作 者：张兴[1] Zhang Xing（Luoyang Foreign Language School） 机构地区：[1]洛阳外国语大学 出 处：《日语学习与探讨》2017年第4期27-33,共7页 摘 要：意象图式是在对事物之间基本联系的认知基础上构成的认知结构。太极图式是在认知语言学中的前景—背景意象图式和凹凸转换准则的基础上,根据华夏先祖的智慧结晶和中国传统文化的象征--太极图所提出的一个能够在认知上应用的意象图式。在太极图式之中,黑色容易成为前景,在认知中占优势,成为注意的焦点,当然注意力集中在白色的时候,白色部分就变成前景,黑色变成背景。之所以不用＂罗宾的花瓶＂或＂凹凸图式＂而用＂太极图式＂对＂一个形式可以表示两个完全相反的事件＂进行解释,是因为在＂罗宾的花瓶＂或＂凹凸图式＂等图式中,前景和背景形状不一样,这样的图式在用对应的语言表达时我们有可能用不同的表达或相反的表达,很难用认为同样的语言表达来描写它们。而使用＂太极图式＂,由于在人们认知上,前景和背景既是相反的、同时形状一样,这样在用对应的语言表达形式时我们就具有了使用相同表达的可能性。日语中的一些语言现象能够很好地用＂太极图式＂进行解释。As a kind of cognitive structure, an image schema reflects the human conceptualization of the relationship between all kinds of things. The Taiji schema is based on the basic linguistic figure-ground schema and the principle of Aotu transfer. It originates from the Taiji image, which is a reflection of ancient Chinese wisdom and the symbol of Chinese traditional culture. In the Taiji schema, the black is usually recognized as the figure, which then gains cognitive prominence and becomes the focus of attention. If attention is focused on the white, the white becomes the figure and the black the background.We usually use the Taiji schema, but not Robin＇s vase or Aotu schema, to explain the phenomenon of one form representing two contrasting events. The reason is, in Rubin＇s vase or Aotu schema, the figure and the background are of different shapes,which forces us to use different or even contrasting expressions to denote the configuration instead of just one. In contrast, in the Taiji schema the figure and the background are in opposite directions while having the same shape, which makes it possible to use the same expression to denote the configuration. Some linguistic phenomena in Japanese could be better explained if the Taiji schema is taken into consideration. 关 键 词： 分 类 号：H313[语言文字—英语] ，日语论文，日语论文 |
