| 从1894年（高宗31年）日自己花山帐场的初次引进，到1969年因为汽车的年夜规模运用而加入汗青舞台，黄包车感染着开化期新文物的风尘在韩国走过了半个多世纪。在中国，黄包车有八十多年的汗青。与此同时，黄包车夫同样成为其时韩中底层休息国民营生的主要职业之一。在二三十年月的中国文坛，黄包车夫成了一种比拟罕见的文学创作题材，在鲁迅的一件大事揭橥前后，报刊上刊登了很多引见黄包车夫生涯的文章。同时代的韩国文坛,一些作家开端存眷基层休息国民，文坛上陆续涌现了像玄镇健的好运的一天（1924），朱耀燮的黄包车夫（1925）等优良的黄包车夫主题小说。本论文以比拟文学平行研究中的主题研究为重要研究办法，以作家的年夜众认识研究为中间对二三十年月中韩两国黄包车夫文学停止比较。重要研究对象是鲁迅的一件大事（1919），老舍的长篇小说骆驼祥子（1939），韩语论文题目，郁达夫的薄奠（1924），和韩国作家玄镇健的好运的一天（1924），朱耀燮的黄包车夫（1925）。经由过程对这五篇著作的剖析，本文归结总结了二三十年月中韩常识份子，特殊是作家阶级的年夜众认识的雷同点和差别的地方，个中雷同的地方重要有三点，一是其平易近众不雅的构成遭到日本、俄罗斯和欧美的作用；二是在对平易近众表达深入同情和人性主义关心的同时存在着对平易近众魔难生涯熟悉的局限性；三是均把平易近众看做是社会变更的原动力，把社会变更的希冀付与在平易近众身上。差别的地方也有三点，一是对于平易近众的处境，中国作家的立场比拟实际且认可阶层对峙，而韩国作家则是趋于浪漫和理想，紧张阶层对峙；二是韩国作家普通会把“平易近众”和“平易近族”两个概念同等起来,而中国作家则对这两个概念有着比拟清楚的辨别；三是比拟于韩国作家，中国作家对年夜众的愚蠢性提出了感性的批评。愿望本文可以对中韩比拟文学范畴，韩语毕业论文，特殊是二三十年月著作的研究供给一丝参考。同时作为往后的研究课题，笔者将在本论文研究的基本上对二三十年月中韩常识份子的年夜众认识停止整体的研究和阐述。 Abstract: From 1894 (Zong 31 years), Huashan account of the initial introduction of, to 1969 because car of large scale application and join the stage of history, rickshaw infected with civilized period new relics of eolian in South Korea has gone through more than half a century. In China, there are more than 80 years riksha. At the same time, Cardiff also become one of the main occupation in Korea bottom break a national. Chinese literature in 20 or 30 years, a rickshaw puller into a relatively common literary creation theme, in Lu Xun's "a great thing" enunciated the before and after, newspapers published many introductions rickshaw career article. With the era of Korean literature, some writers are beginning to save attention to Grassroots National rest, literature gradually emerged as Zhen Xuan Jian "lucky day" (1924), Zhu Yaoxie "a rickshaw Fu" (1925) and other excellent rickshaw to the theme of the novel. This paper compared to Literature parallel research topic discussion is an important research methods, to the writer of the eve of the public consciousness research for intermediate stops for twenty or thirty years between China and South Korea rickshaw literature comparison. An important research object is Lu Xun's "an event" (1919), Lao She's novel Camel Xiangzi (1939), Yu Dafu's "lay thin" (1924), and Korean writer Xuan Zhenjian "lucky day" (1924), Zhu Yaoxie the rickshaw husband "(1925). Through process analysis of the five pieces of works, this article summarized summarizes the twenty or thirty years between China and South Korea intellectual, especially class writer of the eve of the public understanding of identical point and difference, the medium of the same place mainly has three points, one is the plain near the audience composition by the influence of Japan, Russia and the United States and Europe; in of plain near the public expressed deep sympathy and humanitarian concerns also exist the limitations of plain in recent trials and tribulations in the public career familiar; the third is the peoples considered is motive power of the social change, the changes of the society hopes entrusts in peoples body. Different places have three points, one is a plain nearly all the situation, the position of the Chinese writers compare actual and the recognition of class confrontation, and Korean writers is tends to be romantic and ideal and intense class confrontation; the second is Korean writers usually the two concepts of "plain nearly all" and "ethnic" equate, and Chinese writers is of the two concepts has a clear analogy to distinguish; the third is compared to Korean writers, Chinese writers focus on the eve of the foolish emotional criticisms. Wish this paper can compare the literature of China and South Korea, especially the research supply a reference to twenty or thirty years of work. At the same time as a research topic next, the author in this paper basically for twenty or thirty years and the intellectual's public understanding of the overall research and exposition. 目录: |
