“新时期”泰国电影探讨（1997一2017）"New period" Thailand film research (2017 1997) 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 20世纪90年月末，泰语论文范文，泰国片子在阅历了一次危机以后从新以一种极新而充斥自负的姿势涌现，并逐步成为在西北亚文明圈甚至国际影坛出席已久、具有代表性的影象声响。为了出现现代泰国片子的全体状态，提醒影片的真实价值，本文以近十年来泰国片子的中兴成长为研究领域，容身要研究的著作自己，联合其地点的地区平易近族与汗青文明来阐述。本文共分为三章第一章剖析了片子在泰国成长进入新阶段的必定和有时，引见了泰国的“新海潮”片子活动，并联合现代全球化语境提出了泰国片子完成其本平易近族诉求其实不断成长的重要门路即走外乡化道路与成长外乡类型片子。第二章分离从影片取材、文明不雅念和视听说话三个方面阐述了“新时代”泰国片子的创作艺术及外乡化特点。第三章是第二章不雅点的延长。基于泰国片子走贸易化、文娱化类型片子的道路，本章一方面剖析了“新时代”泰国外乡化类型片子的成长情形和制造战略。另外一方面，本章还联合两种具有代表性的类型片子重点阐述了在“新时代”泰国类型片子中泰国那激烈的平易近族认识和丰硕的艺术想像力是若何得以表现的？最初，泰语论文范文，本文得出结论现代泰国片子在阅历了一次阶段性高潮以后进入了她中兴成长的“新时代”。她那奥秘张狂的情感和文明宣泄的激动是经由过程对外乡实际、平易近族汗青停止影象归纳综合而得以彰显的。她的成长进程其实也是其具有外乡特点的影象内容融入贸易化形式制造并逐步构成外乡类型片子的进程。 Abstract: At the end of 90 years in the 20th century, Thai film after experience a crisis from new in a new and full of arrogant posture emerge, and gradually become in Southeast Asian cultural circle and even international cinema attendance has been for a long time, has the representative image noise. In order to see the modern Thai film of all state, remind of the film real value and the nearly ten years Thailand film ZTE has grown as the research field, shelter to study his works, combined with the location of the plain area of ethnic and historical and cultural to elaborate. This paper is divided into into three chapters: the first chapter analyzes the film in Thailand to grow into the new stage of must and sometimes, introduced the Thai "new tide" film activities and combined with the modern context of globalization the Thai film completed the plain near family demands actually growing important door road go stranger road and growth of indigenous type film. Chapter 2 drawn from the film, uncivilized Ya Nian audio-visual and speak three aspects elaborated the "new era" of Thai film artistic creation, and the localization characteristics. The third chapter is the extension of the second chapter. Walking the road of trade and entertainment type of film based on the Thai film, on the one hand, this chapter analyzes the "new era" of Thai indigenous type of film growth and manufacturing strategy. On the other hand, this chapter also co two is representative of the type of film focuses on in the "new era" Thailand type of film that Thailand fierce ethnic awareness and rich artistic imagination is how to be displayed? At first, this paper concludes that the modern Thailand film has entered into a new era after the climax of a stage ". Her secret insolent emotion and civilized to give vent to emotion is through the process of actual indigenous, plain near family history stop image synthesis and manifest the. Her growth process but also its indigenous characteristics of video content into the formal trade production and gradually form the process of indigenous type of film. 目录: 摘要 4-5 Abstract 5 前言 6-10 第一章 处在“新时期”的泰国电影 10-21 第一节 泰国电影发展进入“新时期” 10-13 第二节 “新浪潮”:泰国电影的复兴运动 13-17 第三节 全球化语境中的民族诉求 17-21 第二章 根植本土的泰国电影创作 21-39 第一节 影片取材源于本土 21-28 第二节 融入本土文化与观念 28-35 第三节 极具本土特色的视听语言 35-39 第三章 本土化的泰国类型电影 39-54 第一节 积极发展本土类型电影 39-43 第二节 英雄史诗:泰国的神话史诗片 43-48 第三节 民族尊严:泰国的泰拳动作片 48-54 结论 54-56 参考文献 56-59 附录 59-61 后记 61 |
