| 本课题以20世纪60至70年月的法国新海潮片子为研究文本，借助女性主义片子实际剖析办法，自创精力剖析学、符号学等学科对于女性主义片子实际的帮助研究，试图从法国新海潮片子发生的汗青缘由，社会情况，女性脚色的表示措施，女性不雅众，和对女性主义片子实际、女性主义实际的推进感化等方面，阐述法国新海潮片子在片子与女性主义成长汗青进程中的特别位置和感化。并将之置于用时性和共时性的语境下，经由过程对年夜量新片子文本的女性脚色和女性不雅众的比拟剖析，试图考核新片子文本在女性主义表示情势上的冲破。借助女性主义片子实际的研究办法，经由过程文献综正当对其他时代片子文本的女性脚色比拟剖析，得出结论处在思惟束缚活动和第二次世界妇女束缚活动风口浪尖的法国新海潮片子，从影片情节、构造情势的支配，到女性脚色的改革，都将正在摸索成长中女性主义片子实际引入了一个可谓“史无前例”的地步。这类时期性和实际的超前性是没法复制的。新海潮前锋导演们的女性主义实际思惟仿佛达到了一个源于时期却又超出时期的高度。反不雅片子与女性主义互相依扶与融会成长的漫长过程，法国新海潮片子具有了光鲜的时期感和凸起的立异性，这一时代的片子推出了很多特质抢先于时期思惟和标准的女性抽象，法语论文，她们是真正提高的、正面的、束缚的女性主义抽象，即便在抉剔的女性片子批评实际家的眼中，法语毕业论文，这类提高意义也是无可争议的。我以为，是女性主义助推了法国新海潮片子的光辉造诣，异样，新片子也将女性主义片子实际推向了巅峰。 Abstract: This topic to 60 to 70 years of the 20th century, the French new wave film as the research text, with feminist film practical analysis methods, internally generated energy analysis, semiotics and other disciplines on the feminism film practice help research, trying to occur from the French new wave film of the result of the historical reason, social situation, women's roles representation method, female audience, and the feminism film practice, feminist practical promote probation, on French New Wave films in the film and feminism development history in the special position and role. And will be placed in a time and context, a comparative analysis through the process of a large number of new movie text of women's roles and female audience, trying to assessment film sub text in feminist said the situation through. With the help of the feminism film practice of research methods, through process comprehensive while female role to other text in the film age comparative analysis, draw the conclusion in ideological emancipation activities and the Second World Conference on women bound cusp of French new wave film, from film festival, structural forms of domination to women's roles reform will fumble feminist film growth effectively introduces a can be described as "unprecedented" point. This period of time and the actual advance is not copied. The actual thoughts of feminism the new striker directors as to a source for the period but beyond a period of heightened. Anti indecent film and feminism each other according to help with the growth of fusion is a long process, French new wave film has bright sense of the times and the bulge of innovation, the era of the film launched many qualities of grab prior period women thought and standard abstraction, they are really put high and positive, bound of feminist abstraction, even in discerning women film criticism in the eyes of the actual home. This kind of enhancing meaning is indisputable of. I think, feminist boost is brilliant attainments of French new wave film, strange, new film will also feminist film reality toward the top. 目录: 摘要 3-4 ABSTRACT 4-5 引言和文献综述 8-13 第一章 女性主义电影理论 13-28 第一节 女性主义理论概述 13-14 第二节 女性主义电影理论综述 14-28 一、女性电影概说 14-17 二、女性电影的制动因素:女性主义的崛起 17-19 三、女性主义电影的兴起和发展 19-21 四、女性主义电影理论的相关探讨成果 21-25 五、女性主义电影理论对其他学科的借鉴 25-28 第二章 新浪潮电影的女性主义略论 28-58 第一节 法国新浪潮电影 28-29 第二节 新浪潮电影的女性主义表现 29-58 一、新浪潮电影中的女性主义推演 29-32 二、新浪潮电影的特殊地位 32-34 三、新浪潮电影的文本略论 34-53 四、新浪潮电影的女性角色与女性观众略论 53-58 第三章 新浪潮电影对女性主义理论发展的特殊贡献 58-72 第一节 历时性比较 59-63 一、与黑色电影比较 59-61 二、与反电影比较 61-63 第二节 共时性比较 63-72 一、与左岸派电影比较 63-67 二、与同时期中国电影比较 67-72 结语 72-74 参考文献 74-76 附录 76-78 后记 78-80 |
