| 洛可可外型艺术是18世纪风行于法国宫庭的一种艺术作风,这类作风反应了充裕下流社会时兴的生涯措施和试图离开17世纪的古典主义和学院派修建,寻求艺术上束缚的心思。本文第一章表述了洛可可外型艺术的情势美装潢作风：它用艳丽的颜色、细腻的工艺、丰硕多变的曲线和不平衡、纰谬称,乃至带有反次序、失常规构造的装潢组成,给人以激烈而充斥动感的视觉冲击力和奢华奢丽的印象。第二章引见了洛可可“中国风”的美学特点,表示为华美小巧的外型、怡然自得的田园风情和欢乐的轻松感,它外面上自创了中国作风的很多情势身分,但终因法国人对中国传统文明及美学常识的不懂得,使这类中国风涌现了不中不西的独特滋味。第三章论述了洛可可外型艺术表现出来的浓烈的贵族审美兴趣：烦琐、精细、豪华。这类审美兴趣由于知足了独裁王权体系体例下贵族夸耀和攀比的心思,因此构成一种涉及规模极广的时期风气。对于洛可可外型艺术表示出来的这些特点,本文辅以相干美学实际予以阐释。 Abstract: Rococo exterior art is the 18th century popular in the French court of an art style, this kind of style reaction abundant underworld fashionable way of life and tried to leave the 17th century classicism and school construction, seeking art bound mind. The first chapter expresses the situation of Rococo art appearance beauty decoration style: it uses bright colors, exquisite craft, rich and changeful curves and balance, PI perverted said and with a reverse order, loss of the decoration of the conventional structural composition, to people with strong flooded dynamic visual visual impact force and luxurious extravagance Korea impression. The second chapter introduces the Rococo "Chinese style" of the aesthetic features, said gorgeous compact appearance, unbounded rural amorous feelings of joy and ease, it on the outside of the homemade Chinese style of many forms of identity, but the end result of the French to Chinese traditional culture and aesthetic sense do not know, make this kind of Chinese style emerged in West unique taste. The third chapter discusses the appearance of art exhibit strong Rococo aristocratic aesthetic interest: cumbersome, fine, luxurious. This kind of aesthetic interest due to boast satisfied the autocratic monarchy system under the nobility and compare with the mind and therefore constitute involved in a very wide scale period atmosphere. These characteristics of Rococo art show appearance, this paper combined with practical aesthetics to explain coherence. 目录: 中文摘要 2-3 Abstract 3 绪论 5-15 一、洛可可的含义和特征 5-8 二、洛可可艺术的发展概况 8-9 三、国内外对于洛可可艺术的探讨近况 9-13 四、本文的写作思路及创新点 13-15 第一章 形式美的装饰风格 15-38 第一节 形式美装饰风格产生的社会文化背景 16-20 第二节 形式美装饰风格的艺术表现 20-28 第三节 形式美装饰风格的美学意蕴 28-38 第二章 "中国风"的美学特征 38-47 第一节 "中国风"出现的社会文化背景 38-40 第二节 "中国风"的形式美特征 40-43 第三节 "中国风"的美学意蕴 43-47 第三章 宫廷贵族的审美趣味 47-63 第一节 宫廷贵族审美趣味产生的社会文化背景 47-49 第二节 宫廷贵族审美趣味的具体表现 49-53 第三节 时尚理论视野中的宫廷审美趣味略论 53-63 结语 63-64 参考文献 64-66 致谢 66-67 |
