“大斗牛场”一海明威笔下的西班牙"Big bull market", a Hemingway of Spain 摘要:(摘要内容经过系统自动伪原创处理以避免复制,下载原文正常,内容请直接查看目录。) 海明威已经称西班牙是本身最爱好的国度。西班牙也确切对海明威自己及其创作起着相当主要的感化。海明威对西班牙的情感源于斗牛,斗牛也潜移默化地作用着他对西班牙的懂得。海明威的西班牙其实不是地舆意义上的西班牙,而是有着海明威自己懂得的发明。海明威的西班牙是斗牛士的西班牙,也是斗牛化了的西班牙,西班牙在海明威的塑造下,西语论文题目,成了一个“年夜斗牛场”。西班牙一直作用着海明威平生的创作。他在斗牛士身上找到了“怅惘的一代”所完善的特质,也找到懂得脱的前途,同时也增强了他对生与逝世的懂得;对斗牛士的深刻懂得成长了他的“硬汉抽象”,使之具有更深入的意蕴;对斗牛的过细不雅察也增强了海明威“冰山体裁”的叙事措施。总之,西班牙在海明威的平生中都具有主要的意义。懂得了海明威的西班牙,必定对懂得海明威、研究海明威有严重的赞助。本篇论文重要采取了对详细著作的细读和剖析的办法。论文的前三章对海明威的与西班牙有关的著作停止了剖析和阐述,在内涵逻辑上试图做到一种时光上和熟悉上的同一:第一章是对于《太阳照旧升起》和个中的西班牙斗牛士的抽象,这既是海明威的第一部以西班牙为配景的小说,也是海明威对西班牙斗牛和斗牛士最后的熟悉阶段,这一时代,海明威和他小说中的人物都是;第二章是对于海明威的斗牛专著,即《逝世在午后》和《风险的炎天》,这是海明威从最后被斗牛所吸引,以后真正深刻地对斗牛停止研究和深入熟悉的阶段,固然《逝世在午后》写于1932年,《风险的炎天》写于1960年,然则这两部著作不管在体裁照样在精力本质上都是同一的,互补的,所以将这其放在一路停止评论辩论;第三章对于37-40年的《西班牙年夜地》、《第五纵队》和《丧钟为谁而鸣》,这一阶段的著作所描述的是二战中的西班牙生涯,斗牛曾经融入到海明威对西班牙全体的认知当中,是以西班牙的生涯在海明威的著作中有一种“斗牛化”的颜色。论文的第四章为总结部门,在对上述著作停止剖析和梳理以后,作者发明西班牙和斗牛在海明威著作的的主题、人物抽象和体裁作风上都可以找到相连的线索。斗牛士精力是海明威解脱怅惘的一个必经之路,斗牛士与逝世亡的亲密关系与海明威对逝世亡主题的看重有着相通的地方,斗牛士在面临逝世亡时所表现出的庄严和优雅又是对海明威“硬汉抽象”的一种完美,而在写作斗牛专著时海明威所做的那种过细入微的不雅察和描述,西语论文,也是一种对他的冰山体裁的锻炼。 Abstract: Hemingway has said that Spain is the country of their own favorites. Spain also has an important influence on Hemingway and his works. Hemingway's feelings for Spain from the bull, the bull also exerts a subtle influence on his understanding of spain. Hemingway's Spain, in fact, is not in the geographical sense of Spain, but has Hemingway own understanding of the invention. Hemingway of Spain is a bull in Spain, is also a bull of Spain, Spain in the shape of Hemingway, has become a big bull market". Spain has always influenced the creation of Hemingway's life. He in the matador found "lost generation" of the perfect character, also find know off of the future, but also enhance the he of the birth and death of the know; on matador profoundly understand growing his "tough guy abstraction", enables it to have the deeper meaning; of bullfighting meticulous observations also enhanced the Hemingway's "iceberg" genre of narrative methods. In short, Spain has a major significance in the life of Hemingway. Know Hemingway of Spain, must be on the understanding of Hemingway, Hemingway has serious sponsorship. This paper has taken on the important works with reading and analysis method. The analysis and elaboration of the first three chapters of Hemingway and related works in Spain, trying to do a logical connotation of time and with the same: the first chapter is about "the sun also rises" and the Spanish Matador abstract, this is the first Hemingway to Spain with the landscape of the novel, Hemingway is also on the Spanish bullfight and matador finally familiar stage, this time, Hemingway and the characters in his novels are; the second chapter is about Hemingway's death in the "bull monograph" and "summer afternoon risk", this is Hemingway from the last attracted by the bull, after truly profound and in-depth research on the familiar stage, although the "death in the afternoon" was written in 1932, "the risk of summer" was written in 1960, but the two works no matter in Genre still in energy is, in essence, are the same, complementary, so will this put it in a way to stop the comment debate; chapter three a 40-45 years of the Spanish big "," fifth column "and the death knell for whom tolls", this phase of the work described is Spanish career during World War II, pitbull was once into Hemingway in Spain all cognitive, career with the Spanish in Hemingway's works have the color of a kind of "bull". The fourth chapter is summary of the Department, in to analyze, and sort out the work came to a halt, the authors developed the Spanish bullfight in Hemingway's works of the theme, character image and style can find clues to the connected. Matador energy is Hemingway's free listless route, matador and the death of intimacy and Hemingway to death death theme value have similarities, the matador in the face of death, solemn and elegant and is of Hemingway's "tough guy image" of a kind of the perfect, and Hemingway bullfighting writing Monographs in the kind of meticulous observations and descriptions, is also a kind of his iceberg genre exercise. 目录: |