| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，俄语毕业论文，下载原文正常，内容请直接查看目录。） 彼得·伊里奇·柴科夫斯基是俄罗斯汗青上巨大的作曲家，俄罗斯平易近族音乐与西欧古典音乐的集年夜成者。十岁开端进修钢琴和作曲。1862年入彼得堡音乐学院进修作曲，卒业后赴莫斯科音乐学院任教。他的音乐基调树立在平易近歌和平易近间跳舞的基本上，所以乐曲中出现出浓郁的生涯气味和平易近间特点，激烈的平易近族认识和平易近主精力贯串着他全体的创作运动。他的著作一贯以旋律幽美，浅显易懂而著称，又不乏深入性，他的音乐是社会的真实写照。透过他的艺术珍品，人们不难发明他不只是实际主义和浪漫主义联合的范例，并且是一名善于以音乐描写心思运动的年夜师，摸索着人生的奥妙。19世纪60年月后，当西欧的音乐朝着极新的偏向迈进时，俄罗斯音乐才觉悟不久，正迫不及待地接收西欧传来的各类文明作风，因而西欧的浪漫主义与俄罗斯平易近族原本的热忱融会时，俄语论文题目，浪漫主义作风成长得更加极尽描摹。俄国音乐家从西欧浪漫主义钢琴音乐的创作和吹奏中自创年夜量的手段，从而在技巧上为发明本国的钢琴音乐打下了基本。柴科夫斯基钢琴套曲一《四时》，副题为“性情描写十二幅”，就是作于此配景下。钢琴组曲《四时》以春夏秋冬为配景，经由过程对年夜天然的描写，表达了他对人类、天然的酷爱与思虑；反应了19世纪下半叶沙皇独裁时期俄国国民，特别是俄国布衣常识份子阶级的精力面孔。本文经由过程对乐曲中所触及到的俄罗斯平易近族乐派、俄罗斯的文明、思惟成绩的论述，和与俄罗斯同期音乐家的比拟，从艺术的审美方面临柴可夫斯基的钢琴组曲《四时》的审美特点停止商量。 Abstract: Peter Ilyich Tchaikovsky is a great composer in the history of Russia, the Russian national music and Western European classical music collection of the eve of the. At the age of ten, he started to learn piano and composition. In 1862 the St. Petersburg conservatory to study music, after graduating from the Moscow Conservatory to teach. His music tone set in folk songs and plain in the dance, so music in a rich life breath and plain near the inter characteristics, fierce plain nearly family awareness and plain near the main energy permeated with him all of creation. His works consistently to the beautiful melody, easy to understand and celebrated, and not lack of depth, his music is a true portrayal of the society. Through his art treasures, it is not difficult to find that he is not only a combination of realism and romanticism paradigm, and is a good at music description of the idea of the exercise of the division, exploring the mysteries of life. After 60 years of the 19th century, when the music in Western Europe towards a very new biased towards, shortly after the Russian music only consciousness is ground of too impatient to wait receiving Western Europe came all civilized style and Romanticism in Western Europe and Russia plain near family originally warmly fusion, the style of romanticism grow more incisively and vividly. Russian musicians from Western Europe romantic piano music creation and play in the eve of the amount of means, thus in skill for the invention of the national piano music. Tchaikovsky piano divertimento a "four", titled "Twelve disposition description", is made in this context. The piano suite "four seasons" by the spring, summer, fall, and winter as the background, through on the eve of the natural description, the expression of the he of human and natural play and thinking; the second half of the 19th century tsarist Russia period national, especially the Russian civilian intellectual class energy faces. The via the process of music involved in the Russian plain near family music, Russian civilization, ideological achievement exposition, and with the musicians in Russia during the same period compared to from the artistic esthetic Pro Tchaikovsky's Piano Suite "four" the aesthetic characteristics of stop business volume. 目录: 中文摘要 3-4 Abstract 4-5 引言 7-9 第一部分 概述 9-20 一、柴可夫斯基生平 9-10 二、柴可夫斯基的创作三阶段 10-11 三、钢琴组曲《四季》及其产生背景 11-13 四、柴可夫斯基与俄罗斯民族乐派 13-17 五、柴可夫斯基与浪漫乐派的关系 17-20 第二部分 钢琴组曲《四季》的审美理论意义 20-37 一、音乐形象的典型性 20-21 二、客观再现与主观表现的结合 21-24 三、形式美与内容美地完美结合 24-30 四、现实主义与浪漫主义的结合 30-37 第三部分 钢琴组曲《四季》的审美特征的具体体现 37-48 一、创作风格 37-39 二、演奏风格 39-48 结语 48-49 附录: 柴可夫斯基的生平大事表 49-51 主要参考文献 51-52 |
