| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 陀思妥耶夫斯基作为世界文学史上标新立异的作家，生涯在俄国本钱主义旭日东升的汗青时代，他用本身出色的著作反应其时的社会生涯，同时对人道停止了深刻的挖掘。他注目着人类的成绩和幻想，斟酌的是善与恶、生与逝世、爱与恨等永久成绩，其著作简直都是在人类心灵的新年夜陆长进行创作耕作的。在俄国和世界文学史上，俄语论文题目，陀思妥耶夫斯基是以他思惟的庞杂性和艺术办法的奇特性而著称的，他平日被以为是批评实际主义作家，而且他也自称是“最高意义上的实际主义者”，俄语论文，但他的批评实际主义是奇特的，是与19 世纪欧洲文学中的实际主义有所分歧的，即他的著作中具有后来古代主义文学派别的某些特色。陀思妥耶夫斯基擅长将对客不雅实际的真实描写同主人公激烈的客观认识融会在一路，他所出力描绘的是人物的心思流程，而不是构成人物性情的典范情况；他写作的重要目标不在于论述故工作节，而在于论述某种思惟。他笔下天堂般的病态心思、认识流、下认识、潜认识、对话、心坎独白等，都是古代主义作家所热爱运用的创作手段。在小说《罪与罚》中，陀思妥耶夫斯基描述的不是人物的了了的符合逻辑的心思运动，而是主人公拉斯科尔尼科夫所表示出的飘忽不定、难以揣摩的潜认识、下认识、神经掉常、梦境、歇斯底里等失常的、凌乱的精力状况。陀思妥耶夫斯基小说中的这些特色，被古代主义作家死力赞美和争相模拟，他也被古代主义派别奉为开山祖师。他在著作中所表达的思惟和所运用的艺术手腕，都被古代主义作家继续和发扬。可以说，在19 世纪末实际主义照样文学主流的时代，陀思妥耶夫斯基冲破了实际主义，走向了古代主义。本文在论述古代主义的来源及特点的基本上，剖析了古代主义的创作手段在文本《罪与罚》中的运用，论述了这部心思实际主义小说具有古代主义的特点。 Abstract: Dostoevsky as world literature history maverick writer, career Russian capitalism of the rising sun in the era of history, he with their excellent work reflects the privileged social life, also to humanitarian stopped deep mining. He watched the human performance and fantasy, consider the good and evil, life and death, love and hate and other permanent results, and their works are in the minds of the people of the new year's eve. In Russia and the history of world literature, Dostoevsky is known to he thought of complex and artistic way of strange, he usually considered critical realistic writer, and he also claims to be "the highest sense of realism", but his criticism realism is strange is unlike in European literature in the 19th century realism, that is, his work has later ancient literature factions of certain characteristics. Dostoevsky's the objective understanding of the blend will to objectively the actual real description with the protagonists fierce specializes in, his output depiction of the character's mind, rather than a character model; he wrote an important goal is not discussed so, but in a certain discourse thinking. His heavenly morbid thoughts, knowledge flow, understanding, subconscious, dialogue, heart monologue, ancient writers love the creative application of means. Hidden in the novel "crime and punishment". Dostoevsky Dostoyevsky description is not character of conforms to the logical mind movement, but the protagonist pulled Skoll Nico husband the erratic, hard to fathom. Understanding, understanding, nerve out often, dreams, hysteria arrhythmia, messy mental condition. Dostoevsky with these characteristics in his novels, by ancient writers to praise and rushed to imitate, he was also ancient sectarianism is regarded as the founder. In his works, the thought and the art of the application are all being continued and developed by the ancient writers. It can be said that at the end of the 19th century actual doctrine still mainstream literature of the era, Dostoevsky Dostoevsky broke through the realism, to the ancient doctrine. The origins and the characteristics of the ancient doctrine are discussed on the basis of the, analyzes the means of the ancient doctrine of the creation in the text "crime and punishment" application, discusses the psychological realistic novels with the characteristics of the ancient doctrine. 目录: 摘要 3 第一章 绪论 4-9 第二章 小说《罪与罚》与现代哲学理论的血缘关系 9-20 (一) 小说《罪与罚》中“超人哲学”与尼采“权力意志论”的契合之处 9-12 (二) 从小说《罪与罚》的时空浓缩略论其现代主义特征 12-15 (三) 从小说《罪与罚》中的梦境来略论其现代主义特征 15-20 第三章 小说《罪与罚》在现代主义艺术手法上的开拓与突破 20-38 (一) 前意识与潜意识理论在小说《罪与罚》中的应用 20-26 (二) 内心独白与意识流创作手法在小说《罪与罚》中的应用 26-33 (三) 对话理论在小说《罪与罚》中的应用 33-38 第四章 结论 38-41 俄文摘要 41-43 注释 43-48 参考文献 48-50 后记 50-51 学位论文独创性声明 51 学位论文版权的使用授权书 51 |
