论泰国电影的美学特征（1997一2017年）On the aesthetic features of the Thailand film (1997 2017) 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 对于1997一2017年既获国际外奖又取得好票房的七部泰国贸易艺术片的美学特点研究办法以片子叙事构造与视听说话剖析为焦点，运用人际或年夜众流传及后古代艺术概念，附加符号学、心思学及社会文明方面实际，对既具有艺术性，又不掉贸易性的七部影片停止剖析及摸索，发明创作者与年夜众美学的类似点在于影片反应社会文明的“思惟性”，和影片各类类型美学的“文娱性”，而影片该联合文娱与思惟性在现代年夜众审美中追求的均衡点为：运用对社会状态与爱有关的合适广泛不雅众情绪的主题，创作出充斥外乡文明的故事细节。基于广泛不雅众分歧性懂得或赞成的抵触，如表示家庭不雅念与性别成绩抵触的异性恋与芳华生长片《暹罗之恋》，表示政治抵触作用的传统音乐竞赛列传片《最初的木琴师》，表示全球化与通信技巧抵触作用的恋爱歌颂与嘲讽社会片《走佬唱情歌》等。影片经由过程好莱坞的情节形式，泰语论文题目，让不雅众猜想的好和坏的灰色配角而为了爱、自负、而自我完成的心思须要，情愿冒险其实不顾本身的心理与平安，跟着广泛不雅众对宗教教义、外乡文明与社会美德赞扬的配合准确度的情节停顿处理抵触。开辟新年夜众审美实际主义戏剧化的导演叙事作风恰当混杂叙事类型，如用让不雅众自感的实际画面讲述少年繁重生长阅历的恐惧片的《鬼宿舍》，用实际戏剧抵触显著讲述神话传说恋爱片的《鬼妻》或讲述黑帮传纪片的《蹀血芳华》等。在次序并拔出曩昔的时空，影片经由过程平常生涯的物体，拔出平易近俗的崇奉、虚拟与情绪的特点符号，表示寄义、前兆及氛围。影片运用后古代艺术概念的色情与暴力为故事的内涵机制，推进故事的成长与束缚不雅众的潜认识，及运用复古的情况外型让不雅众能享用到回想中曩昔与实际文明联合的美妙，如配角常常从美妙的古代播送剧想象泰国六十年月古典电视剧的《午夜之爱》等。这七部影片都以分歧的情势和外乡文明浓重的内容表示出贸易与艺术的胜利联合，并代表泰国片子走入国际视野，由于它们的创作都是起源于本地国民在某种情况下的生涯或状况，朴实与爱好乐趣的特性，带有平常生涯措施的不雅念与风俗，和宗教崇奉、哲学思惟的印记，因而其片子美学都深入反应了泰公民族文明的特点，所以不雅看各个国度的片子就等于不雅看各个国度的奇特文明。 Abstract: On the 1997 2017 not only won the international award abroad also made seven of the box office of Thailand trade art aesthetic characteristics of the film narrative structure and research methods to analyze audiovisual language as the focus, the spread and application of personal or after the ancient art concept, additional semiotics, psychology and social civilization, to have art, and not to trade the seven film analysis and exploration, and the public aesthetic invention creators similar point lies in the movie the social civilization "ideological reaction", and various types of film aesthetics of "entertainment", and the film combined with entertainment and thoughts in the modern aesthetic pursuit of the equilibrium point of the public for the application of social status: love and the appropriate audience widely emotional theme, to create a full local culture story details. Based on not extensive audience differences know or in favor of the conflict, as family indecent read in conflict with the achievement of the gender heterosexual and youth growth film "the love of Siam", said political conflict in the influence of the traditional music competition biographies tablet "original wood musician", said the impact of globalization and communication technology conflict love praise and mock society "take the guy to sing a love song" and so on. Film through the process of Hollywood plot form, let the audience as the conjecture of good and bad gray supporting and for love, self, and self completed mind needs, willing to adventure in fact regardless of their psychological and peace that followed widely not audience of religious doctrine, indigenous culture and society will admire virtue with the accuracy of the plot to a halt the conflict. Opened on New Year's Eve the public aesthetic realism drama director of narrative style appropriate hybrid narrative types, such as to the actual picture of the audience perceived tells young heavy growth experience of fear of "ghost dormitory", with actual drama conflict significant tells the myths and legends of love films of the ghost's wife or story about a gang biographies of the bloodshed of youth ". In order and pull out the past time, the film through the process of everyday life objects, pull out folk beliefs, virtual and emotional characteristics of symbols, said send righteousness, precursor and atmosphere. Let not the audience can enjoy to recall the past with the actual civilization combined with the wonderful film after application of ancient art concepts of sex and violence in the story the connotation of mechanism, and promote the potential growth story and restraint the audience's understanding and application to retro appearance, such as supporting often from ancient wonderful radio plays imagination of Thailand during the 1960s classical drama "midnight love" and so on. Characteristics of the seven films are in different circumstances and indigenous culture is strong in the show business and art joint victory, and on behalf of the Thai film into an international perspective, since their creation is originated from the local people in certain circumstances of career or status, simple and love of fun, with the daily lives of indecent ideas and customs, and religious beliefs, philosophy thinking of the mark and the aesthetics of film deeply reflect the characteristics of the Thai public civilization, so indecent see each country's film is equal to indecent see each country's unique civilization. 目录: |
