| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，俄语论文，俄语论文范文，内容请直接查看目录。） 抒怀笼统,又称“热笼统”或“表示性笼统”,其和几何笼统或构造笼统配合构成笼统绘画。它是理性的、直觉的、表示的、无机的、自在的笼统。抒怀笼统画家提倡用纯洁的绘画说话点、线、面、形、色等来表示作者的内涵情绪。抒怀笼统油画在东方的成长已逾百年,从1910年俄国画家康定斯基的第一幅笼统水彩画算起。然则在国际抒怀笼统油画的成长却只是近20年的事,而且成长现状和程度其地区性差别极年夜。本文旨在从以下内容引见和评论抒怀笼统油画：1,引见康定斯基和其抒怀笼统艺术实际；2,引见东方抒怀艺术派别；3,研究中国抒怀笼统油画的曩昔、如今和将来；4,研究笼统绘画的审美特点；5,剖析我国若何成长抒怀笼统绘画；6,研究笼统绘画确当代意义等外容。经由过程对以上内容的研究,以期进步人们对笼统油画的熟悉和懂得,惹起年夜家对笼统油画的看重和酷爱,让抒怀笼统油画走进我们的生涯,转变我们的世界。 Abstract: General Shuhuai, also known as "hot general" or "general representation", and its general structure with a general geometric or abstract painting. It is rational, intuitive, expressed, inorganic, free of general. General Shuhuai painters advocate the use of pure painting to point line surface shape and color to express the author's emotion connotation. Lyric abstract painting in the East growth for more than one hundred years, from the 1910 Russian painter Kandinsky the first general watercolor date. However in the lyric general growth of oil painting just in recent 20 years and growth degree of the current situation and its regional difference very big. The purpose of this article is from the following introduction and comment on the lyrical Abstract Painting: 1, introduce Kandinsky and the lyric abstract art practice; 2. Introduction Oriental lyric artistic faction; 3, study of Chinese lyric general oil painting in the past, now and in the future; 4, research abstract painting aesthetic characteristics; 5, analysis of China how to develop the lyrical abstract painting; 6, the study of general painting contemporary significance of external volume. Through to the research of the above content to phase advances in general painting know and are familiar with, cause massive home for general painting value and play, let the lyric abstract painting into our lives and our world. 目录: 摘要 3-4 Abstract 4 第1章 绪论 7-13 1.1 选题的意义和价值 7-8 1.2 国内外探讨近况 8-10 1.3 探讨目标、探讨内容和拟解决的关键问题 10 1.4 选题的意义和价值 10-11 1.5 本课题的特色与创新之处 11-13 第2章 关键词概说 13-19 2.1 抽象 13-14 2.2 抽象油画 14-17 2.3 抒情抽象油画 17-19 第3章 西方抒情抽象油画的发展历程 19-25 3.1 西方抒情抽象油画之父—康定斯基 19-22 3.2 西方抒情抽象油画的发展流行 22-25 第4章 中国抒情抽象油画的发展及近况 25-33 4.1 中国现代美术运动回顾 25-28 4.2 中国抒情抽象油画近况 28-31 4.3 中国抒情抽象油画畅想 31-33 第5章 抒情抽象油画的审美特征 33-41 5.1 点、线、面的形式美 33-34 5.2 色彩的律动美 34-36 5.3 构图的精确美 36-37 5.4 视觉冲击美 37-38 5.5 情感表现美 38-41 第6章 抒情抽象油画的当代意义 41-47 6.1 抒情抽象油画的写意性 41-42 6.2 抒情抽象油画的理性与非理性 42-43 6.3 抒情抽象油画的日常生活化 43-44 6.4 抒情抽象油画的缺点或不足 44-47 结论 47-49 参考文献 49-51 致谢 51-53 攻读学位期间的学术论文 53 |
