现实与虚构:法国中尉的女人小说艺术手法略论(2)[法语论文]

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摘要   6-7   Abstract   7-8   Introduction   9-14   Chapter One The Multiple Images of the Narrator   14-23       1.1 The Omniscient Nartator   14-17       1.2 The Meta-narrator   17-19       1.3 The "I" between History and Present   19-23   Chapter Two The Identity of Sarah   23-33       2.1 Illusive Reality   23-27       2.2 Significance of Sarah's Fiction-making   27-33   Chapter Three The Notes   33-41       3.1 The Actuality of Some Notes   33-36       3.2 The Fictionality of Other Notes   36-41   Chapter Four The Triple Endings   41-50       4.1 Closed Ending   41-44       4.2 Open Ending   44-50   Conclusion   50-52   Bibliography   52-55   Acknowledgements   55-56   Main Work Achievements of the Author during Master Study   56  

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