在19世纪法国工业反动低落的时期潮涌中,文学艺术范畴的实际主义思潮在以工人阶层为先导的提高力气与革命阶层之间的剧烈奋斗中发生。法国实际主义绘画就是这一时期海潮中的一朵俏丽的浪花,它遭到其时文学、哲学等方面的作用,出现出了库尔贝、柯罗、杜米埃和米勒等一批艺术巨擘。本文试图梳理、剖析19世纪法国实际主义绘画发生的时期配景及其艺术特点,继而商量这类实际主义精力对中国古代油画的作用和对我们以后艺术创作的自创意义。本文共分三章:第一章,法语论文,起首从两个方面来论述19世纪法国实际主义绘画是若何发生的:一是,从社会汗青配景方面临法国实际主义绘画发生缘由的商量;二是,从绘画派别之间的互相作用与渊源关系方面停止剖析。然后,从狭义和广义两方面来商量19世纪法国实际主义绘画的界说。第二章,经由过程对19世纪实际主义艺术家的著作剖析来论述19世纪法国实际主义绘画的特点。实际主义作为一种创作情势,它是在多种社会阶层抵触和平易近主反动活动低落下发生,也是人类绘画成长到必定阶段的汗青景象;作为一种文艺思潮,19世纪法国实际主义绘画所表示的对象极具代表性、典范性;所描述的人物、事宜极具时期性、真实性;对于社会高层人士和官方学院派又极具批评性。第三章,重要引见在中国美术古代转型的进程中油画在中国的成长,和在这一进程中19世纪法国实际主义绘画对中国现代油画的作用。第一节,从中国美术古代转型的语境中来看东方油画在中国被普遍接收的时期缘由;第二节,联合我国的部门画家及他们的创作,剖析我国的具象写实油画家是若何遭到19世纪法国实际主义绘画的作用的。同时研究我国实际主义美术家的著作中融入的逼真的人文关心和对天然的存眷,法语论文网站,若何反应着古代人们的社会生涯和时期请求,惹起人们的共识。 Abstract: In the 19th century French industrial revolution in the low tide period, the field of literature and art Realism Thought in the pilot increase strength and revolutionary classes between the violent struggle to the working class. French realism painting is in this period tide a flower beautiful waves, it was the influence of the literature and philosophy at the time, showing the Courbet and Corot, Daumier and Miller, a group of art giant. This paper tries to comb and analyze the background and artistic characteristics of the nineteenth Century French practical painting, and then discuss the influence of this kind of practical energy on the Chinese ancient oil painting and the creation of the artistic creation. This paper is divided into three chapters: Chapter one chapeau from two aspects to discuss in France in the 19th century realism painting is how to produce the: is a, from the social and historical background of the pro French realist painting has the reason to discuss; second, from the mutual influence between painting faction and Yuan source relationship analysis. Then, from the narrow and broad definition of two aspects to discuss the actual painting in France in nineteenth Century. The second chapter, through the process of the nineteenth Century practical artists of the works of the art of analysis to discuss the characteristics of the nineteenth Century French realism painting. Realism as a creative situation, it is low conflict in various sectors of society and democracy reactionary activities occur, but also human painting grow to certain stage of history scene. As a trend of thought in literature and art, represented by the 19th century French realist painting very representative, model, described the characters, matters very period, authenticity; a high society people and official college school was very critical. The third chapter is about the development of oil painting in the process of Chinese fine arts and the development of Chinese painting in the process of nineteenth Century. The first section, from the perspective of the Chinese art of the ancient Chinese painting in the context of the Eastern oil painting in China is generally accepted the reason; the second section, the United Artists and their creation, analysis of our country's realistic oil painting is how the impact of the nineteenth Century French realist painting. At the same time, we study the realistic human care and concern about the nature of our country's practical artists, how to reflect the social life and the request of the ancient people, and to arouse people's common understanding. 目录: 中文摘要 5-7 Abstract 7-8 引言 9-12 第一章 19 世纪法国现实主义绘画的溯源和定义 12-19 第一节 19 世纪法国现实主义绘画的溯源 12-16 第二节 19 世纪法国现实主义绘画的定义 16-19 第二章 19 世纪法国现实主义绘画的特征 19-39 第一节 较于古典主义,现实主义具有时代性 20-25 第二节 较于浪漫主义,现实主义具有真实性 25-32 第三节 较于自然主义,现实主义具有典型性 32-36 第四节 关于广义的现实主义创作措施,其具有批判性 36-39 第三章 19 世纪法国现实主义绘画对中国现代油画的作用 39-46 第一节 中国美术的现代转型与油画艺术在中国的发展流变 39-41 第二节 法国现实主义绘画对中国当代油画发展的助推与作用 41-46 结语 46-48 注释 48-49 参考文献 49-52 致谢 52-53 攻读硕士学位期间发表著作和参展著作目录 53-54 攻读硕士学位期间的个人著作 54-67 |