| 爱伦·坡曾是美国最受争议的作家之一。一百余年来，他的名声在文学界戏剧性的沉浮升降，法语论文，然则如今他曾经是公认的世界有名作家之一，和福克纳、海明威等人齐名。对坡的研究如今曾经成为一种热点学问，坡被誉为“古代文学派别的宗师”、“短篇小说的首创者”、“推理小说的开创人”、“古代科幻小说的前驱”、“安闲说提出的第一人”等。坡对古代文学各派别都有着无足轻重的作用，而他对法国意味主义的作用最为深远。是以本文试图经由过程对坡和法国意味主义诗人的美学思惟及著作传承关系的研究，从“纯诗”概念的提出、对传统文学的反水、对音乐性的倡导和对想象力的强调四个方面阐释了坡对法国意味主义的作用。论文起首对意味主义这一派别做了扼要引见。接上去，法语论文，论文商量了坡对法国意味主义的深远作用；他的文学创作实际和理论为法国意味主义的构成打下了基本、摊平了途径。起首，他提出的“为诗而诗”的“纯诗”实际成长成为意味主义的一个主要实际概念，而他所倡导的“忧伤”、“愁闷”的美学准绳同样成为意味主义诗人的创作轨则。在对此停止了周全阐述以后，论文接着论述了坡对诗歌音乐性的倡导对法国意味主义的主要作用。坡非常看重音乐在诗歌中的感化。是以他强调诗歌音乐般的节拍和韵律和音乐的不肯定性所带来的暗示感化。爱伦·坡对于诗歌音乐性的主意及理论，对法国意味主义作用深远，以致于音乐性成为意味主义一个异常主要的配合艺术特点。然后论文又评论辩论了坡对想象力的强调及其理论对波德莱尔“应和论”的构成所起的主要感化。坡以为想象力是人类最为名贵的才能，只要它能力勘破事物之间内涵的隐蔽的关系、应和的关系。坡的不雅点被波德莱尔接收、接收并终究成长成为“应和论”，而“应和论”也是意味主义的主要创作准绳之一。基于上述评论辩论，作者以为坡对法国意味主义作用伟大；没有坡，就没有明天的意味主义。然则没有波德莱尔、马拉美等意味主义诗人的翻译和死力推重，也相对不会有明天万人注视的坡。是以，作为精力导师，爱伦·坡作用和培养了⑧石页士学位论文MAS下’El又’凡‘l’1 IFSIS法国意味主义，但从某种水平下去说，又未尝不是意味主义培养了“光垂千古的坡”! Abstract: Edgar Allan Poe is one of the most controversial writers in america. More than one hundred years, his reputation in literary circles of the dramatic ups and downs, but now he was recognized as the world's famous writers, and William Faulkner, Ernest Hemingway, par. Study on slope have now become a hot topic in knowledge, the slope is known as "ancient literature faction of the master", "short stories of pioneer", "the mystery of the pioneer", "ancient science fiction pioneer", "comfortable said presented the first one". On the slope of the ancient literary factions have a negligible impact, and he had the most far-reaching impact on french. In this paper is an attempt to through the process of slope and France means romantic poet aesthetic thought and inheritance work relations research, from the concept of "pure poetry" is proposed, the defection of traditional literature and advocate of music and of the power of the imagination emphasizes four aspects to explain the influence on French Symbolism of the slope. First of all, this paper makes a brief introduction to the theory of meaning. Then, the paper discussed the influence of the slope on French Symbolism, and his theory of literary creation laid the foundation and the way of the French meaning. First and foremost, he proposed "poetry and poetry" and "pure poetry" actual growth become the symbolism of a major practical concept, and his advocacy of "sad", "melancholy" aesthetic principles also become a poet creation track means. After the comprehensive exposition of this, the thesis discusses the main influence of the slope to the music of the poem. The slope is very important for music in poetry. With his emphasis on the rhythm and the rhythm of the poetry music and the impact of the uncertainty brought about by the music. Edgar Allan Poe about music and poetry idea and theory, to France that doctrine has far-reaching influence that music become mean doctrine a abnormal mainly with the artistic characteristics. Then the paper also comments on the debate on the emphasis of the slope of the imagination and the theory of Baudelaire "should and on the" constitute the main effect. The thought that imagination is the most valuable talent, as long as it ability to break things between the connotation of the hidden relationship, should and the relationship between the. The point of view of the slope is Baudelaire receiving, receiving and eventually grow into "should and theory", and "should and theory" is also one of the main principles of the creation principle. Based on the above discussion, the author thinks that the slope of the French means that the impact of the great; there is no slope, there is no means of tomorrow. However no Baudelaire, Mallarme means romantic poet of the translation and to hold in esteem, but also the relative will not have tomorrow million people watched the slope. Is, as a spiritual mentor, Edgar Allan Poe's influence and cultivate the the stone screen M.A. thesis MAS' el and 'where' l '1 IFSIS France symbolism but from a certain level say on, and something that is not meant to be "trained" light the immortalizing slope "! 目录: |
