泰国恐怖电影母题探讨(1999-2017)The Thailand horror film motif study (1999-2017) 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，泰语专业论文，内容请直接查看目录。） 新时代，跟着泰国片子事业的周全中兴，泰国恐惧片子继续了实际主义的优秀传统，冷艳表态亚洲影坛，在取得很多赞赏的同时也遭到愈来愈多的存眷。泰国恐惧片子的目标不只仅为供给文娱和安慰，而是以一种特殊的文体与措施存眷泰国社会实际，反思泰人的生计窘境，进而无意识的商量形成这类社会实际的社会、文明和心思本源，并提出人道的关心和解救，从而施展很好的引诱和教化功效。就这类意义而言，泰国恐惧片子可以视为泰国国民社会意理演化的一个目标，恐惧片的内容亦可以当作反应泰国文明和平易近族心思的一面镜子。本选题恰是基于这一点，经由过程对新时代泰国恐惧片子过细研究，容身全体对新时代的泰国恐惧片子停止母题归类剖析，展现泰国人的外乡文明特点和平易近族心思的同时，进而商量恐惧片子面前更深条理的社会、文明和心思本源，表达对人与社会的反思、对精力性命的关心、释放泰平易近族个人压制的焦炙。本文分红五个部门。媒介部门概述国际外研究现状，经由过程剖析凸起泰国恐惧片子的母题研究视角，概述本文研究办法和研究价值。第一章梳理国际外对恐惧片子做出的界定，并提出本文所援用的恐惧片子的界说。简略引见泰国恐惧片子的成长过程，并引见母题概念和为泰国新时代恐惧片子停止母题分类。第二章从“冤魂索命”的母题动身，比拟这类母题所包含的奇特作风，并提醒冤魂索命母题面前的外乡宗教文明的作用和片子所包含的激烈的情绪诉求。第三章从“同化”母题动身，侧重表示古代泰国社会中的各种同化景象，从而表达对工业时期中人本身的反思，对同化社会中人的精力性命的深切关心。第四章从“童年创伤”的母题动身，泰语论文题目，经由过程剖析片子中主人公遭受的童年创伤，以精力剖析的角度，商量人类犯法的心思本源，并试图摸索凌乱的精力世界面前的本相，经由过程片子展现泰人的缺掉情结，释放泰平易近族有意识层面的焦炙。第五部门为余论，在确定泰国恐惧片子的意义同时，指出片子的缺乏，希冀泰国恐惧片子的进一步成长。 Abstract: New era, followed by Thailand's film career Zhou Quanzhongxing, Thai horror movie to the realism tradition of excellence, elegant statement of Asian cinema, in a lot of appreciation at the same time has also been increasing concern. Thai horror movie not only for provide entertainment and comfort, but to a kind of special literary style and methods save Thai society pays close attention to reality, reflect the Tai living dilemma, and unconscious to discuss the formation of the social actual social, cultural and psychological origin, and puts forward the human care and rescue, so as to display a good lure and enlightenment effect. In this sense, the Thailand horror film can be regarded as a goal of Thailand's national social and psychological evolution, the content of fear can also be used as a response to Thailand civilization and national thinking of a mirror. This selected topic is precisely based on this, through the process of a new era of Thai horror movie meticulous research, shelter all of a new era of Thai horror movie stop motif classification analysis, show Thai indigenous culture characteristics and ethnic thoughts at the same time, and discuss the horror movie before deeper social, cultural and psychological origin. Expression of the reflection of the people and the society, spiritual life care, release Thai Ethnic individuals to suppress the anxiety. This article is divided into five departments. Media department overview at home and abroad and the research present situation, through the analysis of the process of convex Thai horror movie motif research angle of view outlines the research methods and research value. The first chapter combs the international of the horror movie made, and put forward the definition of the cited horror movie. Brief introduction to Thai horror film growth process, and introduce the motif concept and Thailand's new era horror movie stop motif classification. The second chapter from the start with the motif of "ghost Suo life", compared this kind of motif contains a unique style, and to remind the ghost Suo life motif in front of indigenous religious civilization and the influence of the film contains intense emotional appeal. In the third chapter, from the start of the motif of "assimilation", focusing said Thailand's ancient social assimilation scene, to express the reflection of the industrial era, deep concern for social assimilation energy of life. The fourth chapter from the start with the motif of childhood trauma, through the analysis of the process of film Hero suffered childhood trauma and analyzed by energy from the point of view, discuss human crime psychological origin and tried to grope messy world energy in front of this phase, through the process of film show missing complex of the Tai, release Thai plain near family have consciousness of anxiety. The fifth sector is Yu theory, in determining the significance of the Thailand horror film at the same time, pointed out that the lack of film, hope Thailand fear the further growth of the film. 目录: |
