| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，俄语毕业论文，下载原文正常，内容请直接查看目录。） 我国的古代有名剧作家曹禺的出色著作《雷雨》，是中国文学史上一部弗成多得的佳作，其女配角繁漪性情固执极端而又野性阴鸷，被曹禺称作是全剧中性情“最雷雨”的一小我。有着“俄国戏剧之父”之称的俄国十九世纪作家奥斯特洛夫斯基所创作的名作《年夜雷雨》中的女配角卡捷琳娜，则被俄国有名评论家杜勃洛留波夫称做是“阴郁王国的一线光亮”。两部著作的作者都不谋而合地描绘了类似的配景情况和配角性情，以年夜天然的雷霆暴雨为契机展示出其时阴郁的社会情况下，受榨取女性对本身幸福和自在的盼望和抗争，用女配角和剧中人物的悲凉遭受和终局激发读者沉思，俄语论文题目，同时呼吁社会进步对封建社会中女性位置的看重。依据现有的材料和对国际外研究现状的懂得，本着在接收以往研究者精髓的基本上成长立异的准绳。本文运用平行研究实际，从剖析两位女主人公繁漪和卡捷琳娜配合的“雷雨”性情动手，分离从其萌芽的发生、成长的情况、催化剂一样的恋爱、和其终究迸发的喜剧终局评论辩论两位女主人公的对抗精力，挖掘两位分歧国家和时期的剧作家的著作中类似的“雷雨”性情发生的本源，和两部著作带给读者对于文中作者对阴郁社会实际的憎恨、性情与命运的抗争和人类配合寻求自在和恋爱的盼望的启发和婚姻和恋爱的碰撞、品德和人道比武的反思。 Abstract: China's ancient dramatist Cao Yu's outstanding work "Thunderstorm", is the masterpieces in the history of Chinese literature a Eph into purposes, the supporting actress Fanyi stubborn disposition extreme and wild and insidious, Cao Yu called the neutral "the thunderstorm" of a person. Known as the "father of the Russian drama" of 19th century Russian writer Ostrovsky created the masterpiece "the eve of the thunderstorm in the supporting actress Katerina is Russia famous critic Du Bo Lo Yubov called is" Dark Kingdom of a ray of light ". The author of two works are coincide with depicts the similar background and supporting character, on the eve of the natural thunder storm as an opportunity to show in the meantime gloomy social circumstances, by squeezing female of happiness and freedom of hope and struggle, with supporting actress and the characters of the sad suffering and final inspire readers to contemplate, also called social progress the value of the position of women in the feudal society. According to existing materials and the home and abroad research status of the know, based on past research essence of growth of innovation in basic principle of receiving. Inspired by the hope with the origin of the final hands-on with the actual parallel application of this research, from the analysis of two female protagonist Fanyi and Katerina "Thunderstorm" temperament, separated from the germination, growth, catalyst, love, and eventually burst of comedy comment debate two female protagonists against energy and mining two different countries and periods of the playwright's works similar to the "Thunderstorm" temperament, and two works to bring the readers about the author of gloomy social reality of hatred, temperament and the fate of the struggle and the human quest for freedom and love love and marriage and love of the collision, moral and humanitarian contest of reflection. 目录: 摘要 3-4 Abstract 4 引言 7-13 第一节 文献综述 7-9 第二节 本文探讨意图及措施 9-11 第三节 基本内容和探讨框架 11-13 第一章 闷雷阵阵--从性格看其“雷雨”性格萌芽的产生 13-21 第一节 繁漪的执拗极端和卡捷琳娜的“烈性子” 13-16 第二节 繁漪的野性阴鸷和卡捷琳娜的纯洁天真 16-18 本章小结 18-21 第二章 乌云蔽日--从环境看其“雷雨”性格的生长 21-27 第一节 “吃人的社会”和黑暗的王国 21-23 第二节 封建色彩的资本主义家庭和封建的农奴主家庭 23-25 本章小结 25-27 第三章 电闪雷鸣--从爱情看其“雷雨”性格的催化 27-34 第一节 不伦之恋和“非法”的爱情 27-29 第二节 绝望的情和失望的爱 29-31 本章小结 31-34 第四章 暴雨如注--从结局看其“雷雨”性格的爆发 34-39 第一节 “困兽的斗” 34-36 第二节 “黑暗王国的一线光明” 36-37 本章小结 37-39 第五章 二人“雷雨”性格产生的根源 39-44 第一节 社会历史原因--动荡黑暗的社会环境 39-41 第二节 作者主体原因--自身的感悟和经历 41-42 本章小结 42-44 第六章 《雷雨》和《大雷雨》带给读者的启示和反思 44-50 第一节 《雷雨》和《大雷雨》带给读者的启示 44-47 第二节 《雷雨》和《大雷雨》带给读者的反思 47-49 本章小结 49-50 结语 50-52 注释 52-56 参考文献 56-58 致谢 58-59 攻读学位期间的学术成果目录 59 |
