| 约翰·福尔斯是英国最负盛名的后古代主义作家之一。法国中尉的女人是约翰·福尔斯最为胜利的一部著作，评论界对其深入的主题及试验性的写作技能停止了具体商量。在这部著作中，福尔斯用20世纪的视角论述了一个产生在英国维多利亚黄金时代的恋爱故事，援用了年夜量的汗青细节，也被以为是一部汗青小说。经由过程运用多层叙事者，人物塑造，脚注及三重开头等写作办法，福尔斯将汗青与小说融于一体，契合了新汗青主义的“汗青具有文天性，文本具有汗青性”不雅点。本论文自创新汗青主义的实际结果，法语论文，联合福尔斯的艺术创作不雅念，剖析了法国中尉的女人中的虚拟与实际的联合。论文主体分为四章。第一章从论述者的角度，剖析了虚拟与实际的张力。全知万能论述者经由过程其在空间、时光和心思方面的威望论述打造了一个“真实”世界，法语论文，而具有自我反思认识的元论述者强调小说虚拟性，打破了这类“真实幻觉”。穿越在汗青和实际之间的“我”进一步击碎了“真实幻觉”，经由过程曩昔与如今的并置反应了小说的虚拟性。第二章从萨拉的身份的角度剖析了虚拟的感化。萨拉虚拟了“法国中尉的女人”这一身份，成了莱姆镇人眼中的现实，而这一虚拟的现实却帮她博得了查尔斯的爱，踏上了自在之路。第三章从脚注的角度，剖析了汗青与文学的关系。小说中部门脚注征引靠得住的文本、警语等反应了汗青，加强了小说的真实性；而部门脚注援用了无从追溯的汗青文本或毛病的汗青不雅点，反应了汗青的文天性和虚拟性。第四章从小说的三重开头角度，剖析了小说的虚拟性与真实性。分歧于传统小说的关闭式开头，多重开头映照了生涯的各类能够性，从而反应了真实。总之，法国中尉的女人作为一部汗青小说，打破了实际与虚拟的界线，表现了福尔斯对汗青与文学关系的思虑和对现代小说创作的审美思虑，不只为小说的成长注入了新的活气，也启示了人们对于汗青和实际生涯的思虑。 Abstract: John Fowles is one of the most famous post ancient writers in England. The French Lieutenant's woman is John Fowles's most successful work, and critics have stopped discussing the subject and the experimental writing skills. In this novel, Fowles with 20th century perspective discusses a produced in the golden age of Victoria of the United Kingdom love story, citing a large amount of historical details, was also considered that is a historical fiction. Through the application process of multi-layer narrative, characterization, footnotes and the triple start writing methods, Fowles will history and novel financial in one, fit the new history of the doctrine of "the history of the nature, text has a history of" indecent point. In this paper, the actual results of the innovation of history, combined with Fowles's artistic creation, analysis of the "French Lieutenant's Woman" in the virtual and the actual joint. The main body of the thesis is divided into four chapters. In the first chapter, the paper analyzes the tension between the virtual and the real. Omniscient universal arguer through the process in space, time and mind prestige on create a "real" world, and has self reflection awareness yuan the arguer stressed fictitious novel, break this kind of "real illusion". Crossing between history and reality in the "I" "realistic illusion" is further crushed, via the process in the past and now the juxtaposition of reaction the novel virtual. The second chapter analyzes the role of the virtual action from the perspective of Sara's identity. Sarah virtual the identity of the French Lieutenant's woman, became a reality for Lyme Town People's eyes, and the virtual reality but help her win the love of Charles, set foot on the freedom of the road. The third chapter analyzes the relationship between history and literature from the point of view of the footnote. Novel central door footnotes citing reliable text, warnings and other reaction annals, strengthen the authenticity of fictions; and department footnotes citing no retrospective history text or defect in a history of indecent point, the reaction of the history of the textbox and virtual. In the fourth chapter, from the beginning of the novel, the three chapter analyzes the virtual reality and the authenticity of the novel. Different from the opening of the traditional novel, multiple beginning reflects the various types of career, which reflects the real. Anyway, the French Lieutenant's woman as a historical novel, breaking the actual and virtual boundaries, the Fowles's thinking on the relationship between history and literature and on the creation of modern novels aesthetic thinking, not only the growth of novel injected new vitality into, tells people about the history and real life thinking. 目录: |
