没有出口的迷宫一对约翰·福尔斯法国中尉的女人中的思想观点和写作技巧[法语论文]

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约翰·福尔斯是现代英国文坛,甚至世界文坛颇负盛名的作家。他的精彩的地方不只在于他是讲故事、描述景物的高手,还在于他的小说从不反复统个内容,体裁也因书而异,给人以赓续推层出新的新颖感。他的著作法国中尉的女人是东方评论家多所评介的作品。他用使人赞叹的笔力模拟英国19世纪维多利亚小说的体裁。法国中尉的女人是二十世纪最主要和最风趣的小说之。该书于1969年出书后,不只批驳家们写了年夜量的评论,并且该书也被翻译为世界上各重要文字,包含中文。约翰·福尔斯曾被誉为“后古代主义小说家”,其著作则称为“后古代小说”。在之前对约翰·福尔斯及其著作法国中尉的女人的研究中,除一些对维多利亚汗青的研究外,很少触及约翰·福尔斯在法国中尉的女人中的思惟不雅点,如巨大论述,宗教和文学情势等,对于写作技能如:戏仿、持续中止、对峙、并置、极端和论述措施亦阐述较少。本文除结论外,包括三部门,第一部门引见作家约翰·福尔斯、法国中尉的女人及其故事内容概要;第二部门评论辩论约翰·福尔斯的思惟不雅点;第三部门列出作者所运用的六种技能,并对其停止比较和透析。对其古代叙事艺术的商量,是本论文的重点。约翰·福尔斯在法国中尉的女人中,采用灵巧变换式不定人称叙事措施,“你、我、他”混用,法语论文,叙事中间被消解,转变了专注专断的传统叙事措施。这类经由过程分歧人称构成叙事张力以感化于读者的作法,在著作中运用得相当广泛。其后果是形成读者赓续调剂本身心态和视角,赓续感悟以读者本身作为价值参照作为浏览主体的存在。传统的固定人称作用叙事的真实感、可托度;别的,读者所感触感染所体验的,受叙事人称的客观限制。叙事拼贴,如:章首题词、联想群情和故事交叉是其古代叙事艺术的一年夜fjtwHZ lrt_tl一_uN特点。章首题词起源于哈代、丁尼生等人的文学著作,马克思、达尔文等人的学术专著,和报纸手札等。联想群情在著作中到处可见,或对著作中人物发表群情,或对著作的创作自己揭橥群情,与读者对等对话。环绕主人公查尔斯与莎拉、欧里斯蒂娜之间的三角爱情故事,又交叉了家丁山姆、玛丽、蒲尔特尼太太、查尔斯的伯父,和作家哈代等的故事。著作供给三个公道的分歧终局更是表现了其论述构造的开放性,也与传统论述拉开了间隔。其特色在于表示了作者不再掌握著作中的人物,给人物以自由:同时暗示读者其著作的虚拟性。这些都表现了著作的反传统意味。约翰·福尔斯采取维多利亚小说的说话、对话和体裁,戏仿维多利亚小说。对于持续中止,作者经由过程直接涌现在小说中与读者对话,提示读者留意,或许直接表达对人物的意见和文本的艺术特点;章首题辞,或章节之间不连贯也是其表示。对峙准绳,是一种传统的表达措施,但对于后古代主义而言,它上升到了哲学高度,好像戏剧中的抵触,同时,向一切最根本的二元对峙挑战最强无力的标记是牝牡同体。并置表示在查尔斯与马克斯,法语论文范文,普鲁斯特与山姆并提上。别的,小说中的两位女主人公是极端这一技能的表现。

Abstract:

John Fowles is a famous writer in modern English literature and even in the world. His wonderful place is not only he is a master story, describing scenery, still in his novels never repeated the same content, style varies because of the book, give a person to continuously push layer a new sense of novelty. His works "the French Lieutenant's Woman" is more than a book critic of oriental. British Vitoria in nineteenth Century he simulated genre fiction with amazing works. The French Lieutenant's woman is one of the most important and interesting novels of the twentieth Century. The book in 1969 book, not only criticize scientists wrote a commentary of the eve of the amount and the book has also been translated as the major characters in the world, including the Chinese. John Fowles was known as the "post - ancient writers", whose works are called "post - Ancient Novels". Before the study of John Fowles and his works, "the French Lieutenant's Woman", in addition to some thinking to study the history of the Victoria, rarely touched John Fowles in the French Lieutenant's woman indecent point, such as the great discussion, religion and literature and other forms of writing skills such as parody, continued suspension, confrontation, juxtaposition, extreme and discusses the methods of also explains less about. In addition to the conclusion, including the three departments, the first section describes the writer John Fowles, "the French Lieutenant's Woman" and its story content summary; the second part of the debate John Fowles's thinking point of view; the third Department of the six skills of the author, and the comparison and analysis of the. The discussion of the ancient narrative art is the focus of this paper. John Fowles in the French Lieutenant's woman, using smart transform formula person narrative method, "you, me, him" mix, narrative dispelled. Changing the traditional methods of narration in the attention of arbitrary. This class through the process of different people constitute the narrative tension in order to influence the reader's practice, in the work of a wide range of applications. The consequences are formed readers continuously adjust their own state of mind and perspective, gengxu sentiment to the reader itself as the value reference as subject browsing. The traditional fixed person influences the sense of reality and the rest of the narrative, and the other, the reader is affected by the experience, which is subject to the objective limitation of the narrative person. Narrative collage, such as: the first chapter inscription, Lenovo public sentiment and the story is the ancient narrative art of a large fjtwHZ LRT 2O TL 2O UN characteristics. First chapter inscription originated in the literary works of Hardy, Tennyson and others, academic writings of Marx, Darwin and others, and newspaper Shouzha. Lenovo public sentiment in the works everywhere, or of the characters in the works: public sentiment, or of works he enunciated public sentiment, readers and peer to peer dialogue. Around the story of a love triangle between the protagonist Charles and Sarah, Olice Tina, and cross the servant Sam, Mary, bushels Turney wife, Charles's uncle, and the writer Thomas Hardy and other stories. Works supply three fair differences final is to show the openness of the structure of the discussion, also with the traditional exposition opened the interval. The characteristic is that the author no longer holds the characters in the works, and gives the people freedom: at the same time, the author suggests that the readers of his works are of the virtual nature. All of these show the anti traditional meaning of the work. Speaking, dialogue and genre John Fowles take Vitoria novels, the parody novels of Vitoria. About the continued suspension, author through direct Chung now novel in dialogue with the reader and prompt the reader to pay attention to, perhaps direct expression of advice and text characteristics of the art of; first chapter epigraph, or chapters between coherent is the representation. Principle of confrontation, is a traditional way of expression, but on the post modernism, it rose to the philosophical level, like the drama conflict, at the same time, to all the basic binary confrontation challenge among the most powerful marker is monoecious. Charles said in juxtaposition with Marx, Proust and Sam and put on. In addition, the two female characters in the novel are the performance of the extreme.

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