| 十九世纪跟着法国年夜反动而来的新时期，充斥变更的文艺精力和行为层见叠出，新古典主义带着它激烈的古典主义准绳再一次向我们证实了“古典”这个词是任什么时候候的最好范例。不论是十七世纪法国古典主义照样十九世纪的新古典主义，法语毕业论文，他们的艺术幻想一直是寻求稳固，优雅与协调之美，即“美得不克不及再美”的典范抽象。其审美和技巧在东方美术史上都留下弗成磨灭的陈迹。作为一个绘画进修者，法语论文，在这个宏大的体系中我该怎样样去寻觅我的血缘关系？固然我们与之是分歧国度，分歧时期，但作为一个研究传统油画的后辈，进修和传承“古典”这个永垂不朽的审美尺度，既能站在伟人的肩膀上看世界，又能对油画传统精华停止更好的流传。这也表现了作为一个专业油画进修者的高审美情味和档次。创作必需起源与进修，没有平空想象的创作，此次记载新古典主义绘画指点的创作进程目标是使创作在一个很同一的规矩下停止，能留意定、协调之美融入到本身的画面中，古典油画的摸索之路走得更远。 Abstract: Nineteenth century following the French Revolution and the new period, full of change of literature and art in energy and behavior emerges in endlessly, new classicism with its fierce classicism principle again to we confirmed the "classical" the word is either when Hou's best example. Whether seventeenth Century French classical or neoclassical in nineteenth Century, their art fantasy has been seeking stability, elegance and coordination of the United States, that is, "the United States can not be beautiful" model of the abstract. The aesthetic and skills are not left indelible trace in Oriental Art history. How do I look for my blood relationship as a painting learner in this grand system? Although we are from different countries, different times, but as a junior studying traditional painting, learning and inheritance of "classical" the immortal aesthetic measure, both standing on the shoulders of giants to look at the world, and the essence of traditional painting better spread. This also shows that as a professional oil painting of high aesthetic taste and grade. Creating necessary origin and learning, not just imagine the creation, the records of New Classicism Painting pointing the creation process of goal is enables the creation in a very under the same rules stop, to pay attention to and harmony into the picture itself, classical oil painting exploration of the road to go further. 目录: 摘要 4-5 Abstract 5 一、试析对法国新古典主义绘画的理解 6-10 （一）法国新古典主义绘画的历史环境 6-7 （二）对法国新古典主义绘画的审美倾向的理解 7-9 （三）对法国新古典主义绘画的技法略论 9-10 二、毕业创作题材选定 10-11 三、法国新古典主义绘画在创作过程的技法和审美指导 11-12 四、创作加入构成元素 12-15 （一）构成和绘画的联系 12-14 （二）法国新古典主义绘画和构成元素在创作中的结合 14-15 五、法国新古典主义绘画准则对创作的检验 15-17 结语 17-18 参考文献 18 |
