| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，俄语毕业论文，内容请直接查看目录。） 生于俄国的弗拉基米尔·弗拉基米罗维奇·纳博科夫（1899─1977）,在俄国和美国文学史中都可谓一颗光线万丈的文学之星。他多才多艺且多产，俄语论文，小说、短篇故事、诗歌、评论等类型的著作都不在话下。《微暗的火》常被视为后古代实验小说之父之一，很多读者经常会在其制作的迷宫中迷路，找不到出口。因奇异的混杂情势--媒介，诗歌，评论，索引和小说，《微暗的火》令读者和评论家们张口结舌,自出书以来便遭到国际外评论家们的普遍存眷和研究。这些研究重要是基于后古代性、叙事学、受俄国文学作用的意味主义乃至是纳博科夫极端讨厌的心思学等实际对文本奇异且碎片化的情势、论述者的不肯定性和弗成靠性等方面停止研究。在《执拗己见》中，纳博科夫宣称他异常爱好浏览柏格森的著作，比较之下，本文作者坚信纳博科夫的许多不雅念都或多或少遭到柏格森主义的作用。经由过程文本细读，并以柏格森主义和纳博科夫本身的相干不雅点为基本，本文将重要从《微暗的火》所反应的时光之狱和此岸世界这一主题停止研究。很年夜水平上，这将是翻开阴郁之门，通向文本所建造的庞杂却诱人的世界的一把相当主要的钥匙。本文由四章构成。第一章将引见柏格森和纳博科夫对于认识、记忆和时光等方面的不雅点。第二章将剖析《微暗的火》中主人公们所面对的分歧的时光之狱。第三章重要评论辩论主人公们是若何尽力寻觅分歧的办法打破时光之墙，妄图达到此岸世界。纳博科夫，谢德，金波特三者之间的类似性将在最初一章停止剖析，由此剖析出纳博科夫作为这一皮电影里扯线木偶们的掌握者的此岸世界是若何经由过程《微暗的火》来结构的。本文将得出不管是读者照样作家都可以经由过程真实的文学艺术到达一个与“实际世界”分歧的“此岸世界”。 Abstract: Russian born Vladimir Vladimirovich Nabokov (1899 - 1977), in Russia and the United States in the history of literature are described as a bright light bottomless literary star. He is versatile and prolific, novels, short stories, poetry, such as the type of comment works will be nothing difficult. "Pale Fire" is often regarded as the father of experimental fiction of ancient one, many readers will often get lost in the maze, can not find the exit. Because of the singular hybrid forms - media, poetry, reviews, index and novel, the pale fire, make readers and critics tongue tied, since the book was the outer critics widespread concern and research. The study is based on ancient, narrative science, under the influence of Russian literature, symbolism and is Nabokov's extreme hate thoughts and practical text singular and fragmentation of the situation, the arguer uncertainty and Eph into depend on aspects of research. In "obdurate opinions", Nabokov claimed he liked browsing Bergson's works. In comparison, the author believe that Nabokov's many indecent read are more or less under the influence of Henri Bergson. Through a close reading of the text, and Henri Bergson and Nabokov coherent indecent point is basic, the important from the pale fire, the reaction time in prison and otherworldly this topic research. To a large extent, it will be open to the gloomy door, built by the text of the complex seductive world of a very important key. This paper consists of four chapters. The first chapter will point to meet Bergson and Nabokov on the understanding, memory and time etc.. The second chapter will analyze the "Pale Fire" in the protagonists face different time in prison. Chapter three important comment debate host male who is how to try to find different ways to break down the wall of time, attempting to achieve this shore world. Nabokov, Shedd, the similarities between Kim porter will in the first chapter analysis, thus to analyze the cashier Bokov film of the skin as a pull line puppet master this shore world is how through the pale fire, to structure. In this paper, it is concluded that no matter the reader still writers can reach the A and "real world" differences "this shore world via the real process of literature and art". 目录: 摘要 4-5 Abstract 5-6 Acknowledgements 7-8 TABLE OF CONTENTS 8-9 Introduction 9-15 Chapter One Bergsonism and Nabokov 15-27 1.1 The Influence Upon Nabokov by Bergsonism 15-21 1.2 The Prison of Time and the Concept of Otherworld 21-27 Chapter Two The Prisons of Time in Pale Fire 27-36 2.1 Shade’s Prison Shadowed by Death 27-29 2.2 Hazel’s Prison Constructed With Unhapiness and Hopless 29-31 2.3 Kinbote’s Prison of Nostalgia and Unsatisfied Present 31-36 Chapter Three The Ways to Reach the Otherworld 36-58 3.1 Hazel’s Suicide 36-38 3.2 Kinbote’s Romantic Adventure to the Past 38-42 3.3 The Automatic Man─Jakob Gradus 42-45 3.4 Shade’s Otherworld Designed in Art 45-58 Chapter Four The Significance of the Pale Fire 58-64 4.1 Nabokov’s Otherworld in Pale Fire 58-62 4.2 Reader’s Otherworld 62-64 Conclusion 64-67 Works Cited 67-69 |
