Abstract
Edgar Allan Poe has always been noted for his short stories, focusing on horror，murder，revenge，death, etc. However, Tales of Humour by Poe rarely draw the attention of the public. This paper is aimed at elaborating on Poe’s humor with respect to both shared qualities and unique ones consisting of horror, history, satire. Meanwhile, through Some Words with A mummy, this paper tries to analyze writing skills in terms of its style，figure of speech，character and environment so as to explore the nature of Poe’s humor and open a window for further study as well as acquaint people with a new and all-round Allan Poe. Allan Poe is a master not only on Tales of Gothic, Detection, and Psychology but on Humor, and he shows us many philosophy and wisdom by means of his own style of humor.
Keywords Edgar Allan Poe Humour Horror History Satire
埃德加•爱伦•坡一直以来为人所追捧的短篇小说无异于是他的那些以恐怖、凶杀、复仇、死亡等为主题的小说，英语论文，遗憾的是，坡的那些独具幽默特质的篇什却极少为众人所关注。本文旨在详细研讨爱伦•坡的幽默文风，略论爱伦•坡所具有的幽默共性及其融合其独有的恐怖、历史、讽刺等元素造就其特性，然后通过借助文本《同木乃伊的对话》，从文本的文体修辞、艺术手法、人物与环境等写作手法方面着手，来具体剖析审视爱伦•坡的幽默特质的肌理，英语论文题目，从而为今后的探讨打开一个新的窗口，让人们认识到坡不仅是哥特、侦探、心理小说的大师，他同样也是幽默小说的行家，用其独特的幽默情趣向我们展示了许多哲理与智慧。
关键词 埃德加•爱伦•坡 幽默 恐怖 历史 讽刺
Edgar Allan Poe (1809-1849) is a celebrated American poet, novelist and literary critic during 19th Romantic Period. In the field of American literature, Allan Poe is one of the most controversial and legendary writers. For a long time, he has always been treated as playing a minor role on the margin in the literary history. Emerson considers him as “a jingle man”; Henry James holds that his works are “with a strong literary technique and glowing appearance, but without real thought and profound meaning”. (Meyer, 1992: 271) And in an article The Significance of Edgar Poe in 1880, Whitman maintains that his works belong to “the light of imaginative literature, bright and dazzling, but without the heat”. (Clarke, 1991: 207) But the famous French symbolist poet Baudelaire admires and worships him for his outstanding writings. Edgar Allan Poe himself seems to predict that he cannot find one who can really understand and appreciate his works in his age and says that “I don’t care that my stories are read by contemporary people or people of next generations. I can spend a century on waiting for readers.” |
