青春记忆的文化想象一当下泰国电影的文化阐释Cultural imagination of youth memory a cultural interpretation of Thailand film 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 20世纪90年月末，阅历了金融危机以后的泰国片子积极追求变更，完成了从中兴到光辉的症结转机。跟着片子系统赓续完美，泰语论文题目，片子类型赓续丰硕，泰国成为继中日韩印以后又一个具有代表性的亚洲片子国度。在当下泰国片子的文明系统中，传统的鬼魅片、泰拳片、神话史诗片持续施展原本的类型优势；近几年新鼓起来的芳华影象冲破“他者”想象的既定认知，从千奇百怪的片子奇迹中逃走出来，构建了属于本身外乡的文明记忆，成为平易近族影象自我救赎的胜利典范。为了出现泰国芳华影象的文本内容、文明内在，提醒泰国芳华影象胜利的文明缘由。本文以2002年以来芳华记忆的文明想象在泰国片子中的出现为研究领域，容身要研究的著作自己，并联合泰国本平易近族的文明和“他者”想象的文明记忆来停止具体阐述。本文共分为五部门：第一部门是对世界片子中芳华记忆的文明想象停止阐释、概述。第二部门是从时光线性成长的角度，对泰国片子芳华记忆过程停止梳理。第三部门重点论述泰国片子中芳华记忆的文本出现。重要经由过程对芳华影象内涵的文明姿势、美学寻求和人物定位的解析，全方位、多角度地剖析泰国此类影片的影象特点。第四部门是第三部门的延长与深化。经由过程前两章的剖析，深刻发掘泰国芳华影象特点面前深入的文明内在：释教文明和“他者”想象视阈中的文明记忆。第五部门得出结论。2002年以后的泰国片子克意改造，泰语专业论文，积极调剂家当类型战略，将外乡芳华文明记忆与“他者”想象融汇贯穿，终究构成了富有泰公民族特点的影象文明。这对我国片子的类型化摸索和外乡文明对别传播都是可资自创的经历。 Abstract: At the end of twentieth Century 90 years, experienced a financial crisis after the Thailand film actively seek change, completed from ZTE to turn the crux of glory. Follow the film system is ceaseless and perfect, the type of film is ceaseless and rich, Thailand has become the following in, Japan, South Korea and India and a representative of Asian Film country. In contemporary Thailand film system of civilization, traditional ghosts, Muay Thai, myth epic continues to play the original advantages of the type of; youth image in recent years new drum up to break through the "other" image established cognitive, from strange movie miracle escape, constitutive built belongs to itself the indigenous culture memory, is a model of ethnic image self redemption of victory. In order to text, Thailand youth image cultural connotation, cultural reasons to remind Thailand youth image of victory. In this paper since 2002 the memory of youth civilization imagine in the Thai film appeared as the research field, shelter to study his works, and joint the civilization of Thailand of the ethnic groups and the "other" imagine the culture memory to carry on detailed exposition. This paper is divided into five parts: the first part is the memory of the movie world youth civilization imagination stop interpretation, overview. The second sector is growing from the angle of linear time, Thailand youth movie memory stop comb. The third sector focuses on the text in the film appeared in memory of Thailand youth. Analysis of important through the posture of civilization of youth image connotation, aesthetic seeking and figures positioning, full range, angle analysis Thailand such video image characteristics. The fourth sector is the extension and deepening of the third sector. Through the analysis of process, the former two chapters, deeply explore the image features of youth, Thailand front and deep cultural connotation: Buddhist civilization and "otherness" imagination from the perspective of cultural memory. The Fifth Department concluded. In 2002 after the Thai film grams of meaning transformation, actively adjust belongings type strategy, indigenous youth civilization memory and "other" imagination through fusion, eventually forming a rich Thai ethnic characteristics of the image of civilization. This type of film in China and local culture are valuable exploration experience to draw on don't spread. 目录: 中文摘要 5-6 Abstract 6 绪论 7-12 第一章 泰国电影的青春记忆历程：由现实到清新 12-18 第一节 初期阶段：虚火旺盛的现实探究 12-13 第二节 中期阶段：喜忧参半的教育反思 13-15 第三节 后期阶段：凤凰涅槃的清新影像 15-18 第二章 当下泰国电影的青春记忆：充满张力的文本呈现 18-31 第一节 文化姿态：消费导向下的青春怀旧 18-22 第二节 美学追求：简淡图景下的浓烈青春 22-26 第三节 人物定位：双向运动中的主体建构 26-31 第三章 当下泰国电影青春记忆的文化想象：“无相”融合的文化读解 31-42 第一节 佛教视域中的文化想象 31-38 第二节 “他者”想象视域中的文化记忆重构 38-42 结语 42-43 注释 43-46 参考文献 46-48 攻读学位期间的学术论文 48-49 致谢 49 |
