-43 2.3.1 平面构成中的应用 26-35 2.3.1.1 平面构成的元素与现代首饰设计 26-30 2.3.1.2 平面构成的形式与现代首饰设计 30-35 2.3.2 立体构成中的别出新意 35-39 2.3.2.1 从平面到立体的表现措施 35-36 2.3.2.2 线型构成 36-37 2.3.2.3 面型构成 37 2.3.2.4 以块型为主的构成 37-39 2.3.3 现代首饰设计与几何元素 39-43 2.3.3.1 几何图形与视觉感受 39-40 2.3.3.2 与几何密切相关的首饰设计方向 40-43 2.4 如何有效借助几何图形优势设计出优美的个性化饰品 43-48 2.4.1 机械化 vs. 灵性体现 43-45 2.4.2 简约化 vs. 奢华感 45-46 2.4.3 秩序性 vs. 个性化 46-48 2.5 结论 48-49 致谢 49-50 参考文献 50-52 个人简历 52 |
