| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 德·梅列日科夫斯基是俄国意味主义文学派别的实际奠定人。该派别是19世纪末20世纪初俄国文学（即俄国文学的“白银时期”）的重要派别之一，它揭开了俄国古代文学的篇章。1892年梅氏的《论现代俄国文学陵夷的缘由及新的思潮》一文被文学史家视为“意味主义的宣言书”。20世纪初的俄国古代派文学朝着梅氏在宣言书中卓有远看法指出的谁人偏向成长起来，意味主义文学也在俄国生长为一种壮大的“特性的艺术”。但是，梅列日科夫斯基却离这一文学潮水愈来愈远，没有成为日趋强大起来的文学派别的“前锋”，乃至被俄国古代派文学视为另类和异己，由于他持续深化着他的意味主义，与20世纪初的宗教一哲学范畴中的精力更新活动联合在一路，付与了意味主义以奇特的寄义，使其具有了宗教一哲学颜色和世界不雅的品德，并以终生的创作践行着本身的意味主义主意，构成了本身奇特的意味主义叙事作风，《基督与反基督》三部曲等于其意味主义叙事的代表作。但是，这类意味主义叙事并不是一种纯真的叙事作风，俄语论文题目，个中彰显出一种新的精力寻求一一种宗教精力的寻求，因此被称为“宗教小说”，从而与俄国其时的“社会小说”和“市平易近小说”构成对话、论争的格式。意味主义叙事表现着他的宗教哲学主意，即人类汗青的成长史其实就是一部基督与反基督精力的奋斗史。这三部曲的主题是反应汗青上的基督思惟，这个“汗青”是指全球的汗青，包含一切世纪、一切平易近族与文明的汗青，或许说是包括一切的汗青。三部曲经由过程对具有典范意义的汗青人物一罗马君王尤里安、艺术和迷信君王达·芬奇、俄罗斯君王彼得和皇太子一所表现的宗教精力的意味式叙事，俄语论文范文，将欧洲和俄国甚至全部人类的汗青成长归入基督教与多神教、灵与肉的奋斗进程加以审阅，意味出人类汗青成长的意义。 Abstract: De Merejkovski is the actual founder of the Russian literary faction. This group is one of the important factions of Russian literature in the late twentieth Century and early nineteenth Century, which is the "silver period" of Russian literature. In 1892 Mei's "in modern Russian literature, but the reason and the new trend of thought of" a text is literary historians as "means" Declaration ". At the beginning of the 20th century Russian ancient school of literature towards Mei's in the Manifesto of the Zhuo far view point of people who tend to grow up, that literature is in Russian growth for a strong "characteristics of art". However, Merejkovski is a literary tide more and more far, no become strong literary sect, and the "striker" by Russia sent ancient literature as offbeat and alien, as he continued to deepen his symbolism, and religious philosophy category at the beginning of twentieth Century, the energy renewal activities together and given the symbolism to the peculiar meaning, so it has a religious moral philosophy color and world outlook, and in order to create their own practice of lifelong symbolism idea, formed its own unique narrative style that the main meaning, "Christ and anti Christ" trilogy that is equal to its narrative representation for. But this kind of means the narrative and is not a kind of pure narrative style, which shows a new energy for one kind of religious spirit of seeking, so it is called "Religious Novels", to Russia and the Social Novels "and" city residents novel nearly "dialogue, debate format. It means that the narrative shows his religious philosophy, that is, the growth of human history, Shi Qishi is a history of the struggle of the spirit of Christ and anti Christ. The theme of this trilogy is the reaction of the history of Christianity, this "history" refers to the history of the world, including all centuries, all ethnic and cultural history, perhaps that is, including all the history. Trilogy via process of typical historical figures a Roman king Urien, arts and Sciences Jun Wang Da Finch, the Russian emperor Peter and crown prince a performance the spirit of religion that narrative, Europe and Russia or even the whole human history growth classified into Christianity and polytheism and the spirit and the flesh and the struggle process to be reviewed, which means the significance of human historical development. 目录: 封面 1-2 |
