| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，俄语论文，内容请直接查看目录。） 本文以女性主义视角来解读托尔斯泰小说中的女性抽象,解读托尔斯泰小说中的妇女不雅。托尔斯泰塑造了年夜量鲜活灵动的女性抽象,他不只以苏醒的实际主义,描写了俄国妇女所遭受的各种危害和辱没,并且对女性的命运表示出深切的存眷与同情,从而表现了真挚的人性主义。托尔斯泰真实地描写了女性的喜剧命运,并以此来控告俄国的国度轨制、司法轨制和宗教轨制对女性的残暴榨取,因此他笔下的女性抽象也就成为俄罗文雅学最巨大的艺术造诣之一。但与此同时,作家又采取落伍的文明理念去说明女性喜剧的缘由,去寻觅女性的前途,这就表现了作家文明人格的缺点。或许说,从这些女性抽象身上可以清晰地看到托尔斯泰对女性的审美幻想：他将泛爱、禁欲为重要内容的基督教精力设定为女性美妙品格的基石,以家庭作为女性束缚的皈依之所,以贤妻良母作为女性价值的最高表现。这类以宗教精力为主导的宗轨范女性不雅把女性禁锢在神权、父权、夫权和母性责任之下,因而也就提醒出托尔斯泰深层的心坎念头—厌女情结。本文以女性主义为参照系统,经由过程解读列夫·托尔斯泰著作中所表示的与女性主义相背叛的女性不雅、男权认识、妇女束缚途径等方面,来论证列夫·托尔斯泰著作中的厌女情结。经由过程剖析其发生的本源,提醒它对女性潜能的约束、对男性深陷于扮演强者脚色的伤害和对两性之间真挚的同伴关系的损坏,并以此呼吁经由过程完成男女两边的周全成长,解构男权社会对“男性霸权特质”和“阴柔能干”的女性气质的呆板定位,树立起真挚的男女协作同伴关系,完成社会的协调。本文分红四章：第一章从托尔斯泰著作中对于女性的审美幻想提醒他守旧的女性不雅—厌女情结,即他在塑造女性抽象时对其“主要者”、“他者”的定位。第二章具体阐述托尔斯泰著作中男权对女性的文明奴役。第三章阐述托尔斯泰在小说中主意的落伍的妇女束缚途径。他固然深入地洞察了妇女的悲凉命运,但却用做贤妻良母和实施禁欲作为妇女的束缚之道。这是他的厌女情结最凸起的表示。第四章研讨其厌女情结构成的本源,并以此来作出反思：时期须要男女对等的新型两性关系,并以此构建社会的协调。 Abstract: This paper from the perspective of feminism to interpret Tolstoy's novels in the image of women in Tolstoy's novels, the interpretation of indecent women. Tolstoy has created a large number of vivid female image, he not only in the wake of realism, a description of the Russian women suffer all kinds of hazards and disgrace, and the fate of women expressed deep concern and sympathy, to the performance of a true humanism. Tolstoy truly describes the women's tragic fate, and in order to accuse Russia's national rail system, judicial system and the system of religious on women's brutal extract, therefore he described the female image has become Russia elegant one of the greatest artistic attainments. But at the same time, the writer also take out to explain why women civilization concept of comedy, to find the future of women, which shows the author's civilized personality defects. Perhaps say, from these female image who can clearly see the Tolstoy of the female aesthetic illusion: he will fraternity, abstinence is an important part of the Christian spirit set for beautiful women a cornerstone of character, to the family as the women's Liberation conversion, with wife and mother as the highest expression of the value of women. This kind of religious energy by leading Zong Guifan women indecent to women imprisoned under the theocracy, the father and the husband and maternal responsibility, and to remind the Tolstoy's deep heart idea, misogyny. This paper to feminism as the reference system, through reading Leo Tolstoy works represented the and feminism is betrayed women indecent, patriarchal ideology, women's Liberation way aspects to demonstrate in the works of Tolstoy's misogyny. Through the analysis of the process of the origin, remind it of female potential constraints, the male is deep in to play the strong role of the damage and a genuine partnership between the sexes of damage, and in order to call through complete all-round development of both sides of male and female, deconstructing the patriarchal society of "male hegemony character" and "feminine capable" of femininity rigid positioning, to establish a sincere and cooperative partnership, social coordination. This paper into four chapters: first chapter from Tolstoy's works about female aesthetic illusion remind he conservative women indecent, misogyny, namely to his position in shaping women abstraction of the "main" and "others". The second chapter elaborates the male in Tolstoy's works on women's civilization of slavery. The third chapter of Tolstoy in the novel the idea behind the way of women's liberation. He is deeply insight into the sad fate of women, but do abstinence as women as an understanding wife and loving mother and implementation of bondage. It is said that his most prominent misogyny. The fourth chapter discusses the misogyny of origin, and make reflection: the new period to gender equality relationship between the sexes, and build social harmony. 目录: |
