| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 高加索地域是位于黑海、亚速海同里海之间的广袤地盘，俄语毕业论文，总面积44万平方千米。说到高加索，不能不谈到西方这一概念，西方简直是被欧洲人平空发明出来的处所，自古以来就代表着罗曼司、异国情调、俏丽的景致、难忘的回想、不凡的阅历。高加索和俄国浪漫主义慎密相连，俄国浪漫主义具有摒弃欧洲文明而寻觅异国情调则表示奥秘西方穆斯林文明风习即作为文明异域或“他者”的高加索的特色。本研究重要采取汗青比拟的办法，俄语论文题目，从文学与地区关系角度研究俄罗文雅学与高加索的汗青文明关系。本研究是以俄罗斯作家的高加索题材著作为剖析对象，商量高加索与俄罗文雅学的关系，甚么是俄国文学中的“高加索意象”，俄国文学中的高加索与实际中的高加索之间的差别和高加索与俄罗斯浪漫主义文学的关系。本论文共分为五章。第一章是绪论。从整体上概略剖析高加索的汗青配景及俄罗斯经典作家与高加索的渊源。同时也论述了本论文的研究办法和研究重点。第二章是文献综述。具体论述了分歧时代高加索和俄罗文雅学关系和国际外对于高加索的研究。第三章和第四章是论文的重要部门，第三章重要阐述了高加索与19世纪的俄罗文雅学，商量了俄国浪漫主义与高加索的关系，剖析了普希金，莱蒙托夫及托尔斯泰著作中的高加索情缘；第四章重要阐述了高加索与20世纪俄罗文雅学的关系，从蒲宁、高尔基文明年夜师的著作中商量其高加索意象和高加索的后古代意象。第五章是结论部门，对论文中的不雅点停止了总结。俄罗斯汗青上至多有四位作家写过《高加索的俘虏》，然则分歧作家的着重点也分歧。在作家著作中展示出的高加索意象（天然、自在、幻想）的同时，我们也能看到俄罗斯人对于高加索人的狂妄立场：自然的文明优胜性。著作中一直随同着文明与天然的抵触，俄罗斯正统文明与高加索多数平易近族文明的抵触。 Abstract: Is located in the Caucasus region between the Black Sea and the Caspian Sea with the vast land, a total area of 440 thousand square kilometers. When it comes to the Caucasus, not talking about the concept of western western is simply invented by Europeans groundlessly places, since ancient times represents romance, exotic, beautiful scenery, unforgettable memories, extraordinary experience. Caucasus and Russian romantic cheek by jowl connected Russian romantic with abandon European civilization and looking for exotic said mysteries of Western Muslim civilization custom is as alien civilization or "the other" Caucasian features. This study take the history match way, from literature and the area from the view of the relationship between research Russia elegant study historical and cultural relations with the Caucasus. This study is to Russian writers of the Caucasus subject matter works as the analysis object, discuss the Caucasus and Russia elegant relationship, what is the "Caucasus image" in Russian literature, between the Caucasus in the Russian literature in the Caucasus and the actual difference and the Caucasus and Russian romantic literature. This paper is divided into five chapters. The first chapter is the introduction. Analysis of the historical background and origin of the Caucasian Russian classical writers and the overall outline of the caucasus. At the same time, it also discusses the research methods and focus of this paper. The second chapter is literature review. Discusses the research on the differences of the Caucasus and the Russian Caucasus era elegant relationship and abroad. The third chapter and the fourth chapter is an important sector of the thesis, chapter three important elaborated the Caucasus and the 19th century Russia elegant learn, to discuss the Russian romanticism and the Caucasus, to analyze the Pushkin, Lermontov and Tolstoy's works in the Caucasus sentiment; chapter four important and expounds the relationship between the Caucasus and the 20th century Russian elegant, from Bunin, Golgi civilization of the eve of the division of work to discuss the Caucasus image and the Caucasus ancient imagery. The fifth chapter is the conclusion, which summarizes the point of view in the paper. There are at least four writers in the history of Russia wrote the prisoners of the Caucasus, but the differences between the writer's focus is also different. In the writer's works show the Caucasus image (natural, comfortable, fantasy) at the same time, we can also see the Russians a Caucasian arrogant stance: natural civilization superiority. The work has been accompanied by the conflict between civilization and nature, the Russian Orthodox civilization and the Caucasus majority of civilization conflict. 目录: |
