作 者：朱晓农[1,2] 林晴[1] 趴差桠 机构地区：[1]香港科技大学人文学部,香港 [2]哈尔滨工大深圳探讨生院,深圳518055 [3]北京师范大学,北京100875 出 处：《民族语文》2017年第4期3-18,共16页Minority Languages of China 基 金：项目基金：香港科大GRF16402114. 摘 要：本文立足于音节学与声调类型学的通用性理论框架，提出泰语的声调类数应为7（＋2）类，包括五个舒声长调，两个短入，还有两个消失中的中短入。论文详细描写这9个声调的声学特征以及变体，论证入声的音节学地位。然后确定泰语声调的类型学地位，以便进行跨语言比较和演化探讨。我们发现泰语中短入声调已接近舒化，短入亦有长化倾向。更重要的是发现了一个涉及四个舒声长调的顺时针链移演化圈，其中第二阶段是个反V链。Based on the Theory of Syllabics and Phonational Typology, the current research has identified 7 （＋2） Thai tones, including 5 unchecked Long tones, 2 checked Short tones, and 2 checked Mid-Short tones which are about to disappear. In this paper, we provide acoustic descriptions and allotones of all 9 tones, argue for treating checked tones as independent tonemes, and determine the tonotypes of Thai. This paper has two fmdings on the evolution of Thai tones： first, checked tones tend to be lengthened, especially for the Mid-Short tones, which are appromating the unckecked tones; second and more importantly, there is a clockwise chain shift that occurs on 4 Long unchecked tones, the second phase of which constitutes a reverse V-shaped chain. 关 键 词：泰话 声调 类型学 调型 分域四度制 ，泰语论文范文，泰语毕业论文 |
