| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） “不隔”是王国维“境地说”中的一个焦点概念。“生疏化”是俄国情势主义实际家什克洛夫斯基的一个主要美学命题，同时也是俄国情势主义的办法准绳。“不隔”和“生疏化”，历来颇受学者们存眷，对于它们的研究结果也是浩如烟海。然则鲜有学者将两者至于比拟诗学的视野下，存眷“不隔”和“生疏化”实际之间的共通性。本文就是从这个角度动手，爬梳两者的实际渊源及内在，寻觅它们之间的互释性身分。王国维在《人世词话》中说“语语都在今朝，就是不隔”，反之，则为“隔”。而什克洛夫斯基为代表的情势主义者们的眼中，艺术的进程就是事物“生疏化”的进程。因为“生疏化”尽力经由过程“情势通俗化”，来加强审美难度，延伸审美感触感染时光，终究到达艺术被“体验”的目标。所以人们经常由于“生疏化”与“隔”的审美效应类似，而将其两者接洽到一路。但是，“生疏化”的发明者，什克洛夫斯基几回再三强调“生疏化”的目标是“制作一种对事物的特别感触感染，即发生‘视觉’”。让读者对创作者的意图心照不宣。是以，“生疏化”只是采用一种“隔”的措施来获得“不隔”的审美后果。同时，俄语论文网站，“不隔”之境也是特别情形下心灵与外界碰撞所发生的奇特意象。它的不落窠臼，不拘于世俗，也是一种“生疏化”的表示。另外，俄语论文网站，“不隔”与“生疏化”在创作层面上也具有类似性实际思想上都表示出了复原认识；都强调说话的价值意义，寻求文学的自力性；说话运用上都推重运用技能；抽象功效上都以“悟”为手腕。 Abstract: "Undivided" is a concept of Wang Guowei's focus position "in the. "Strange" is the Russian formalism practical furniture g Kieslowski is one of the main aesthetic proposition, and Russian formalism of the principles of the methods. "Isolation" and "strange", has always been popular scholars concern about their research results is the multitude. But few scholars will be as far as the comparative poetics of vision, focus on the common nature of "not separated" and "unfamiliar". This article is from the perspective of practical hands-on, origin and inherent through both, seeking mutual explanation of identity between them. Wang Guowei in the "world of poetry", said "the words in the present is not separated, conversely, for every". And Shklovsky as the representative of the situation in the eyes of the people, the process of art is the process of "unfamiliar". Because "unfamiliar" try to pass the process of "popular", to strengthen the aesthetic difficulty, the extension of the aesthetic feeling of time, after all, to reach the art is "experience" of the goal. Therefore, people often due to the "unfamiliar" and "separated" the aesthetic effect of similar, and the two are approached to the way. However, the inventor of the "strange", Shklovsky repeatedly stressed that the "unfamiliar" goal is to create a special feeling of things, that is, "visual"". Let the reader of the creator's intention of tacit. Is to, "unfamiliar" just using a "separate" method to obtain the "not separated" aesthetic consequences. At the same time, the "not separated" environment is also a special case of the mind and the external collision occurred in the strange image. It's out of the box, not to follow the beaten track, is also a kind of "strange" said. Also "divided" and "strange" in the aspect of creation also has similar practical thought expressed restoration understanding; stressed that speak of the value and significance, literature seeking independence; talk applications are held in high esteem application skills; abstract functions are to "Enlightenment" as the wrist. 目录: 中文摘要 4-5 Abstract 5 目录 6-7 序言 7-11 第一章 思想理论的探究 11-21 一、“不隔”的渊源及其内涵 11-16 1、“不隔”的词源学考证 11-13 2、“不隔”历史生成 13-15 3、王国维的“不隔”美学内涵 15-16 二、“陌生化”的本义阐释及其内涵 16-21 1、“陌生化”的本义阐释 16-19 2、“陌生化”产生的历史语境 19-21 第二章 “不隔”与“陌生化”的互释性比较 21-38 一、理论思维上的互释--“还原意识” 21-26 二、文学材料上的互释--语言为上 26-30 三、语言应用上的互释--崇尚技巧 30-35 四、形象功能上的互释--“悟”为手段 35-38 第三章 “不隔”与“陌生化”审美理想上的汇通 38-49 一、“陌生化”是用的“隔”的手法达到“不隔”的效果 38-43 二、“不隔”之境也是“陌生化”的境界 43-48 1、“不隔”诗境在文化背景中“陌生化” 43-45 2、“不隔”意境的“陌生化” 45-48 三、小结--“陌生化”和“不隔”是文学的永恒主题 48-49 注释 49-55 参考文献 55-58 在校期间论文 58-59 后记 59 |
