| 摘 要：2007年3月．44位用法语写作的作家联合签署“向法语‘世界文学’挺进”的宣言，宣布法语“世界文学”的诞生．激起各界关于法语图文学的重新审视。法语“世界文学”概念的出现，是对语言、文学和民族的再度深入诠释，还是新瓶装旧酒，只是简单的类型替换？本文从该宣言产生的背景出发，界定法语文学、法语世界文学、法语外国文学等概念，略论它们之间的差异以及宣言和同名文集中所体现出的模糊性．解读法语文学“世界”视角下的中心偏移问题及难以避免的法国性．研讨文学整体统一化和多元化和谐共生的可能。法语“世界文学”应势而出，法语论文范文，投石问路，法语论文题目，它的理论依据、发展前景仍有待深研。In March 2007, a manifesto entitled ＂Pour la litt6rature-monde en fran~ais＂, signed by 44 writers who write in French, announced the birth of the concept of ＂world lit- erature＂ in French. It provoked many comments and re-examinations on French literature. The concept of world literature, is it a deep interpretation of the language, the literature and the nation？ Or just ＂old wine in a new bottle＂, a simple replacement of types？ This article distinguishes the notions of French literature, world-literature in French, from Fran- cophone literature ; analyzes their similarities and differences, ambiguities and contradictions in the manifesto and the volume of the same title; interprets the question of the ＂center＂ in the vision of the ＂world＂; discusses the possibility of the coexistence of literary globalization and diversification, as well as the perspective of ＂World literature in French＂. |
