| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，俄语论文网站，下载原文正常，内容请直接查看目录。） 好像人之不克不及躲避逝世亡一样，人类文明学研究也必需要以逝世亡不雅的研究为重点。这是由于逝世亡不雅内涵地接洽着人生的价值意义和人类精力的最终关心。本文自创文明批驳、汗青美学和存在主义美学等批驳办法，分四个部门对普希金诗歌的逝世亡认识作出梳理和评论。普希金是一个有着激烈逝世亡认识的诗人。他是在深入的逝世亡震颤下走上自在自发的诗歌途径的。绪论阐述了普希金逝世亡认识的文明配景：1、希腊形式的天然感性的逝世亡不雅念；2、希伯莱的精力超出的逝世亡不雅念。第一章引见了普希金生涯的逝世亡体验。外祖母、奶娘的故事、1812年战斗、南俄放逐、亲友的接踵逝世亡和十二月党人的喜剧都极年夜地作用着普希金对逝世亡的思虑。第二章引见了普希金文学视野中的逝世亡文明：1、以古希腊、英国、法国和德国为主的外来逝世亡文明；2、以拉季舍夫、茹科夫斯基和卡拉姆津为代表的俄国传统逝世亡文明。第三章阐述了普希金诗歌的逝世亡思虑。普希金的晚期诗作根本主题是在天然逝世亡的不雅照下赞扬感性，倡导审美和诗意的人生，爱好在冒险和战斗中凸显国民精力，表示收支世、达不雅的芳华期热忱。诗人用金口木舌般的诗句叫醒人们的性命认识，以“立言”和“建功”来克服逝世亡的威逼和对逝世亡的恐怖。而普希金前期的诗作则专注于魂魄的解救，以浪漫的想象召唤受难的基督来临，背负起繁重的十字架，走上向逝世而生的“朝圣之旅”一思虑和摸索人生的意义和世界的意义，而且在探听中完成解救，在对天主即对永久将来相对真谛的爱中获得超出升华。它逾越了人类老练的童年期，显示出成年人的苏醒和思虑。是以普希金不只是“俄国诗歌的太阳”、“俄罗文雅学之父”，并且照样“俄罗斯的初恋”、俄罗斯精力的启发者。 Abstract: If people cannot escape death, human civilization will also need to research on death indecent focus. This is because the ultimate concern of the death of indecent content approached the value of life significance and the human spirit. This paper created civilization criticism, history of aesthetics, and Existentialist Aesthetics criticism way, can be divided into four divisions of Pushkin's poetry death understanding made combs and comments. Pushkin is a keen understanding of death of the poet. He is deep in the death of tremor embarked on the path of spontaneous free poetry. Introduction describes the Pushkin's death death awareness of cultural background: 1, the Greek form of natural perceptual death concept; 2, Hebrew energy beyond the death of dead indecent read. The first chapter of Pushkin's career death experience. The story of my grandmother, nainian, 1812 battle, the southern Russian exile, relatives and friends have died dead and December party comedy are greatly influences Pushkin to thinking of death. The second chapter introduces the Pushkin literature in the view of death dead Civilization: 1, in ancient Greece, Britain, France and Germany based foreign death civilization; 2, to Radishchev, Zhukovsky, and Karamzin as the representative of the traditional Russian died dead civilization. The third chapter discusses Pushkin's poetry about death. Pushkin's later poetry underlying theme is perish in the natural death of indecent photos under praise perceptual, advocate aesthetic and poetic life, hobbies in the adventures and battles, highlighting the national energy, said adolescence passion of balance of payments, Dabuya. Poem poet with a bell with a wooden clapper like wake up people's lives understanding to "predication" and "accomplishment" to overcome the threat of death and the death of terrorist. And Pushkin's poems focus in the soul of the rescue, with romantic imagination call suffering Christ came, carrying heavy cross, to death and the "pilgrimage" a thinking and exploring life world meaning and significance, and the snoop completed rescue in to God that the future will always relative to the true meaning of love get beyond the sublimation. It is beyond the human experienced childhood, adults showed the awakening and thinking. It is inspired by Pushkin not just the "sun of Russian poetry", "father of Russian elegant" and still Russia's love, the Russian energy. 目录: 绪论 14-18 第一章 普希金生活的死亡体验 18-28 第一节 普希金少年时期的死亡体验 19-21 第二节 普希金青年时期的死亡体验 21-24 第三节 普希金中年时期的死亡体验 24-28 第二章 普希金文学视野的死亡文化 28-34 第一节 外来文化的浸染 28-31 第二节 俄国文化的守望 31-34 第三章 普希金诗歌的死亡思考 34-50 第一节 “不自由，毋宁死”--普然金早期诗歌的死亡思考 35-41 第二节 “寻求者将得救”--普希金后期宗教诗的死亡思考 41-48 第三节 “纵然死，也让我在爱中死去”--普希金后期爱情诗的死亡思考 48-50 结语 50-52 注释 52-55 参考文献 55-58 攻读学位期间已公开的论文 58-59 致谢 59 |
