| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 穆索尔斯基的钢琴组曲《丹青博览会》是十九世纪俄国最具首创性的乐曲之一，其特别的构造和“散步主题”拔出的奇特性，惹起浩瀚作曲家的兴致并为之停止配器、改编（听说今朝有分歧的改编版本180余种）。本文拔取了塔什玛洛夫、高恰科夫和于京君三位作曲家的版本，经由过程比拟他们对“散步主题”的配器，研讨分歧作风时段的配器法运用，拟从汗青学角度，不雅察配器作风的改变与成长。文章从配器作风、织体构造、乐队编制与声部设置装备摆设手段的差别、音色运用特色、时期及小我作风之差别、配器理念之差别等方面停止剖析比较，研究和总结这三版“散步主题”配器的作风差别，俄语论文网站，展现分歧改编者对于经典著作的继续与成长立异，进一步论述分歧版本的《丹青博览会》在配器教授教养中的价值表现，为配器的进修者和研究者供给学术参考。 Abstract: Mussorgsky's Piano Suite "Painting Exhibition" is the 19th century Russia most one of music's first, its special structure and "walking theme" pull out the peculiarity and cause the vastness of the composer's interest and to stop orchestration and adaptation (heard today have different change compiled version more than 180 species). This paper selects the version of Tash Mar Love, Gaoqiakefu and Yu Jingjun three composers, through compare their orchestration of "walking" as the theme, to explore different style period orchestration applications, intends to from the perspective of sweat Seigaku, indecent observes the orchestration style change and growth. The orchestration style, fabric structure, the orchestra and voice set furnishings and equipment means the difference, timbre and application characteristics, period and personal style differences, orchestration philosophy of difference etc. carries on the analysis comparison, to discuss and summarize the third edition of "walking theme" orchestration style difference, shows a different adaptation are about classical works continue with innovation growth, further discusses the different versions of the painting exhibition "in orchestration teaching value for orchestration of learners and researchers to provide academic reference. 目录: 中文摘要 4-5 Abstract 5 绪论 6-9 第一章 《图画展览会》原作 钢琴版 中“漫步主题”简述 9-15 第一节 整体布局中的“漫步主题”及其贯穿性特点 9-10 第二节 “漫步主题”音乐形态与各乐章音乐性格结合的略论 10-15 第二章 三个版本“漫步主题”配器的综合略论 15-42 第一节 塔什玛洛夫版本 15-21 第二节 高恰科夫版本 21-32 第三节 于京君版本 32-42 第三章 三个版本“漫步主题”配器比较 42-62 第一节 乐队编制 42-43 第二节 声部配置 43-57 第三节 配器风格 57-62 结语 62-63 注释 63-65 参考文献 65-67 后记 67-68 |
