| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 安东·巴甫洛维奇·契诃夫（1860一1904）是十九世纪和二十世纪之交俄罗斯的文学大师。他既是俄罗文雅学史上第一个以短篇小说登上世界文坛的人，也是以戏剧著作享誉世界剧坛的戏剧家。在他的创作中，既有十九世纪俄罗斯古典文学的传统，也有世纪之交各艺术派别的身分。可以说，契诃夫是俄国十九世纪最初一名批评实际主义年夜家，俄语论文网站，也是古代俄罗文雅学的首创人。他的创尴尬刁难我们懂得二十世纪的俄罗文雅学具有极端主要的意义。契诃夫的剧作以深入的人性主义精力、对平常生涯的细腻描绘、意味性的艺术手段为我们洞悉世纪之交的俄罗斯社会生涯和俄罗斯平易近族特征翻开了一扇奇特的窗户。他的艺术作风对俄罗斯二十世纪的戏剧具有着深入的作用。研究二十世纪的俄罗斯戏剧史，我们可以发明，俄语论文题目，从四十年月鼓起的荒谬戏剧、五十年月来源并在七十年月获得极年夜繁华的品德心思剧、八十年月的“新海潮”戏剧直至本世纪末的“新戏剧”活动，这一系列严重的戏剧潮水都和契诃夫的戏剧有着亲密的关系。是以，本文作者以为，在二十世纪的俄罗斯戏剧史上是存在着契诃夫的戏剧传统的。并且，对于这一传统的研究，将有助于我们对二十世纪的俄罗斯戏剧文学的全体掌握。本文从研究契诃夫戏剧艺术传统的构成及其美学特点动手，经由过程对二十世纪俄罗斯戏剧史上与此相干的作家创作的考核和阐述，说明契诃夫戏剧艺术传统在二十世纪俄罗斯戏剧史上的演化进程，并以此明白契诃夫在全部俄罗斯戏剧成长史中的位置。 Abstract: Anton Pavlovic hekhov (1904 1860) was a literary master of Russia in nineteenth Century and twentieth Century. He studies in the history of the first short stories to reach the world literary people of Russia is both elegant and drama works, renowned playwright in the world drama. In his works, both the tradition of Russian classical literature in nineteenth Century and the identity of the art school at the turn of the century. It can be said, Chekhov is Russia in the nineteenth century the first name criticism realism of the eve of the home, is the ancient Russian elegant first. His record of things we know in twentieth Century Russia elegant study is extremely important. Chekhov's plays to the depth of the humanitarian effort, of daily life exquisite depict, mean art means for us insight at the turn of the century Russian social life and the Russian plain near feature family opened a peculiar window, a fan. His artistic style has a profound influence on Russian drama in twentieth Century. Research in the 20th century Russian drama history, we can find, from 40 years to muster up the absurd drama, fifty years sources and in the 1970s, obtain very large boom of moral psychological drama, in the 1980s the new tide drama until the end of the century "new drama" activities, this a series of serious drama tides are of Anton Chekhov's plays and has a close relationship. The author of this paper thinks that in the history of Russian drama in twentieth Century, there is a traditional drama of Chekhov. And, on this traditional study, will help us to grasp the whole Russian drama literature in twentieth Century. This article from the tradition of research of Chekhovian drama art composition and aesthetic characteristics, through to the assessment of the twentieth century in the history of Russian theatre and the coherence of the writers and explained that Chekhov's dramas and traditional art in 20th century Russian drama in the history of the evolution process, and thus understand Chekhov's position in the all Russian drama development history. 目录: 引言 5-7 第一章 传统的确立 7-25 一 从《普拉东诺夫》到《樱桃园》 7-18 二 戏剧革新家契诃夫 18-25 第二章 传统的潜流 25-49 一 不能不说的“荒诞戏剧” 25-31 二 我们重新想到了契诃夫 31-34 三 在爱中歌唱理想 34-45 四 我们“不能不做个好人” 45-49 第三章 传统的承传者万比洛夫 49-65 一 “万比洛夫之谜” 49-52 二 体裁问题 52-53 三 “坏的好人” 53-56 四 困境中的齐洛夫 56-58 五 传统的回声--《去年夏天在丘里木斯克》 58-65 第四章 传统的延续 65-81 一 “新浪潮”与契诃夫传统 65-68 二 揭示“残酷的真实”--论彼得鲁舍夫斯卡雅的创作 68-74 三 契诃夫传统与“新戏剧” 74-81 结论 81-82 后记 82-83 参考书 83-84 |
