巴洛克时期法国洛可可音乐的肇始与发展[法语论文]

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可可音乐是巴洛克音乐前期发生的一个主要分支,她预示了欧洲晚期古典主义音乐的萌芽,是东方音乐史上一段具有承先启后感化的汗青阶段。音乐中的洛可可起源于装潢艺术范畴的启示,她普通是指十八世纪的法国音乐。洛可可音乐崇尚清爽、华美、典雅、轻盈的作风,音乐著作的创作上运用了装潢性、纰谬称的手段,构成了新的面貌,与巴洛克夸大和冗杂的艺术特色构成比较。本文的撰写分为四个部门睁开。第一章为洛可可音乐的由来,对洛可可音乐发生的时光、界说停止简略的商量,借用了几部本国对象书中的词条停止论述,明白了对她的熟悉。第二章重要陈说了洛可可音乐发生的汗青配景和代表性音乐家。经由过程对洛可可艺术思惟基本、人文艺术范畴的梳理,找到洛可可发生的详细缘由。个中,本章还以法国洛可可时代两年夜音乐家的生平作为重点,法语毕业论文,从音乐家的人身阅历动身,借以窥测这个时期的全貌。第三章分为三节停止睁开,分离对洛可可音乐在戏剧范畴、键盘范畴、室内乐范畴的表现做了论述。本章以键盘范畴作为撰写的重点,重要罗列了管风琴、羽管键琴两个方面的实例,愿望经由过程音乐本体的案头任务来提醒洛可可音乐时代与其他音乐时代的差别。第四章是从美学和音乐史学的角度动身,分离论述了法国洛可可音乐与巴洛克音乐的审美差别及法国洛可可音乐在巴洛克时代的感化。巴洛克音乐受感性主义哲学作用构成了严正、厚重的美感,而法国洛可可音乐重视对音乐细节的描写、装潢音的运用和主调功效和声技巧的运用,这些手段都令人们在审美上取得新的感触感染。法国洛可可音乐的时光虽不算长,但作为巴洛克早期的一段具有奇特艺术作风的潮水,以她独有的魅力作用了后世许多音乐家,如海顿、莫扎特、肖邦、德彪西、拉威尔等。法国洛可可音乐为我们熟悉艺术成长找到了一个可以窥见的主要身分之一。

Abstract:

Rococo Music is a major branch of early Baroque music, she predicts the seeds of later European classical music, Oriental music history period has an effect of the historical stage. Inspiration in music originated in the Rococo decoration art category, she generally refers to the French music in eighteenth Century. Rococo Music advocating fresh and gorgeous, elegant and graceful style, the creation of music works applied decoration, PI perverted said means and constitutes a new look, and the artistic characteristics of the Baroque exaggerated and miscellaneous structures. The writing of this paper is divided into four departments to open. The first chapter is the origin of the Rococo Music of Rococo Music time, definitions, stopped briefly discuss the borrowed several domestic book entry describes, understand the familiar to her. The second chapter describes the important historical background of Rococo Music and representative musicians. Through the process of thinking, the basic art of Rococo art category combing with the Rococo found reason. Medium, this chapter also to French Rococo Era of two of the eve of the musician's life as the focus, from musicians personal experience starting, whereby to pry into this period picture. The third chapter divided into three sections to stop open, separation of Rococo Music Performance in the drama category, category of keyboard, chamber music category are discussed. This chapter use the keyboard as the focus of writing, the important is a list of the pipe organ, harpsichord two examples, desire through the music ontology desk task to remind Rococo Music Era and other music era difference. In the fourth chapter, from the point of view of aesthetics and music history, separation and discusses the French Rococo and Baroque music aesthetic difference and the French Rococo style in the action of the Baroque era. Baroque music is affected by the influence of rationalism philosophy constitute the aesthetic feeling of solemn, heavy, and French Rococo Music seriously on music details description, voice decorating application and efficacy of tone harmonies skills application, these means makes people in the aesthetic have new feeling. French Rococo Music of the time, though not long, but as a part of the early Baroque has peculiar artistic style of the tide, with her unique glamour influence the many generations of musicians, such as Haydn, Mozart, Chopin, Debussy, Ravel,. We are familiar with the French Rococo Music artistic growth found one of the main factors to know.

目录:

中文摘要   6-7   英文摘要   7-8   引言   9-11       一、选题目的与意义   9-10       二、国内外探讨近况   10-11   第一章 巴洛克时期的洛可可音乐   11-13       第一节 洛可可音乐的界定   11-12       第二节 洛可可音乐的起源   12-13   第二章 巴洛克时期法国的洛可可音乐的肇始   13-25       第一节 产生背景   13-18           一、人文思想基础   13-14           二、音乐艺术领域   14-18       第二节 法国洛可可音乐的代表性作曲家   18-25           一、库普兰   18-20           二、拉莫   20-25   第三章 巴洛克时期法国洛可可音乐的发展   25-51       第一节 洛可可风格在法国音乐领域的发展概貌   25-27       第二节 戏剧音乐   27-32       第三节 键盘音乐   32-48           一、羽管键琴   32-45           二、管风琴   45-48       第四节 室内乐   48-51   第四章 法国洛可可音乐的历史意义   51-54       第一节 法国洛可可音乐与巴洛克音乐的审美异同   51-52       第二节 法国洛可可音乐在巴洛克时期的影响   52-54   结语   54-58       一、法国洛可可音乐中的人文主义精神   54-55       二、法国洛可可音乐对后世音乐发展的作用   55-58   参考文献   58-60   在读期间发表的论文   60-61   致谢   61  

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