| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 法国女性主义文学批驳家露斯·伊利加瑞已经说过“在我们这个时期，两性差别即便算不上最热点的话题，也确定是最主要的成绩之一。”这一结论在文学史上也有所反应。女性文学最近几年来在东方和俄罗斯已逐步构成一股值得存眷的文学景象，列国学者围也绕着“女性文学”畅所欲言，睁开了剧烈的争辩。俄罗斯国际的女性文学发端于二十世纪六十年月末、七十年月初，勃兴于八十年月末、九十年月初。1974年《Литературнаягазета》提议了对于“女性文学”的年夜评论辩论，俄语论文，很多有名评论家如А。Зорин，С。Чупринии等都介入到个中。进入八十年月以来，一年夜批优良的女作家以其悬殊于男作家的光鲜写风格格锋芒毕露，她们的著作陆续结集成册，构成一股不小的权势。托卡列娃被称作“女性文学的第一只春燕”，她是少有的仅凭一篇中篇小说就成名的作家之一。自1969年揭橥童贞作《没有假话的一天》至今，托卡列娃一向在文坛享有盛誉，也深受读者的爱好。本论文联合托卡列娃的著作剖析了女性文学的特点，体系引见了托卡列娃创作的思惟内在和艺术特点，俄语论文题目，对进一步深刻研究其著作甚至扩展到对全部“女性文学”的研究起到了抛砖引玉的感化。论文的引言部门导出“女性文学”这一概念的公道性成绩，简略回想了俄罗斯女性文学的汗青，梳理了文学评论界对于这一成绩的分歧意见。论文第一章联合托卡列娃的几篇著作，详细剖析了女性文学的特点。由剖析可以看出，性别差别所惹起的社会位置、生涯经历、不雅察视角等的分歧，加上女性自我认识的赓续加强，必定会作用女性文本的创作。论文第二章将托卡列娃的著作归结为“女性的世界”和“寻求幻想者的世界”两类，经由过程详细剖析展现了托卡列娃辽阔的创作内涵，证实了女性文学也能够是对于通俗人的平常生涯的百科全书，而不只仅局限于恋爱、家庭的小圈子。论文第三章详细剖析了托卡列娃著作的艺术特点。她以文豪契诃夫为师，用简洁、细腻的笔触，渗透字里行间的滑稽和讥讽深深感动着读者。同时，其行文中经常使用的童话虚拟手段更是淡化了实际与幻想的界线，让读者在浏览中不知不觉遭到哲理的启发。结语部门总结全文，同时批评了以为托卡列娃的著作是“妇女文学”的毛病不雅点，指出“女性文学”因其奇特的魅力理应在文学范畴占领一席之地。 Abstract: French feminist literary refute home Ruth Iligari have said "in this period, the differences between the sexes if not the most popular topic, also identified is one of the main results. This conclusion has also been reflected in the history of literature. Female literature in recent years in the East and Russia has gradually formed a shares worth keep dependents of the literary scene, surrounding nations and scholars also around the "female literature" speak their minds, to open a violent argument. Russia International Women's literature began in the 20th century of the late sixties and early seventies, the vigorous growth in the end of 1980s, the beginning of the 1990s. 1974 "successfully, with which, the Russian author." by. 3. To. "Proposal" female literature "on the eve of the comment on the debate, many famous critics such as is. From me, from the government support. Quite a scene from the scene, are all involved in the scene. Since the beginning of the 1980s, a large number of excellent female writers in the disparity in the male writer's flashy writing style hard edged, their works have compiled, constitute a shares is not a small power. Tokareva is called "female literature first Chunyan", she is rare only by a novella became famous writers. Since 1969 exposing a virgin "no lie to one day" so far, Tokareva has always been in the literary world and enjoy a good reputation, but also by the readers of the hobby. Dissects the characteristics of female literature of the United Tokareva works and system of introduced Tokareva creation of thinking inherent and artistic characteristics, to further deep research his works even extended to the study of all the "female literature" to initiate action. The introduction section of this paper derives the "women's Literature", the concept of fairness, briefly reviews the history of the Russian women's literature, combing the literature review on the differences in the results. The first chapter of the thesis combined with several works of Tokareva, detailed analysis of the characteristics of female literature. By analysis it can be seen, the differences of gender difference caused by the social position, career experience, indecent perspective, and women's self-awareness is increasing ceaselessly, will affect female text creation. The second chapter will Tokareva works attributed to "women of the world" and "searching for the illusion of the world" two, through detailed analysis to show the Tokareva vast connotation of creation, confirms that the female literature can also is a popular daily life encyclopedia, but not only love, domestic small circle of people. The third chapter analyzes the artistic characteristics of Tokareva's works in detail. She to writer Chekhov division, with concise and delicate strokes, osmotic lines of humor and sarcasm touched readers. At the same time, the use of fairy tales often used in the text is to dilute the reality and fantasy of the line, so that the reader in the view of the unconscious by the philosophy of inspiration. The conclusion summarizes the full text, at the same time, the criticism of Tokareva's works is "women's Literature" of the wrong point, pointed out that "women's Literature" because of its unique charm should be in the literary category to occupy a place. 目录: |
