| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 意味主义是一种文明思潮，而高尚是一种美学形状，其实不必定局限在古典主义和实际主义的表示办法当中。欧洲的意味主义者以为实际其实不真实，物资世界的景象只是面前某一实质存在的对应物，传统的实证主义以感性思想的办法缺乏以从全体上掌握，唯有意味主义经由过程相似柏拉图的“迷狂”状况于梦境中能力掌握独一的真实。与欧洲意味派的熟悉论特点分歧，俄国的意味主义特别是第二代的代表人物勃洛克、别雷、维·伊万诺夫等深受索洛维约夫和东正教思惟的作用，更具有本体论的性质。以为意味是一种更深层的存在状况，艺术是手腕，人只要以意味主义的感知措施和生涯措施能力解脱平常生涯的俗气而走向宗教化的此岸世界，是以俄国意味主义反应了人作为主体对客体世界的驯服和自我精力的超拔和更新勃洛克作为一名表现着本平易近族特点的巨大的意味派诗人，俄语论文题目，其创作与其他意味主义诗人最年夜的异同就在于在他的意味主义系统中一直而美满地完成了高尚的美学偏向，俄语论文题目，而且在主客体及两者的关系三个方面成长了高尚的意味主义维度。本文将勃洛克的创作三个阶段，分离归置于正题·美·奥秘主义的高尚：反题·真·疑惑主义的高尚；合题·善·品德主义的高尚，并联合详细的创作理论剖析其对高尚主义美学的成长。 Abstract: It means that Marxism is a kind of ideological trend of thought, and the noble is a kind of aesthetic shape. It is not necessarily confined to the representation of classical doctrine and realism. European symbolism that actual actually not real, the material world scene just before a substantial counterpart, the traditional positivism approach to perceptual ideas lack to grasp as a whole, only that doctrine through similar to Plato's "Ecstasy" in dreams. The only real grasp. And Europe that sent the familiar on the differences of characteristics, Russian symbolism especially the second generation of representative Blok, Bely, Vee Ivanov etc. by solovyov and orthodox thought influence, more ontological properties. That means a deeper situation, art is the wrist, as long as people by means of ability method and career free formalism of everyday life to the vulgar religion is based on this side of the world, the Russian symbolism reaction of man as the subject to the object of the world to tame and self energy elevation and update as Blok a performance of the national characteristics of the great meaning poets, creation and other means the difference lies in the greatest poet in his symbolism system has been successfully completed and the noble aesthetic bias, and growing the noble symbolism dimension in three aspects and the relationship between subject and object. In this paper, the Blok the creation of three stage separation in order to topic, aesthetics and the Secret Doctrine of noble: antithesis, really - skepticism noble; synthesis, kindness and moral doctrine of noble, creation theory and combined with the analysis of the growth of sublime aesthetics. 目录: 内容摘要 4-5 ABSTRACT 5 前言 7-10 第一章 勃洛克和俄国象征主义探讨述评 10-19 第一节 原苏联和西方的探讨状况 10-14 第二节 中国的探讨状况 14-19 第二章 象征主义与崇高 19-28 第一节 象征主义 19-22 第二节 崇高 22-24 第三节 象征主义与崇高的关系 24-28 第三章 勃洛克与崇高 28-55 第一节 正题.美.神秘主义的崇高 29-35 第二节 反题.真.怀疑主义的崇高 35-42 第三节 合题.善.道德主义的崇高 42-55 第四章 勃洛克对崇高美学的发展 55-65 第一节 客体方面的发展 55-57 第二节 主体方面的发展 57-60 第三节 主客体关系方面的发展 60-65 结语 65-67 参考书目 67-69 后记 69 |
