| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 本文经由过程对陀思妥耶夫斯基的长篇小说《群魔》弯曲庞杂的创作进程的细心梳理，和对该小说的题材起源和思惟渊源的综合考核，指出了《群魔》构造和主题的“复调性”，并在此基本上对该小说的两重主题分离停止了深刻地剖析和摸索。《群魔》的题材起源有两个，一是1869年11月27日莫斯科产生的震动俄国甚至欧洲的“涅恰耶夫案件”；二是在涅恰耶夫案件产生的近一年前陀思妥耶夫斯基就曾经在脑筋里开端构想的长篇小说《无神论》。后来《无神论》的构想被作者修正成了《年夜罪人传》，俄语论文范文，在《群魔》的创作进程中，作者把他有关《年夜罪人传》的构想植入进了这部小说中。因为《年夜罪人传》的植入，陀氏原筹划中《群魔》的第一主人公和第二主人公的脚色产生了对调，从而使小说的构造和主题均发生了“复调性”，小说的构造线索由一条酿成了一明一暗的两条。“明线”是以彼得·韦尔霍文斯基的运动即对“涅恰耶夫案件”在小说中的模写来贯串，“暗线”则是以研讨和提醒“奥秘人物”尼古拉·斯塔夫罗金的精力和心历旅程来停止层层铺垫。与此绝对应，小说的主题也由一重酿成了两重。显在的主题是对实际中的俄国19世纪60年月的虚无主义及其“直系血亲”西欧派的自在主义和幻想主义的尖利批评，隐含的主题则是提醒一个掉去了基督教崇奉的人，若何因为本身壮大的特性力气和对自在的超越界限的无尽盼望而走向了扑灭。 Abstract: In this paper, through the careful combing of Dostoevsky of Dostoevsky's novel "Devils" bending complex of the creative process, and the novel theme origins and ideological origins of comprehensive assessment. It is pointed out that the "Devils" structure and the theme of "polyphony", and on the basis of the novel dual themes has carried on the deep analysis and exploration. "Devils" theme originate from two, November 27, 1869 Moscow produced by vibration of Russian and European "Nechayev case"; the second is generated in the case of Nechayev nearly a year ago Tuo Dostoevsky had in mind the novel conception began "atheism". Then the idea of "atheism" is the corrected to the biography of the eve of the sinner, in the creation process of "Devils" the him about idea of "biography" of the eve of the sinner implanted into the novel. Because of the implantation of a biography of the eve of the sinner, Dostoevsky's original planning "Devils" the owner for the first and the second hero male roles have reversed, so that the structure and theme of the novel "polyphony" have taken place, a novel structure clues by a lead to the bright and dark two. "Wire" is to Peter Velhovenski movement of "Nechayev case" in the novel the moxie to permeate, "conduit" is to explore and to remind Li journey, the energy and in the heart of Nicola Stavrodin "mystery man" to stop the layers of bedding. And this should be absolutely, the theme of the novel is also a double. Significantly in the theme is the actual in Russia in the 19th century, 60 years the nihilism and "lineal" Western European faction of the liberal and idealistic sharp criticism and implied theme is remind a fall to the Christian faith, how because grown by itself force characteristics of the gas and the freedom beyond the boundaries of the endless hope to the fight. 目录: 摘要 2-3 Abstract 3 绪论 5-10 一、《群魔》创作过程的始术 10-14 1.1 《群魔》与《无神论》和《大罪人传》之渊源 10-12 1.2 《群魔》创作过程中的几次重要修改 12-14 二、俄罗斯“病体”上的“群魔” 14-26 2.1 “群魔”的寓意之一 14-15 2.2 斯捷潘·特罗菲莫维奇的真实原型和人物形象略论 15-19 2.3 彼得·韦尔霍文斯基的现实原型和人物形象略论 19-25 2.4. 小结 25-26 三、尼古拉·斯塔夫罗金的悲剧 26-36 3.1 “群魔”的寓意之二 26 3.2 斯塔夫罗金之谜 26-30 3.3 斯塔夫罗金之“人神的疯狂”：基里洛夫的极端自由主义 30-32 3.4 斯塔夫罗金之“人民崇拜”的疯狂--沙托夫的俄罗斯弥赛亚主义 32-34 3.5 小结 34-36 结语 36-37 参考文献 37-39 附录 39-42 致谢 42 |
