| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 生计状况书写，是指作家在著作中存眷实际生涯中人的性命状况和生涯情状，包含人的处境和遭受，所禁受的苦楚与灾害，强调的是对人自己生计状况的存眷和对性命意义和价值的思虑。生计状态书写和对人生计现状的审阅和通知组成了在契诃夫和刘震云的小说的主要内容。契诃夫从平常生涯中最平常的人平常工作动手，普遍反应实际生涯，揭穿社会的溃疡，征讨革命腐恶，鞭挞奸商俗气，同时表达对重生活的向往和召唤。好比讥讽宦海丑态的《钉子上》、《瘦子和胖子》、《一个文官之逝世》，描述沙皇俄国人情冷暖的《忧?》，控告沙皇阴郁统治的《第六病室》和批评小市平易近俗气气味的《约内奇》、《醋栗》等。刘震云是新时代新写实主义文学的代表作家，他的著作多取材于通俗布衣和下层干部的平常生涯及乡村生涯的变迁，并以特定的视角对人的生计状况、命运、人道停止实际的不雅照。契诃夫是十九世纪末俄国巨大的批评实际主义年夜师，俄语论文，刘震云是中国新时代新写实主义文学的主要代表作家，虽然二者所处的时期、写作配景有许多的分歧，但他们在题材的设定、人物的选择等方面，即描述平常人的平常生涯，展现通俗人的生计状况，从这个层面而言，二者之间存在着极年夜的类似性，本论文等于从这个角度动身，就生计状况书写睁开比拟研究。本论文彩用平行研究的办法，起首概述契诃夫和刘震云二者的生计状况写作状态，然后从艺术阐释和实际通知两个层面睁开比较剖析，并停止综合研讨。对生计状况的艺术阐释，重要从荒谬、真实和同化三个层面睁开；阐述生计状况书写的实际通知，重要从群体生计生计通知、社会批评和价值重构三个方面停止；经由过程详细的文天职析，俄语论文，比拟剖析契诃夫与刘震云笔下生计状况书写的异与同，激发人们对生涯、生计、命运和人个别自己的思虑。 Abstract: Livelihood situation of writing, is refers to the writers in the works put attention to real life in people's life condition and life circumstances, contains situation and suffered, withstand the pain and disaster, the emphasis is on their livelihood situation concern and the value and significance of life thinking. The writing and the review of the status quo of the living condition and the notice form the main contents of Chekhov and Liu Zhenyun's novels. Chekhov from daily life in the most ordinary people usually work hands-on, generally reflect the actual career, expose social ulcers, fue conquered the revolution, to castigate the profiteers tacky. At the same time, the expression of desire and call for heavy life. Like officialdom ugly sarcasm "nail", "skinny fat", "a civilian death", describing the Tsar Russian human well-being of the sorrow? ", accused czar dark rule of the sixth ward" and criticism of Xiaoshi plain near cheesy smell of the Yueneiqi "," vinegar Li ". Liu Zhenyun is a representative writer of new realism literature in the new era, his works drawn on popular cloth and the lower cadres of daily life and rural life changes, and to specific perspective of people's livelihood situation, destiny, humanitarian stop actual indecent photos. Chekhov is the end of the 19th century Russian great criticism realism is the eve of the division, Liu Zhenyun is a new era of China new realism literature writers, although the second period, writing background have many differences, but they in terms of subject setting, character selection, which describes the common people's daily life, to show the living conditions of the common people, from this level, between the two exist greatly. This paper is equal to embarks from this angle, livelihood situation writing open comparative study. The color with parallel research method, chapeau overview of Chekhov and Liu Zhenyun two living conditions of writing state, and artistic interpretation and actual notice to open in two aspects from the comparative analysis and stop to explore. The interpretation of the art of living conditions, important from the absurd, true and assimilation of three level open; describes actual notice of livelihood situation of writing, from three aspects: population subsistence livelihoods to notice, social criticism and reconstruction of value stop; through the detailed process of Wentian job analysis, compared analysis of Chekhov and Liu Zhenyun pen writing living conditions with different and stimulate people to life, livelihood, destiny and individual thinking. 目录: 摘要 4-5 ABSTRACT 5 绪论 8-11 0.1 生存状态书写 8-9 0.2 契诃夫与刘震云小说比较的探讨近况、措施及意义 9-11 1 契诃夫与刘震云的生存状态书写 11-18 1.1 契诃夫与刘震云的小说创作 11-14 1.1.1 契诃夫 11-13 1.1.2 刘震云 13-14 1.2 契诃夫与刘震云笔下的生存状态 14-18 1.2.1 普通人的平凡生活 15-16 1.2.2 生活化的真实 16-18 2 契诃夫与刘震云生存状态书写的艺术阐释 18-30 2.1 真实的荒诞 18-22 2.1.1 契诃夫：“一切都拴着锁链” 18-19 2.1.2 刘震云：“拧巴”的世道 19-22 2.2 幽默的讽刺 22-26 2.2.1 契诃夫：含泪的笑 22-23 2.2.2 刘震云：“没有比视生死如儿戏更幽默的” 23-26 2.3 精神的异化 26-30 2.3.1 契诃夫：套子中的人 26-27 2.3.2 刘震云：“手机”的谎言 27-30 3 契诃夫与刘震云生存状态书写的现实关照 30-42 3.1 群体生存关照 30-33 3.1.1 契诃夫小说的群体生存关照 30-32 3.1.2 刘震云小说的群体生存关照 32-33 3.2 社会批判 33-37 3.2.1 契诃夫：“庸俗的仇敌” 33-35 3.2.2 刘震云：权力意志批判 35-37 3.3 精神价值重构 37-42 3.3.1 契诃夫：沉沦与反叛 37-39 3.3.2 刘震云：漂泊与追寻 39-42 结束语 42-43 参考文献 43-45 致谢 45-47 攻读学位期间论文以及参加科研情况 47-48 |
