| 让一皮埃尔·热内是现代法国片子拐点上的一个主要导演，他的片子多是法国人酷爱和善于的轻悲剧，秉承着法国片子的传统气质，充斥童话气氛和独特理想，又有浪漫恋爱和实际诗意，是一名有着激烈小我作风的片子作者。热内共有六部长片著作（个中两部与马克·卡罗配合执导），个中多部取得国际外奖项，天使爱漂亮丽更是求名求利，发明法国片子票房事业的同时斩获多个片子节奖项。本文以作者论为根据，以法国片子史为参照，从叙事内容、视听说话、悲剧手段等方面临热内片子做周全体系的剖析，总结热内的片子创作特色，证实热内是一名片子作者，寻觅热内片子与法国文明的血脉关系，发掘热内对法国片子传统的继续和改革。论文共分四部门。绪论部门，梳理总结热内的小传，法国片子传统和以后对热内研究的现状。论述热内的生平一方面是填补今朝国际材料的缺乏，另外一方面是于其阅历中寻觅创风格格的成因。同时扼要总结法国片子的传统，这是研究热内与法国片子血肉接洽的配景根据。第一部门，让一皮埃尔·热内片子中的人物。这一章出力研讨热内片子著作中人物设置的一向特色。起首，热内片子中常有挺拔独行的人物，详细表示他们有着偏执习气或某种喜好专长。其次是热内片子中的残病人物设置。这类对人物残病诗性化的书写一方面令人物更不同凡响、更具戏剧化，另外一方面也展示了古代科技带来的人的同化。第三，热内片子中副角人物群像化设置所构成的生涯风情画既带来了更多的悲剧笑料又推进主线索的成长。第二部门，让一皮埃尔·热内片子的童话特质。这一章侧重对热内片子的镜头说话作风停止研讨，热内片子中颜色培养的明快与阴霾的气氛、短焦距镜头带来的夸大变形的世界和其隐蔽的“洞居”空间设计构成了热内片子的具有童话特质的美学作风。第三部门，让一皮埃尔·热内片子的悲剧营建措施。这一章侧重热内片子的悲剧手段停止剖析。他在悲剧理念上深受法国悲剧传统作用，与雅克·塔蒂很有分歧，法语论文题目，法语论文范文，同时他奇特的多米诺骨牌式手段、人物速写式塑造人物的办法和对动画殊效的发明性运用对法国悲剧停止了独具作风的立异。 Abstract: Let a Pierre Rene is a modern French film inflection point on a major director, his film is the French love and good light tragedy, adhering to the traditional temperament of the French film, full of fairy tale atmosphere and unique ideals, and romantic love and real poetry, is a man with a strong personal style of film. Heat in a total of six feature film work (medium two and Marc Caro with directed), medium more than achieved international awards, "angel love of the beautiful" is the fame and fortune, invented the French movie career at the same time gains multiple film festival awards. In this paper according to French film history as a reference, speak from the narrative content, audio-visual, tragedy means facing thermal films to do comprehensive system analysis, summed up the heat in the creation of the film characteristics, confirmed heat is a film writer, looking for hot film and French culture blood relationship, to explore heat in the tradition of France's film continues and reform to the theory. Paper is divided into four departments. The introduction summarizes the heat within the Department, biographies, French film tradition and later of the internal research status. This paper discusses the life on the one hand is to fill the lack of the current international material, the other is to find the cause of the wind in the experience of the. At the same time, it is a brief summary of the tradition of the French film, which is the research of the hot film and the French film with the background of the. The first department, to make a Pierre Rene film in the characters. This chapter is to discuss the characteristics of the characters in the film works. First of all, the heat inside the film are often straight lone characters, with said they have a paranoid habits or some preferences expertise. Followed by the heat inside the film in the residual disease character set. On the one hand, this kind of figure residual disease of poetic writing make character even more extraordinary, more dramatic, on the other hand also shows the assimilation of ancient science and technology. Third, thermal film vice angle character images set a career style painting brings more tragedy jokes and promote the main clue of growth. Second department, let a Pierre Rene film the fairy tale character. This chapter mainly focuses on the discussion of the hot film, the color of the hot film and the color of the atmosphere, the short focal length lens to bring the exaggerated deformation of the world and its hidden "hole in" space design constitutes a hot film has a fairy tale beauty school style. Third department, let a Pierre Rene film the tragedy of the building method. This chapter focuses on the analysis of the tragedy of the hot film. In his tragic philosophy by French tragedy of traditional influence, and Jacques Tati very divided, and his unique dominoes means, the character sketch shaping characters and on the animated special invention application effect of French tragedy stopped the unique style of innovation. 目录: |
