论普希金早期的酒神题材诗歌[俄语论文]

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普希金是俄罗斯诗歌的太阳,俄国外乡和俄国外乡之外对他的研究,应当说曾经是相当深刻了,并且还在向多方面成长,但对普希金与酒神精力却很少触及,这可以说是研究中的一个软弱环节。本文以酒神精力为容身点,对普希金后期著作停止剖析,俄语毕业论文,发掘个中所蕴涵的深入的狄俄尼索斯式热忱。从吃苦主义与自省精力两个方面来商量普希金的酒神精力。吃苦主义是酒神精力中一个陈旧的命题,包括快活主义和狂欢精力。表示在三个方面普希金晚期诗歌吐露出其性情中爱好喝酒作乐的特色,和诗人对情绪的热闹歌唱和对戏剧的痴迷。吃苦主义在普希金身上生根抽芽,缘由在于诗人的贵族出身和俄罗斯平易近族对酒精的自然亲近。假如吃苦主义是酒神精力的稀释,那末自省精力则是酒神精力的提炼。自省精力一方面是诗歌自己的二元特征所具有的,另外一方面来自狄俄尼索斯和普希金自己的明智。它表示为普希金对人生有一种苏醒的熟悉人生是长久的,所以我们更须要好好的掌握。固然在普希金的晚期著作中这类思惟还没有完整成型,更多的是徘徊掉措,然则很多与酒神相干的诗篇中已具有了这类自我检查的偏向。普希金的这类偏向是由于个别喜剧认识的觉悟,诗人明确了酒神精力的真理人生就是一场喜剧,我们也要有条有理的演下去,不要掉去了喜剧的绚丽和欣慰。依照尼采的实际,酒神精力对诗歌和诗人的作用是直接的,也是致命的。明显,这类精力自动或主动、显形或隐性的干涉着普希金的创作。

Abstract:

Pushkin is the sun of Russian poetry, Russian stranger and stranger Russia on his research shall was quite deep, and also to the various growth, but on Pushkin and the Dionysian spirit is rarely touched, which can be said is discussion of a weak link. The Dionysian spirit for shelter, of Pushkin's later works analysis, explore contained in the medium depth of Dionysus warmly. From the two aspects of hedonism and self reflection energy to consider Pushkin's Dionysian spirit. Hedonism is an old proposition of Dionysian spirit, including happy and rerelling spirit. The disposition hobby drinking and revelling characteristics in the three aspects of Pushkin's late poems reveal, and poets of emotional lively singing and drama obsession said. Hedonistic in Pushkin sprout, the reason of which is that the poet of noble birth and Russian peoples to alcohol close to nature. If hedonism is diluted Dionysus energy, so energy is refining the Dionysian introspection of energy. Reflection energy is his own poetry binary features in the. On the other hand from Dionysus and Pushkin himself wise. It means that Pushkin's life is a kind of awakening to the familiar life is long, so we need to have a good grasp of. Although in Pushkin's later work in this kind of thinking is not fully formed, more is wandering off Cuo, however many and Dionysian coherent poem has the self check bias. Pushkin's this kind of bias is due to the individual awareness of the tragedy of consciousness, the poet explicitly the Dionysian spirit of the truth of life is a comedy, and we will be orderly played down. Don't lose to the comedy of the beautiful and happy. According to Nietzsche's Dionysian spirit, influence on poetry and poets are direct, but deadly. Obviously, this kind of energy automatic or active and obvious or recessive interference in Pushkin's creation.

目录:

摘要   5-6   Abstract   6   绪论   8-14       普希金探讨的近况   8-9       选题意义及探讨措施   9       选题意义   9-10       探讨措施   10-14   第一章 普希金早期酒神题材诗歌中的享乐主义   14-28       1.1 享乐主义的由来   14-17           1.1.1 快乐主义   14-16           1.1.2 狂欢精神--“狂”与“醉”   16-17       1.2 享乐主义的表现   17-24           1.2.1 “我喜欢黄昏的宴饮”   18-19           1.2.2 “我心里满是你的倩影”   19-22           1.2.3 “让人着魔的地方”   22-24       1.3 享乐主义的成因   24-28           1.3.1 “我非常珍视我祖先的名誉”   25-26           1.3.2 不可一日无此君   26-28   第二章 普希金早期酒神题材诗歌中的自省精神   28-35       2.1 自省精神的由来   28-31           2.1.1 诗歌的二元性   28-30           2.1.2 狄俄尼索斯的理智   30-31       2.2 自省精神的表现   31-33       2.3 自省精神的成因   33-35   结语   35-36   注释   36-38   参考文献   38-40   致谢   40-41   攻读学位期间论文目录   41  

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