文化身份的建构与汉语小诗的历史书写--论泰国“小诗磨坊”诗人群的创作 [泰语论文]

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作  者:熊辉 Xiong Hui

机构地区:西南大学中国新诗探讨所

出  处:《华文文学》2017年第5期100-106,共7页

摘  要:小诗磨坊”诗群是泰华文学史上闪耀的明珠,已引起汉语诗学界持续的关注热情,但目前的相关探讨多局限于形式和情感的内部研讨,却忽视了这群诗人的创作诉求和语境.事实上,该诗群的创作具有中国文化和旅居国文化的双重属性,他们对中国传统文化的回归以及对故土家园的思念折射出强烈的中国文化身份认同感;而他们在形式上的探求不仅为泰华诗歌增添了亮色,而且在整个华文小诗的创作史上都具有举足轻重的地位.因此,“小诗磨坊”诗群的创作在汉语小诗史、中国传统文化和诗歌艺术等方面具有较高的显示度,值得我们继续关注.The group of poets, known as the' Short Poetry Mill ’, is a shining pearl in the history of Thai-Chinese literature that is claiming sustained interest in the world of Chinese-language poetics although current research is limited to a discussion of forms and interior emotions, ignoring the group of poets ’ creative appeals and context. In fact, writings by the group have a dual quality of Chinese culture and the culture of the country where they are sojourners as their return to traditional Chinese culture and their nostalgia for native homeland have reflected a strong identification with Chinese culture. Their exploration in form has not only brightened up Thai-Chinese poetry but is occupying a decisively important position. For this reason, writings by the group, known as the ‘ Short Poetry Mill ’,ought to claim our continued attention as they have a high profile in the history of short Chinese-language poems, traditional Chinese culture and poetic art.

关 键 词:4“小诗磨坊”诗群 文化身份 泰华小诗 创作语境 

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