| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，俄语论文网站，俄语毕业论文，内容请直接查看目录。） 茅盾,中国古代有名作家。著作独具作风,数目浩瀚,作用深远。茅盾是一名擅长进修的作家,他敬佩俄国作家托尔斯泰,并受其作用最年夜。他不只在思惟上接收托尔斯泰,而且在创作理论中接近托尔斯泰。茅盾曾坦言《半夜》的创作遭到《战斗与战争》的作用和启示。托尔斯泰的《战斗与战争》是一部史诗体巨著,构造澎湃,排场辽阔,人物单一,有广度、有深度,再现了整整一个时期。茅盾的《半夜》,异样是一部史诗体小说,构造巨大,人物浩瀚,情节庞杂,线索单一而又犬牙交错。两部著作在构造,写作技能和艺术手段等方面有许多个性。茅盾其实不是简略的模拟托尔斯泰,而是在自创的基本上有本身的立异。本文试图经由过程比拟这两部著作,剖析《半夜》若何受《战斗与战争》的作用和启示,二者有哪些配合性和差别性,茅盾的创作又有何奇特性。经由过程两部著作的比拟,商量茅盾与近代俄国文学特别是与托尔斯泰的关系,茅盾对托尔斯泰的进修、自创与超出,和茅盾容身于平易近族生涯实际发明的奇特性。 Abstract: Mao Dun, a famous writer in ancient china. Works unique style, the vast number of far-reaching impact. Mao Dun is a writer who is good at learning, he admires the Russian writer Tolstoy, and is most affected by it. Not only does he receive Tolstoy in mind, but also he is close to Tolstoy in the theory of creation. Mao Dun has said, "the middle of the night" was the creation of the "fighting and war" and the impact of enlightenment. Tolstoy's "war and peace" is an epic masterpiece, surging structure, ostentation and extravagance is vast, a single character, breadth, depth, the reproduction of the whole period. Mao Dun's "Midnight", strange is an epic novel, huge structure, character of the vast, complex plot, clues and single indented. Two works in the structure, writing skills and artistic means, etc. there are many personality. Mao Dun is not a simple simulation of Tolstoy, but in the self has its own innovation basically. This paper attempts to compare the two works through the process, analysis of the "Midnight" how to be affected by the "battle and war" and enlightenment, the two have the coordination and difference, Mao Dun's creation and He Qi characteristics. Through comparing the process works, discuss Mao Dun and modern Russian literature especially and Tolstoy, Mao Dun's study of Tolstoy, created and beyond, and Mao Dun shelter on the plain near family career actually invent the peculiarity of. 目录: 摘要 3-4 ABSTRACT 4 引言 6-10 第一章 相似的美学追求与艺术倾向 10-21 第一节 史诗格调 10-14 一、广阔的社会场景 11-12 二、重大的社会事件 12-14 第二节 丰富多彩的人物画廊 14-16 一、个性鲜明的人物形象 14-15 二、充满矛盾的人物性格 15-16 第三节 宏大而复杂的结构布局 16-19 一、大场面开场,多条线索相互交织 16-18 二、灵活的叙述角度,内外视点混合使用 18-19 第四节 生动而细腻的心理描写 19-21 第二章 不同的社会人生与艺术呈现 21-26 第一节 全景式扫描与都市透视 21-22 第二节 追求道德完善的“忏悔贵族”与生不逢时的“工业王子” 22-23 第三节 心理描写：探索的深度与多样的灵动 23-26 第三章 《子夜》的时代特征与艺术独创 26-31 第一节 《子夜》的社会科学理论色彩 26-28 一、对中国社会性质的探析 26 二、经济观察视角 26-28 第二节 《子夜》的民族内容和民族色彩 28-31 一、半封建半殖民地时代的都市人生 28-29 二、艺术表现上的民族神韵 29-31 结论 31-33 致谢 33-34 参考文献 34-36 攻读学位期间的探讨成果 36 |
