| 约翰·福尔斯是二十世纪英国主要的小说家，活着界文坛上享有盛誉。他不只代表着英国文学的转机点，更意味着东方文学批驳的过渡。他的代表作法国中尉的女人自1969年出书以来就因其奇特的创作技能和艺术造诣，取得了学术界的广泛赞誉。小说从20世纪的高度来反不雅19世纪维多利亚的英国社会，其艺术精华不只表现在对传统的完全推翻，更凸显了传统与立异的完善融会。作为一部具有后古代主义颜色的小说，其解构主义特点极端显著。本文拟从解构主义角度动身，以小说文本中作者与读者之间二元对峙关系的解构和萨拉的主体性对男性话语权的解构为切入点，探访福尔斯不雅察世界的奇特性并进一步商量其著作给处于实际社会窘境中的古代人的启发。本文由导论、注释和结论三部门构成。重要内容以下：第一部门是导论。导论部门扼要概述国际外对约翰·福尔斯及其著作的研究现状，在必定水平长进行剖析梳理，并阐述本文的研究意义和目标。解构主义实际办法论意义非常凸起，对法国中尉的女人的解构主义解读有着深入的学术价值和实际意义。第二部门是注释，由四章构成：第一章重要引入解构主义实际的根本道理作为论文研究的实际基本，综述解构主义实际的来源和成长，重点论述解构主义实际在文学著作中的应用。作为法国后构造主义哲学家德里达所创建的批驳学派，解构主义推翻了逻各斯中间主义的思惟传统，主意打破二元对峙形而上学的思想措施，再发明更加公道的次序。第二章重点论述法国中尉的女人对作者与读者之间二元对峙关系的解构，进一步将解构战略付诸理论，更加详细地展现解构主义思惟。在法国中尉的女人中福尔斯不再是全知万能的作者，而是约请读者涉入到虚拟的故事中来，成为小说自发的创作者和花费者。小说经由过程讥讽性的第一人称叙事者、开放性的故事终局、和汗青的运用在小说中的详细运用解释作者和读者的关系处于平行状况，为解构作者与读者二元对峙关系供给了注解。第三章以剖析小说的女主人公萨拉的主体性为平台，以传统维多利亚价值不雅为配景和参照，阐述萨拉的主体性对男性话语权的解构。在传统的维多利亚价值不雅里，男性是主体的解救者，女性是客体的期待救赎者。本章经由过程商量萨拉这一起义的女性抽象，表达她保持保卫女性主体性的决计，这是对维多利亚时期的男性话语权的无力推翻。第四章商量福尔斯以古代人的眼力，法语论文题目，法语论文，对维多利亚社会、认识形状和传统小说的主题思惟的从新建构。一方面，萨拉经由过程一系列的设计、选择和行为使本身从自我流放到自我摆脱，终究取得存在的意义；另外一方面，萨拉在追求自我摆脱和自在的进程中赞助查尔斯认识到本身所固守的维多利亚品德不雅念的虚假性和掉去的自在，并引诱查尔斯解脱社会和汗青的羁绊，走上自在选择和自力之路。最初一部门是结论。结论经由过程对前四部门的回想和串连点出本文的宗旨，让读者深刻地懂得小说包含的解构主义思惟，并把解构主义深刻到人道角度停止摸索，启发我们的人生。品读小说即品读人生，所以在品读小说中的二元对峙关系的同时，也让我们在面临实际社会的窘境时能赓续的挑衅本身，大胆地去寻求属于本身的自在与自力。 Abstract: John Fowles is a major British novelist in twentieth Century, and enjoys high reputation in the literary world. He not only represents a turning point in British literature, but also means the transition of Oriental literature criticism. His representative for the French Lieutenant's woman since 1969 book is due to the unique creative skills and artistic attainments and achieved wide acclaim from the academic circles. Novels from the height of the 20th century to indecent Victoria in the 19th century British society, the essence of art not only the performance of in the traditional completely overturned, but also highlights the perfect blend of tradition and innovation. As a typical postmodernism novel color, its deconstruction characteristics extremely significant. This paper intends to binary confrontation between the writer and reader in the novel text deconstruction and Sarah's Subjectivity from the perspective of deconstruction start to male discourse deconstruction as the breakthrough point, visit falls indecent observes the world strange and further discuss the works in actual social dilemma of the ancient people of inspiration. This paper consists of three parts: introduction, comment and conclusion. Important content of the following: the first section is an introduction. The introduction section briefly outlines the international and foreign research on John Fowles and his works, in a certain level of analysis and combing, and expounds the significance and objectives of this study. Deconstruction practical methodology significance is very outstanding, of the French Lieutenant's woman, with the theory of deconstruction has a deep academic value and practical significance. The second part is a comment, is composed of four chapters constitute: first chapter mainly introduces the deconstruction of the actual and the fundamental reason as the research actual basic, review deconstruction actual sources and growth, focuses on deconstruction actual in literary works with. As created by French post structuralism philosopher Jacques Derrida's criticism of the school, deconstruction overthrew the logos centrism of the traditional thought of that idea to break the dual confronts the metaphysical way of thinking, to re invent the more reasonable order. The second chapter focuses on "the French Lieutenant's Woman" on the binary confrontation between the author and the reader deconstruction, further deconstruction strategy into practice, more show the thoughts of deconstruction. In the French Lieutenant's woman falls is no longer omniscient universal author, but invited readers involved in the virtual story to become novel spontaneous creators and consumers. Novels through sarcasm in the course of the first person narration, open the final story, and history of the application in the novel applications in detail explain the relationship between the writer and the reader in parallel condition, provided annotations thedeconstruction of the binary confrontation between the author and the reader. The third chapter is to analyze the heroine Sara's subjectivity as a platform, in order to match the traditional values of Vitoria with the king and the reference to elaborate Sara's subjectivity to the male discourse power. In the traditional value of Vitoria is the main rescue Jari, male, female is the object to the redeemer. This chapter through the female process to discuss Sarah this uprising abstraction expression she remained to defend the determination of female subjectivity, which is to overthrow the weakness of male discourse right of the Victorian. The fourth chapter discuss falls to the ancient people's eyesight, of the Victorian society, understanding the thematic thought of shape and the traditional novel's from new construction. Hand, Sarah via the process of a series of design, selection and behavior make itself from self exiled to get rid of ego, finally gain the meaning of existence; on the other hand, Sarah in the pursuit of self and get rid of the free process sponsored Charles realize itself cling to the Victorian moral indecent read false and out to freedom, and lure Charles free of the fetters of society and history, embarked on the freedom of choice and independent of. The first part is the conclusion. Conclusion through the above four parts back and series this paper points out the purpose and allow the reader to deeply understand the novels contain the deconstructive thoughts, and the deconstruction deep to the humanitarian perspective, stop fumbling, inspired by our life. Reading a novel product that is reading life, so in the goods, read novels in the dual confrontation relationship at the same time, also let us in the face of the reality of social dilemma can gengxu provocation, boldly to seek belong to their own freedom and independence. 目录: |
