| 法国中尉的女人是英国小说家约翰·福尔斯的代表作。该小说自问世以来就因其主题的新鲜和论述技能的立异和实验性而备受东方文学批驳界的注视。评论家从分歧层面临该小说奇特的构造(特别是论述话语)和主题思惟停止了商量。他们对小说解读的办法涵盖了传统实际主义、新汗青主义、存在主义、女权主义和后古代主义等实际视角。元小说是东方近30年来惹人注视的小说情势之一。其特色之一是作家以小说的情势对小说停止反思和立异，是以元小说被说明为对于小说的小说。本文基于巴赫金的对话实际对法国中尉的女人中的元小说成分停止了剖析。另外，法语毕业论文，本文从论述话语的层面商量小说的对话性。论文具体剖析了小说中分歧条理的对话，即小说与实际的对话；文本与评论的对话；小说人物、读者、作者和论述者之间的对话；小说女主人公萨拉的故事与小说的开头之间的暗合。本论文引言部门引见了法国中尉的女人及其作者约翰·福尔斯，扼要剖析了这部小说发生的汗青配景、主要位置和作者活着界文坛及评论史上的主要感化，对作家及著作国际外研究现状停止了综述。第一部门引见元小说和巴赫金的对话实际在文学中的发生和成长。作为后古代小说的主要特点之一，元小说转变了传统小说中的作者抽象。小说从天主式的独鹤发展为文本介入者的多重对话。第二部门运用巴赫金的对话实际说明小说中的元小说身分，重点评论辩论了小说与实际和小说与评论的关系。经由过程剖析，本论文作者以为，法国中尉的女人虚拟与实际交相照映，小说与评论互相弥补。第三部门详细剖析作者、论述者、主人公和读者之间的对话关系。作家对本身身份的思虑及从新定位，多重角度的叙说，主人公本身的抵触奋斗和不时被吸引到文本创作进程的读者供给了法国中尉的女人这部元小说所须要的丰硕多彩的对话。第四部门剖析小说供给的三种迥然分歧的开头，这反应了后古代主义提倡的不肯定性，同时三种开头所代表的分歧价值取向之间的对等对话也为元小说请求的读者介入供给了最年夜的能够。这也和小说女主人公萨拉虚拟的故事构成了完善的对话。作家供给的三个分歧终局更是表现了其论述构造的开放性，也与传统论述拉开了间隔。其特色在于表示作者不再掌握著作中的人物，法语论文范文，而给人物以自在，同时暗示读者其著作的虚拟性。一切这些特色都表现了著作的元小说意味。 Abstract: The French Lieutenant's woman is a representative of the British novelist John Fowles. Since the advent of the novel is due to the theme of the fresh and discusses the skills of innovation and experimentation and much Oriental Literature Criticism in the field of gaze. Critics are confronted with the peculiar structure of the novel, especially the discourse, and the theme of the novel. Their approach to the interpretation of the novel covers the traditional realism, new history, existentialism, feminism and post - ancient doctrine and so on. Meta fiction is one of the novel situations that the East is looking for in the past 30 years. One of its characteristics is writer's novel the situation to the novel stop reflection and innovation, is to meta fiction has been that novels about the novel. In this paper, based on the dialogue theory of Bakhtin, "the French Lieutenant's Woman" in the elements of the analysis of the composition of the elements. In addition, this paper discusses the dialogue of the novel from the perspective of discourse. The specific analysis of the novels in different levels of dialogue, i.e., novel and practical dialogue; text and dialogue; dialogue between the characters in the novel, readers, authors and discusses their; between the protagonist Sarah's stories and novels at the beginning of coincide. The preface introduces the French Lieutenant's woman and author John Fowles. Briefly analyzed the historical background of the novel, the main position and the world literature and criticism in the history of the important role of alive, writers and works at home and abroad and the research status of the review. The first part introduces the development and the occurrence and development of Bakhtin's dialogue practice in literature. As one of the main features of the ancient novels, the novel changes the author's abstract. The multiple dialogue between the development of the novel from the God type of single crane for the text participants. Bakhtin's dialogue with the second sector actually illustrates the identity of meta fiction in the novel, focusing on the relationship between fiction and reality and fiction and fiction. Through analysis, the author thought, the French Lieutenant's woman, virtual and actual hand in photograph reflect, fiction and criticism compensate each other. Between the third departments, the author detailed analysis, discusses characters and reader dialogue relations. Writer identity of thinking and the new location, multiple angles of narrative, protagonist conflict and struggle, and from time to time be attracted to supply readers the process of text creation the the yuan novel of the French Lieutenant's woman need rich and colorful of dialogue. Fourth part of the analysis of novel supply three divided at the beginning, the reaction to the ancient doctrine advocated the uncertainty, and three at the beginning represents the differences between the value orientations of equal dialogue for request meta fiction reader intervention provided to most of the eve of the. This also and the heroine of the novel Sara virtual story constitutes a perfect dialogue. The author provides the three different final is the performance of the open nature of the structure, but also with the traditional exposition opened the gap. Its characteristic is that the author no longer grasp the characters in the works, and give the characters to be at ease, at the same time, suggesting that the reader of the work of the virtual nature. All these characteristics have shown the works' meta fiction meaning. 目录: |
